Directed by | |||
| Jean-Pierre Denis | |||
Writing credits(in alphabetical order) | ||
| Jean-Pierre Denis | ||
| Paulette Houdyer | novel "L'affaire Papin" | |
| Michèle Pétin | ||
Produced by | |||
| Laurent Pétin | .... | producer | |
| Michèle Pétin | .... | producer | |
Cinematography by | |||
| Jean-Marc Fabre | |||
Film Editing by | |||
| Marie-Hélène Dozo | |||
Casting by | |||
| Jeanne Biras | |||
Production Design by | |||
| Bernard Vézat | |||
Costume Design by | |||
| Isabelle Boiton | |||
| Sylvie de Segonzac | |||
Makeup Department | |||
| Françoise Chapuis-Asselin | .... | key makeup artist (as Françoise Chapuis) | |
| Agathe Dupuis | .... | key hair stylist | |
| Alexis Kinebanyan | .... | special makeup effects artist | |
| Benoît Lestang | .... | special makeup effects artist | |
| Claire Monatte | .... | makeup artist | |
| Gilles Rossire | .... | special makeup effects artist | |
| Frédéric Zaid | .... | hair stylist | |
Production Management | |||
| Daniel Baschieri | .... | production manager | |
| Laurent Lesieur | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Marianne Capian | .... | second assistant director | |
| Juliette Denis | .... | trainee assistant director | |
| Laurent Herbiet | .... | first assistant director: preproduction | |
| David Maria Putorti | .... | first assistant director | |
Art Department | |||
| Stéphane Cressend | .... | property master | |
| Laurent Jarriau | .... | property master | |
| Virginie Le Metayer | .... | set dresser | |
| Olivier Meidinger | .... | assistant art director | |
| Olivier Schmidt | .... | trainee painter | |
| Raymond Schmidt | .... | key painter | |
Sound Department | |||
| Julie Brenta | .... | sound editor (as Julie Cuvelier-Brenta) | |
| Benoit De Clerck | .... | sound editor | |
| Fred Demolder | .... | sound assist | |
| Philippe Demolder | .... | assistant sound editor | |
| Jean-Pierre Duret | .... | sound | |
| Michel Filippi | .... | adr supervisor | |
| Thomas Gauder | .... | sound mixer | |
| Dimitri Haulet | .... | assistant sound | |
| Philippe Richard | .... | sound | |
| Olivier Roche | .... | sound mix technician | |
| Philippe van Leer | .... | foley artist | |
Camera and Electrical Department | |||
| Guy-Auguste Boléat | .... | key grip | |
| Claude Bourdais | .... | grip | |
| Sophie Cadet | .... | crane operator: Louma crane | |
| Laurent Duquesnoy | .... | grip | |
| Steve Gruen | .... | Steadicam operator | |
| Laurent Hincelin | .... | assistant camera | |
| Nicolas Le Gal | .... | assistant camera | |
| Eric Le Roux | .... | Steadicam operator (as Eric Leroux) | |
| Jérôme Prébois | .... | still photographer | |
| Marion Rey | .... | assistant camera | |
| Paulo Rodriguez | .... | crane technician: Louma crane | |
| Christian Weyers | .... | electrician | |
| Christian Weyers | .... | gaffer | |
Casting Department | |||
| Annie Hamelin | .... | extras casting | |
| Luce Nordmann | .... | casting assistant | |
| Karine Walker | .... | casting: bit parts | |
Editorial Department | |||
| Isabelle Julien | .... | color timer | |
| Rachel Lamisse | .... | assistant editor | |
Music Department | |||
| Edouard Dubois | .... | music consultant | |
Other crew | |||
| Claire de la Rochefoucauld | .... | location scout | |
| Danielle Dumanoir | .... | production coordinator | |
| Pascal Graziani | .... | assistant crane operator: Louma crane | |
| Audrey Jannin | .... | location scout | |
| Philippe Lévy | .... | production accountant | |
| Catherine Zoummeroff | .... | production assistant | |
| Zoe Zurstrassen | .... | script supervisor | |
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| Basic Instinct | Black Belly of the Tarantula | Salò, or the 120 Days of Sodom | Sex and Fury | Swimming Pool |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb France section |
This is one of the first movies i saw when i moved to Paris 3 years ago, and after hundreds of other ones, i couldn't tell why it still keeps a special place in my heart. Maybe it's Sylvie Testud's acting, absolutely astonishing, or the disturbing end, i don't know. The fact is i didn't forget and that's why i'm writing it here. This is a film to be watched, but maybe not to be loved... I rated it 8/10, cause of the memory, and Sylvie Testud, whom from this time i don't miss any film she plays in.