Dowd, who's IRA, escapes an Irish prison in a bloody jailbreak, making his way to New York City where he lives alone, avoids Irish hangouts, and works as a dishwasher. When a good deed gets... See full summary »
Eunice is walking along the highways of northern England from one filling station to another. She is searching for Judith, the woman, she says to be in love with. It's bad luck for the ... See full summary »
Paisley, Scotland, in 1957. Three working-class lads look forward to the staff dance at the local carpet factory. Exuberant social piece of observation cinema that concentrates on the boys'... See full summary »
Harald is an alien tourist who visits the earth on a three week package tour. As he bought the cheapest ticket, he only got a very ordinary guest body. Nevertheless he tries to learn as ... See full summary »
Bill Forsyth returns to the romantic comedy of Gregory's Girl. Twenty years after his teenage crush on a football-mad schoolgirl, Gregory is back at his old school, teaching English. When ... See full summary »
John Gordon Sinclair,
A raw depiction of the Belfast 'troubles' as savage tribal warfare. Set shortly after the 1975 cease fire, the film focuses on the tribulations of Kenny, Protestant leader of a group of ... See full summary »
A reporter witnesses a brutal murder, and becomes entangled in a mystery involving a pair of Siamese twins who were separated at birth, one of them forced to live under the eye of a watchful, controlling psychiatrist.
Adapted from James Joyce's Ulysses, Bloom is the enthralling story of June 16th, 1904 and a gateway into the consiousness of its three main characters: Stephen Dedalus, Molly Bloom and the extraordinary Leopold Bloom.
Got me a movie I want you to know, slicing up pigs heads, I want you to know...
This is a beautifully made and passionately felt movie, but a harrowing one to watch. I couldn't decide whether it was the director's intention to make the viewer suffer as much as I did while watching it in order to make us feel the main protagonists pain, or if he just lacks a sense of dramatic tension, but it's such a beautiful film visually that I'm willing to give him the benefit of the doubt.
It concerns a man who follows the familiar road from rural Ireland to British building sites. Filmed in a mixture of monologue and POV, it conveys a sense of the alienation and deracination which many people in his position would have felt. At first he seems like a simpleton, but the film's attempts to give him a tragic grandeour aren't entirely successful. The symbolism is often apposite; the scenes of animal slaughter at the beginning give him an earthy quality of which he is robbed by the time he reaches the urban wastelands of the English inner cities where he works.
The film's main weakness is that it's protagonist's monotonous delivery becomes grating after a while. I saw a monologue by African dissident George Serembra that was simaler in many ways to this but was carried by his stylistic variety. By the end of this film I was almost begging the lead character to leave me alone.
For all it's faults, this is a much more honest picture of recent Irish history than most of the Paddywhackery that passes for such in US multiplexes.
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