The story of the first major battle of the American phase of the Vietnam War and the soldiers on both sides that fought it, while their wives wait nervously and anxiously at home for the good news or the bad news.
Navy S.E.A.L. sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
In World War II, the fall of Stalingrad will mean the collapse of the whole country. The Germans and Russians are fighting over every block, leaving only ruins behind. The Russian sniper Vassili Zaitsev stalks the Germans, taking them out one by one, thus hurting the morale of the German troops. The political officer Danilov leads him on, publishing his efforts to give his countrymen some hope. But Vassili eventually start to feel that he can not live up to the expectations on him. He and Danilov fall in love with the same girl, Tanya, a female soldier. From Germany comes the master sniper König to put an end to the extraordinary skilled Russian sniper. Written by
In the film Zaitsev and his comrades seem to be exploited by the communist leadership, seemingly being thrown into the horrors of war ignorant of what they were facing, viewed mostly as nothing more than cannon fodder. According to Zaitsev's own writings on the war, however, he and his comrades in the navy for a long time begged their superiors to transfer them to the army so that they could fight at Stalingrad, knowing full well what they were volunteering for. See more »
In the film, the troop train arrives near the Volga, so that the emerging soldiers can see the river and Stalingrad. At that time the rail line ended miles from the east bank of the Volga and they would have either marched, or ridden in carts or trucks to the city. (Cf. Walter S. Dunn Jr. Stalin's keys to victory. Stackpole Books, 2006.) See more »
[whispering to boy aiming rifle]
I am a stone. I do not move. Very slowly, I put snow in my mouth. Then he won't see my breath. I take my time. I let him come closer. I have only one bullet. I aim at his eye. Very gently, my finger presses on the trigger. I do not tremble. I have no fear. I'm a big boy now. Ready Vassili? Now, Vassili, fire!
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Takes a few wrong turns, but ends up effective for people in which it sounds interesting. Good performances. *** (out of four)
ENEMY AT THE GATES / (2001) *** (out of four)
By Blake French:
"Enemy At The Gates" takes place in 1942 and details a cat and mouse chase between two snipers. The mouse is a young Russian named Vassili Zaitsev (Jude Law), who arrives on the shores of the Volga River to defend Stalingrad, an important city in which the German's are attempting to capture. Zaitsev soon finds himself befriending a political officer named Danilov (Joseph Fiennes), who is impressed by the soldiers quick skills and decides to glorify him through the local press. Zaitsev becomes a political icon for the locals, giving them encouragement and increasing their hope for victory.
The cat is an opposing sniper named Major Koenig (Ed Harris), a famous sharpshooter called upon to kill Zaitsev. Koulikov (Ron Perlman), another talented sniper, is assigned to help Zaitsev in killing Koenig before the Major takes a victory shot. To further complicate matters, Zaitsev falls in love with another soldier, Tania (Rachel Weisz), whose parents were killed by the enemies, and wants to redeem their honor.
"Enemy At The Gates" certainly paints a vivid, graphic depiction of war. The atmosphere is unsettling and bleak, the characters are almost always dirty and sleepless, the fighting scenes consist of brief, short, instantaneous shots, but the sequences are fast-paced, genuine, and disturbing. The city looks battered and tormented. The dialogue goes hand and hand with the character's actions; the plot is challenging and the movie is focused, about something solid. In the sequences where Koenig and Zaitsev challenge one another, the tension is very effective. The movie tends to realize that, and concentrates a great deal of effort in making those scenes suspenseful and taut.
Joseph Fiennes plays a meek, nervous character and does a good job at bringing him to life believably. Jude Law, whose last work in "The Talented Mr. Ripley" provides a tough act to follow, accomplishes great things with a determined and assiduous character. Ed Harris is the standout actor here, in a harrowing, steadfast, juicy performance. Rachel Weisz cannot do a whole lot with her character, however. She often feels strained and contrived.
"Enemy At The Gates" tries hard to express the subject of the media's influence in our culture. If the film, co-written and directed by Jean-Jaques Annaud ("Seven Years in Tibet"), would have stayed on that concept, it would have been a whole lot better. The romance between Zaitsev and Tania is kind of unnecessary, and I am not sure if the sex scene is obligatory or advances their relationship. This love side story lacks passion; a lot of it feels mechanical and routine. "Enemy At The Gates" is still a consistently intriguing war film-rare because it does not involve Americans. While we are never really concerned about the outcome of the actual war, nor do we entirely care about several aspects of the main characters, there are many good scenes of suspense, and the overall mood of the movie is effective. "Enemy at the Gates" is worth seeing if it sounds interesting to you.
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