IMDb > Murderous Maids (2000)
Les blessures assassines
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Murderous Maids (2000) More at IMDbPro »Les blessures assassines (original title)

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Release Date:
22 November 2000 (France) See more »
Based on the true story of two chambermaids (the Papin sisters) of 1930s France who murdered their employer and her daughter. Full summary » | Add synopsis »
Plot Keywords:
4 wins & 3 nominations See more »
User Reviews:
Sister My Sister is the superior film for this true story. See more (12 total) »


  (in credits order)

Sylvie Testud ... Christine Papin

Julie-Marie Parmentier ... Léa Papin
Isabelle Renauld ... Clémence
Dominique Labourier ... Mme Lancelin
François Levantal ... Le Gazé
Jean-Gabriel Nordmann ... Mr. Lancelin
Tessa Szczeciniarz ... Christine Papin (11 ans)
Charlotte Guille ... Emilia Papin (13 ans)
Marie Donnio ... Geneviève Lancelin
Camille Leproust ... Léa Papin (9 ans)
Nadia Barentin ... La mère supérieure
Lily Boulogne ... Alberta
Jean Terensier ... L'oncle
Alain Rimoux ... Le maire
Michaël Abiteboul ... Etienne
Brigitte Antonicelli ... La surveillante
Didier Bardoux ... Le rabatteur
Séverine Batier ... Soeur Marguerite
Noëlle Cazenave ... Hélène
Blanche Raynal ... Madame 4
Valérie Deronzier ... La cousine
Pascal Dujour ... Monsieur 3
Monique Hervouet ... Madame 1
Celine Ollivier ... Madame 3
Maryse Pauleau ... Invitée Lancelin
Charlotte Pétin ... Pensionnaire
Cécile Schletzer ... Invitée Lancelin
Michel Vivier ... Monsieur 1
Marie Augereau ... La codétenue
Joël Cordier ... Monsieur 4
Flavie Jousse ... Léa (5 ans)
Jean-Paul Dubois ... Passant secours
Marie-Laure Ducos ... Tante Isabelle

Directed by
Jean-Pierre Denis 
Writing credits
(in alphabetical order)
Jean-Pierre Denis 
Paulette Houdyer  novel "L'affaire Papin"
Michèle Pétin 

Produced by
Laurent Pétin .... producer
Michèle Pétin .... producer
Cinematography by
Jean-Marc Fabre 
Film Editing by
Marie-Hélène Dozo 
Casting by
Jeanne Biras 
Production Design by
Bernard Vézat 
Costume Design by
Isabelle Boiton 
Sylvie de Segonzac 
Makeup Department
Françoise Chapuis-Asselin .... key makeup artist (as Françoise Chapuis)
Agathe Dupuis .... key hair stylist
Alexis Kinebanyan .... special makeup effects artist
Benoît Lestang .... special makeup effects artist
Claire Monatte .... makeup artist
Gilles Rossire .... special makeup effects artist
Frédéric Zaid .... hair stylist
Production Management
Daniel Baschieri .... production manager
Laurent Lesieur .... unit production manager
Second Unit Director or Assistant Director
Marianne Capian .... second assistant director
Juliette Denis .... trainee assistant director
Laurent Herbiet .... first assistant director: preproduction
David Maria Putorti .... first assistant director
Art Department
Philippe Boucherot .... construction buyer
Stéphane Cressend .... property master
Laurent Jarriau .... property master
Virginie Le Metayer .... set dresser
Olivier Meidinger .... assistant art director
Olivier Schmidt .... trainee painter
Raymond Schmidt .... key painter
Bertrand Terreyre .... carpenter
Sound Department
Julie Brenta .... sound editor (as Julie Cuvelier-Brenta)
Benoit De Clerck .... sound editor
Fred Demolder .... sound assist
Philippe Demolder .... assistant sound editor
Jean-Pierre Duret .... sound
Michel Filippi .... adr supervisor
Thomas Gauder .... sound mixer
Dimitri Haulet .... assistant sound
Philippe Richard .... sound
Olivier Roche .... sound mix technician
Philippe van Leer .... foley artist
Camera and Electrical Department
Guy-Auguste Boléat .... key grip
Claude Bourdais .... grip
Sophie Cadet .... crane operator: Louma crane
Laurent Duquesnoy .... grip
Steve Gruen .... Steadicam operator
Laurent Hincelin .... assistant camera
Nicolas Le Gal .... assistant camera
Eric Le Roux .... Steadicam operator (as Eric Leroux)
Jérôme Prébois .... still photographer
Marion Rey .... assistant camera
Paulo Rodriguez .... crane technician: Louma crane
Christian Weyers .... electrician
Christian Weyers .... gaffer
Casting Department
Annie Hamelin .... extras casting
Luce Nordmann .... casting assistant
Karine Walker .... casting: bit parts
Editorial Department
Isabelle Julien .... color timer
Rachel Lamisse .... assistant editor
Music Department
Edouard Dubois .... music consultant
Other crew
Claire de la Rochefoucauld .... location scout
Danielle Dumanoir .... production coordinator
Pascal Graziani .... assistant crane operator: Louma crane
Audrey Jannin .... location scout
Philippe Lévy .... production accountant
Catherine Zoummeroff .... production assistant
Zoe Zurstrassen .... script supervisor

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
"Les blessures assassines" - France (original title)
See more »
94 min
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Argentina:16 | France:-12 | Singapore:(Banned) | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud)
Filming Locations:

Did You Know?

There is no music whatsoever in the film.See more »
Lea:If we were rich...
Christine:What would change? Rich ladies have everything but I've seen them weeping in secret.
See more »
Movie Connections:
Version of Stuepigerne (1962) (TV)See more »


This FAQ is empty. Add the first question.
7 out of 13 people found the following review useful.
Sister My Sister is the superior film for this true story., 14 October 2003
Author: sydneypatrick from USA

I am admittedly fascinated w/ the story of the Papin sisters and its

effect on literature and film over the last 70 years, so I looked

forward to seeing this film - knowing the content (murder, incest) is

as disturbing as it is.

Although the cast gives fine performances, and Sylvie Testud is

truly dynamic as Christine, I cannot recommend this film over

Nancy Meckler's 1994 "Sister My Sister." Where this one seems

academic in its focus on the details, SMS puts the kettle on the

slow burner and lets it heat up to the boiling point. And you will not

find more intense performances than those of Joely Richardson

as Christine and Jodhi May as Lea.

SMS is riveting and ghastly and heart-breaking all at once, where

MM left me oddly unmoved but for the graphic depiction of the

murders themselves which Meckler, thankfully, used a more

Hitchcockian hand to depict in her earlier version. Meckler also

employed a more discreet touch to the scenes of incestuous

love-making, adding eroticism to the taboo that actually enhanced

the impact of disturbance rather than making it a gross out of

fleshy incestuous sex.

So, skip this one and look back on the video shelf for the superior

Sister My Sister, and you'll be happy you did.

Was the above review useful to you?
See more (12 total) »

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