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Enemy at the Gates (2001)

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A Russian and a German sniper play a game of cat-and-mouse during the Battle of Stalingrad.
1,507 ( 126)
3 nominations. See more awards »



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Cast overview, first billed only:
Eva Mattes ...
Sacha Filipov (as Gabriel Marshall-Thomson)
Mario Bandi ...
Hans Martin Stier ...
German NCO (as Clemans Schick)
Mikhail Matveev ...


In World War II, the fall of Stalingrad will mean the collapse of the whole country. The Germans and Russians are fighting over every block, leaving only ruins behind. The Russian sniper Vassili Zaitsev stalks the Germans, taking them out one by one, thus hurting the morale of the German troops. The political officer Danilov leads him on, publishing his efforts to give his countrymen some hope. But Vassili eventually start to feel that he can not live up to the expectations on him. He and Danilov fall in love with the same girl, Tanya, a female soldier. From Germany comes the master sniper König to put an end to the extraordinary skilled Russian sniper. Written by Mattias Thuresson

Plot Summary | Plot Synopsis


A single bullet can change history. See more »


Drama | History | War

Motion Picture Rating (MPAA)

Rated R for strong graphic war violence and some sexuality | See all certifications »

Parents Guide:




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Release Date:

16 March 2001 (USA)  »

Also Known As:

Enemigo al acecho  »

Filming Locations:


Box Office


$68,000,000 (estimated)

Opening Weekend:

£1,033,164 (UK) (16 March 2001)


$51,396,781 (USA) (6 July 2001)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


The locomotive used for filming the troop train scene is, ironically, a German-built "Kriegslok" ("war locomotive"). About 2700 were captured by the Soviets but not used by the Soviet Railways until after the war (see Goofs). See more »


The countries shown in the animated sequence as having been conquered by Germany in 1942 are incorrect. Switzerland and Turkey, for instance, were neutral and had not been invaded. See more »


[first lines]
Grandfather: [whispering to boy aiming rifle] I am a stone. I do not move. Very slowly, I put snow in my mouth. Then he won't see my breath. I take my time. I let him come closer. I have only one bullet. I aim at his eye. Very gently, my finger presses on the trigger. I do not tremble. I have no fear. I'm a big boy now. Ready Vassili? Now, Vassili, fire!
See more »

Crazy Credits

The end credits are slanted and curved See more »


Referenced in Call of Duty (2003) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

An extrordinary work of raw skill and imagination.
21 August 2001 | by (Sauk City, Wisconsin) – See all my reviews

A gut-wrenching and impressive hide-and-seek thriller that uses the bloody battle of Stalingrad (during the second World War) as the clever disguise here for a real battle of courage and determination. The film follows a young and highly talented Russian sniper from the Urals, Vassili Zaitsev (Jude Law - "eXistenZ", "The Talented Mr. Ripley"), who gains national fame from the help of Danilov (Joesph Fiennes - "Shakespeare in Love"), a propoganda officer and his true love and fellow sniper, Tania (Rachael Weisz), who is also flirting with Danilov.

However, the Germans have an ace sniper of their own in Erwin Koning (Ed Harris - "Pollock"), a seasoned and out-spoken Major who comes to Stalingrad only to pick off Vassili. And before Koning leaves, his superior officer asks how he'll find Vassili. Koning says, " I'll fix it so he finds me."

The love triangle that director Jean-Jacques Annaud and co-writer Alain Godard put in the story shows that the pair took a chance and I'll give them credit for doing it. Plus, the love scene that Law and Weisz have is one of the strangest (no offense to either one) that I've seen.

The film's best moments come when Vassili tries to catch Koning off guard, but the problem is Koning is aware of what Vassili is capable of. I won't say how it's done, but the final confrontation is a genuine nail-bitter.

All of the performances here are powerhouse and that includes Bob Hoskins as Nikita Kruschev, a snarling and impatient man and Ron Perlman, who portrays Koulikov, a lieutenant whose teeth are all metal and serves as a guide for Vassili.

Robert Frassie ("Ronin") handles the movie's photography with care and the appearrence of Stalingrad itself reminded me heavily of the war-torn cities shown in Spielsburg's "Saving Private Ryan" and Kubrick's "Full Metal Jacket". Also, James Horner conducts a tender and extremely mournful score that leaves a quiet yet important reminder of how awful war is.

"ENEMY AT THE GATES" is an extrodinary work of raw skill and imagination.

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