Katee Sackhoff talks about what it's like to be a part of "Star Wars: Rebels" and reveals the inspiration for her character on "The Flash." Plus, we get our Jedi on and learn how to wield a lightsaber.
A raw depiction of the Belfast 'troubles' as savage tribal warfare. Set shortly after the 1975 cease fire, the film focuses on the tribulations of Kenny, Protestant leader of a group of ... See full summary »
The film tells the story of a strange friendship between an adult, already on the return of his path of life, and a Chinese girl who just begins her path. Nikos is the radio operator of a ... See full summary »
Dowd, who's IRA, escapes an Irish prison in a bloody jailbreak, making his way to New York City where he lives alone, avoids Irish hangouts, and works as a dishwasher. When a good deed gets... See full summary »
Alone in her empty flat, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her ... See full summary »
Francie and Joe live the usual playful, fantasy filled childhoods of normal boys. However, with a violent, alcoholic father and a manic depressive, suicidal mother the pressure on Francie ... See full summary »
Widowed Kieran Johnson is a lonely, middle-aged, Chicago-based high school history teacher who feels disconnected to his life. He decides to take a trip to his mother's small old hometown ... See full summary »
Got me a movie I want you to know, slicing up pigs heads, I want you to know...
This is a beautifully made and passionately felt movie, but a harrowing one to watch. I couldn't decide whether it was the director's intention to make the viewer suffer as much as I did while watching it in order to make us feel the main protagonists pain, or if he just lacks a sense of dramatic tension, but it's such a beautiful film visually that I'm willing to give him the benefit of the doubt.
It concerns a man who follows the familiar road from rural Ireland to British building sites. Filmed in a mixture of monologue and POV, it conveys a sense of the alienation and deracination which many people in his position would have felt. At first he seems like a simpleton, but the film's attempts to give him a tragic grandeour aren't entirely successful. The symbolism is often apposite; the scenes of animal slaughter at the beginning give him an earthy quality of which he is robbed by the time he reaches the urban wastelands of the English inner cities where he works.
The film's main weakness is that it's protagonist's monotonous delivery becomes grating after a while. I saw a monologue by African dissident George Serembra that was simaler in many ways to this but was carried by his stylistic variety. By the end of this film I was almost begging the lead character to leave me alone.
For all it's faults, this is a much more honest picture of recent Irish history than most of the Paddywhackery that passes for such in US multiplexes.
9 of 10 people found this review helpful.
Was this review helpful to you?