Jewish brothers in Nazi-occupied Eastern Europe escape into the Belarussian forests, where they join Russian resistance fighters and endeavor to build a village in order to protect themselves and about 1,000 Jewish non-combatants.
During the WWII battle of Stalingrad, two snipers, a Russian, and a German, are locked in a battle of wills and marksmanship, while the Russian is boosted to the status of hero by a political official. Written by
It is estimated that the Germans suffered 260,000 soldiers killed in action with 90,000 captured during the battle of Stalingrad. The Russian casualties were much more severe with an estimated 500,000 soldiers killed and probably as many civilians. See more »
Vassilij is always called with his full name. That is a mistake, especially when such a name is used by the grandfather and Vassilij is a kid. No Russian grandfather calls his grandson by full name - a diminutive should be used like Vasja or Vasjachka. The full name is used only if it's short (Ilja) and to add respect (such as between comrades, or in official ceremonies), and the patronymic should be used together with the name. See more »
[whispering to boy aiming rifle]
I am a stone. I do not move. Very slowly, I put snow in my mouth. Then he won't see my breath. I take my time. I let him come closer. I have only one bullet. I aim at his eye. Very gently, my finger presses on the trigger. I do not tremble. I have no fear. I'm a big boy now. Ready Vassili? Now, Vassili, fire!
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Bursting into my Top Five war movies of all time is this film. A gritty and realistic portrayal of one of the worst battles in the history of war - the 1942-43 armwrestle for the city of Stalingrad.
Much has been made of the actors speaking in their native accents, but this seems a trivial complaint - the film is in English after all! More important is the masterful manner of speech of the actors - Bob Hoskins' gutteral exultations as Ukrainian potato farmer Nikita Krushchev; Joseph Fiennes' pompous and proud intonations as the political officer; Jude Law's common man for the peasant turned soldier; Ed Harris with the clipped and crisp tones of a German officer.
This is my pick for the best film of the year so far (August). It is truly a cinematic masterpiece, with horrific scenes of the violence of war, brilliant dialog and heart-wrenching tragedy. Expect to be moved.
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