When Sarah Hopson realizes her successful high-rise New York lifestyle is devoid of meaning, she packs her bags and heads for her home town in the Scottish Borders to look for Sam, her ... See full summary »
A reformed young man with a steady job, Benny, returns to the city of his youth to find the girl he's been in love with since childhood and that's home to his four petty criminal friends, Jacko, Zac, Bisto and Flea.
A masochistic cop, who hides her predilection from her cop husband, gets involved in pursuing a kidnapper nicknamed Harry for Harry Houdini, who has kidnapped a rich woman and has buried ... See full summary »
Based on a true story, this film tells the tale of the 1950 US soccer team who, against all odds, beat England 1 - 0 in the city of Belo Horizonte, Brazil. Although no US team has ever won a World Cup title, this story is about the family traditions and passions which shaped the lives of the players who made up this team of underdogs.
Harrison Lloyd is a Pulitzer-winning photojournalist. His wife and family are making it hard for him to keep his mind on his work when he's in a war zone, and he wants to change jobs to something less stressful. But he's got one last assignment, in war-torn Yugoslavia, in 1991, at the height of the fighting. Word comes back that he apparently died in a building collapse, but his wife Sarah (also a journalist for Newsweek) refuses to believe that he's dead and goes looking for him. She's helped immensely by the photo-journalists Eric Kyle and Marc Stevenson that she runs into over there; together, they're determined to make it through the chaotic landscape to Vukovar, which is not only the nexus of the war but where she believes Harrison is located. Meanwhile, Harrison's son Cesar is looking after his father's prized greenhouse, keeping hope, and flowers, alive. Written by
Jon Reeves <firstname.lastname@example.org>
When Eric, Sarah and Marc are driving through the war-torn countryside trying to make their way to the hospital where they believe Harrison might be, the large SUV they are driving has a giant "TV" painted in white on the front windshield. Seen from the inside, the letters are huge, but from outside they are much smaller. See more »
I've never seen any other movie like this before! Granted, my exposure to movies where photojournalists are in the midst of war, it gave a stunning portrayal of how these levels of violence affect the people who take the pictures that we see in magazines.
If you want to read about the plot, then you should read the other comments about this film. However, if you want comments, then consider these: While the movie does have a love story plot (wife tries to find husband in war-torn Eastern Europe), the presentation of the war scenes within the movie are phenomenal, giving it a "Saving Private Ryan" feeling.
As Sara (the wife) and the photographers look for Harrison Lloyd, not only do you see how far a wife will go in order to find her husband, but you also witness just how far photojournalists will go in order to save their own.
And if you ask me, the "Hollywood Ending" was absolutely necessary in order to justify showing the rest of the grim war scenes throughout the movie (they can be disturbing, but they aren't gory). Had the movie ended any other way, I think that the majority of the viewers would feel extremely depressed after sitting through a two-hour movie.
Definitely a great movie! This is one that will get a lot of playtime in my DVD player.
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