| Photos (See all 13 | slideshow) |
| Juliette Binoche | ... | Anne Laurent | |
| Thierry Neuvic | ... | Georges | |
| Josef Bierbichler | ... | The Farmer (as Sepp Bierbichler) | |
| Alexandre Hamidi | ... | Jean | |
| Maimouna Hélène Diarra | ... | Aminate | |
| Ona Lu Yenke | ... | Amadou | |
| Djibril Kouyaté | ... | The Father | |
| Luminita Gheorghiu | ... | Maria | |
| Crenguta Hariton | ... | Irina (as Crenguta Hariton Stoica) | |
| Bob Nicolescu | ... | Dragos | |
| Bruno Todeschini | ... | Pierre | |
| Paulus Manker | ... | Perrin | |
| Didier Flamand | ... | The Director | |
| Walid Afkir | ... | The Young Arab (as Walide Afkir) | |
| Maurice Bénichou | ... | The Old Arab | |
| Carlo Brandt | ... | Henri | |
| Philippe Demarle | ... | Paul | |
| Marc Duret | ... | The Policeman | |
| Arsinée Khanjian | ... | Francine | |
| Florence Loiret Caille | ... | Amadou's Friend (as Florence Loiret) | |
| Nathalie Richard | ... | Mathilde | |
| Andrée Tainsy | ... | Mrs. Becker | |
| Elisabeth Marceul | ... | Child | |
| Melissande Zeddam | ... | Child | |
| Brandon Croteau | ... | Child | |
| Sonia Chauvelin | ... | Child | |
| Baptiste Gintzburger-Batle | ... | Child | |
| Sarah Agogue Tasse | ... | Child | |
| Alexandra Croteau | ... | Child | |
| Jerome Ferreira | ... | Child | |
| Melanie Lhote | ... | Child | |
| José Marques | ... | Child | |
| Guessi Diakite-Goumdo | ... | Salimata | |
| Jean-Yves Chatelais | ... | Shop Owner | |
| Laurent Suire | ... | Policeman | |
| Féodor Atkine | ... | Man in Taxi (voice) | |
| Malick Bowens | ... | Witch Doctor | |
| Ioan Marian Boris | ... | Nicu | |
| Monica Popa | ... | Nuta | |
| Ada Navrot | ... | Florica | |
| Giba Gonçalves | ... | Percussion Teacher | |
| Dominique Douret | ... | David | |
| Tsuyu Shimizu | ... | David's Friend (as Tsuyu Bridwell) | |
| Antoine Mathieu | ... | Restaurant Waiter | |
| Constantin Barbulescu | ... | Mihai Popa | |
| Domeke Meite | ... | Demba | |
| Marany Fofana | ... | Youssouf's Sister | |
| Aïssa Maïga | ... | Black Girl with Blonde Hair | |
| Costel Cascaval | ... | Man in the Garden | |
| Sandu Mihai Gruia | ... | Group Leader | |
| Daniel Dublet | ... | Uncle | |
| Boris Napes | ... | Father in Cemetery | |
| Isabelle Pietra | ... | Mother in Cemetery | |
| Cristina Ioanidis | ... | Tatiana | |
| Ion Haiduc | ... | Man in Squat | |
| Guillaume Morvilliers | ... | Pierrot | |
| Pascal Loison | ... | Jolly Man | |
| rest of cast listed alphabetically: | |||
| Jeff Cullen | ... | Character portrayal | |
| Irina Lubtchansky | ... | Camera Assistant | |
| Michael Haneke | ... | Voice of Unseen Director of Anne's Film (voice) (uncredited) | |
Directed by | |||
| Michael Haneke | |||
Writing credits(in alphabetical order) | ||
| Michael Haneke | ||
Original Music by | |||
| Giba Gonçalves | |||
Cinematography by | |||
| Jürgen Jürges | |||
Film Editing by | |||
| Karin Hartusch | |||
| Nadine Muse | |||
| Andreas Prochaska | |||
Casting by | |||
| Kris Portier de Bellair | |||
Production Design by | |||
| Emmanuel de Chauvigny | |||
Set Decoration by | |||
| Laurence Vendroux | |||
Costume Design by | |||
| Françoise Clavel | |||
| Gloria Papura | |||
Makeup Department | |||
| Isabelle Luzet | .... | key hair stylist | |
| Thi-Loan Nguyen | .... | key makeup artist | |
| Ion Toma | .... | key makeup artist | |
Production Management | |||
| Bruno Bernard | .... | unit production manager | |
| David Crenn | .... | assistant unit manager | |
| Diona Dragnea | .... | production manager: Romania (as Doina Dragnea) | |
| Manuel Recolin | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Melia Cerchez Anghel | .... | assistant director: Romania | |
| Denis Imbert | .... | assistant director | |
| Arnaud Mathey-Dreyfus | .... | assistant director | |
| Virgil Nicolaescu | .... | second assistant director | |
| Alain Olivieri | .... | first assistant director | |
| Joseph Rapp | .... | assistant director | |
| Dorel Torcatoru | .... | assistant director: Romania | |
| Gaëlle Tronquit | .... | trainee assistant director | |
Art Department | |||
| Véronique Barnéoud | .... | first assistant art director | |
| Gabriel Bucur | .... | assistant decorator: Romania | |
| Bernard Chenevier | .... | construction manager | |
| Yann Dury | .... | carpenter | |
| Corinne Martin | .... | painter | |
| Calin Papura | .... | set decorator: Romania | |
| Thomas Pitre | .... | property master | |
| Olivier Prost | .... | assistant decorator | |
| Jean-Luc Schwarz | .... | key painter | |
| Vlad Teodor | .... | assistant decorator: Romania | |
| Annie Tourriol | .... | assistant decorator | |
| Ion Vasilescu | .... | assistant decorator: Romania | |
| Laurence Vendroux | .... | construction manager | |
| Wouter Zoon | .... | property master | |
Sound Department | |||
| Edouard d'Heucqueville | .... | sound mix technician | |
| Dominique Eyraud | .... | boom operator | |
| Eric Ferret | .... | sound mixer | |
| Judith Guittier | .... | assistant foley artist | |
| Jean-Pierre Laforce | .... | sound mixer | |
| Lionel Lebras | .... | boom operator: post-synchronisation | |
| Laurent Lévy | .... | sound effects editor | |
| Nadine Muse | .... | sound editor | |
| Guillaume Sciama | .... | sound engineer | |
Special Effects by | |||
| Séverine De Wever | .... | production coordinator | |
| Pierre Foury | .... | special effects | |
| Daniel Lenoir | .... | special effects | |
| Benoît Squizzato | .... | special effects | |
Visual Effects by | |||
| Olivier Poujaud | .... | digital compositor | |
| Antoine Simkine | .... | visual effects executive producer: Duboi | |
| Daniel Trujillo | .... | digital artist | |
Camera and Electrical Department | |||
| André Atellian | .... | key grip (as Andre Attelian) | |
| Sandel Bacalu | .... | gaffer: Romania | |
| Frédéric Batier | .... | second assistant camera | |
| Benoît Bayle | .... | grip | |
| Marion Befve | .... | second assistant camera | |
| Guy Bordet | .... | electrician | |
| Carlos Cabeceran | .... | Steadicam operator | |
| Olivier Cazzitti | .... | gaffer | |
| Marian Ene | .... | grip: Romania | |
| Nicolae Geoana | .... | electrician: Romania | |
| Jim Howe | .... | gaffer | |
| Jean-Bernard Josko | .... | grip | |
| Irina Lubtchansky | .... | first assistant camera | |
| Jérémie Nassif | .... | still photographer | |
| George Nicolae | .... | electrician: Romania | |
| Florin Niculae | .... | electrician: Romania (as Florin Nicolae) | |
| Gérard Rival | .... | grip | |
| Marian Sandor | .... | second assistant camera: Romania | |
| Joel Spinola | .... | electrician (as Joël Spinola) | |
Costume and Wardrobe Department | |||
| Adina Bucur | .... | costume assistant: Romania | |
| Germaine Ribel | .... | costumer | |
Editorial Department | |||
| Yannick Coutheron | .... | assistant editor | |
| Pierre Réali | .... | color timer | |
Other crew | |||
| Razvan Constantinescu | .... | general administrator: Romania | |
| Aline Corneille | .... | production secretary | |
| Mariana Costea | .... | production assistant: Romania | |
| Eric Dupressoir | .... | groupman | |
| Greg Engler | .... | location consultant: pre-production | |
| Mathilde Incerti | .... | press attache | |
| Nathalie Kreuther | .... | production assistant | |
| Lina Martins | .... | assistant: Juliette Binoche | |
| Chloé Perlemuter | .... | script supervisor | |
| Gisèle Vuillaume | .... | production administrator | |
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| Persepolis | Kings & Queen | The Best of Youth | Babel | Paris, je t'aime |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section |
Strange. I saw within 24 hours one of the biggest frauds I've seen (the despicable 'Crash') and one of the best films, 'Code Unknown'. Both pictures examine preconception (be it racism, xenophobia, or like societal concerns) but only 'Code Unknown' allows characters to live in the rhythm and cadence of ordinary life as so many of us recognize it.
The picture concerns the being of about 7 characters, typically catching those involved at times that aren't necessarily, at least apparently, advancing to a conventional plot. Scenes often begin in their ostensible middle, characters are caught mid-sentence; this technique breathes a sense of organic freedom into the people we are watching, a technique that director Michael Haneke frequently uses to capture the reality of people as they simply exist. Here, the nature of connection is examined through the complex means of allowing the audience's preconceptions, as well as some (certainly not all) of the characters, to add meaning and gravity to what we see.
I loved this movie; seldom do I feel privileged to be able to engage in the lives of those on screen. The experience of watching 'Code Unknown' is akin to putting in earplugs and watching random people interact: after some time, the interactions of those we see become our own personal narrative, meaningful to us alone. While this film has its meaning, it also understands that the viewer's thoughts and feelings are just as relevant to the process as the film crew's. To put it another way, 'Crash' would have been a miserable failure of a movie even if I hadn't seen it. 'Code Unknown' seems to come into being as its being watched, an experience between the filmmakers and the viewers. Michael Haneke could make 10,000 more movies and it wouldn't seem enough.