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Overview
User Rating:
Director:
Writers:
Michael Gutmann (writer)
Benjamin Lebert (novel)
more
Release Date:
8 June 2000 (Germany) more
Plot:
Benjamin is a 16 year old half-side spastic with lousy grades in math, who switches to a boarding school to reach grammar school... more | add synopsis
Awards:
5 wins & 2 nominations more
NewsDesk:
(2 articles)
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User Comments:
a very realistic and catching teenage movie more (8 total)
Cast
(Cast overview, first billed only)| Robert Stadlober | ... | Benjamin Lebert | |
| Tom Schilling | ... | Janosch Schwarze | |
| Oona-Devi Liebich | ... | Malen | |
| Julia Hummer | ... | Marie | |
| Can Taylanlar | ... | Troy | |
| Christoph Ortmann | ... | Kugli | |
| Joseph Bolz | ... | Dünner Felix | |
| Willy Rachow | ... | Florian | |
| Dagmar Manzel | ... | Juliane Lebert, Benjamins Mutter | |
| Burghart Klaußner | ... | Klaus Lebert, Benjamins Vater | |
| Mira Bartuschek | ... | Paula Lebert, Benjamins Schwester | |
| Jörg Gudzuhn | ... | Herr Falkenstein | |
| Katharina Müller-Elmau | ... | Frau Westphalen | |
| Irene Kugler | ... | Frau Bachmann | |
| Germain Wagner | ... | Herr Richter |
Additional Details
Parents Guide:
Runtime:
97 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Argentina:13 | Germany:12 (bw) | Sweden:11
Filming Locations:
Company:
Fun Stuff
Trivia:
Sibel Gerhardt, stepsister of Jan Lehmann, auditioned for the role of Marie and was one of the favorites. She was rejected only because she was too young to play some of the love scenes in the movie. more
Movie Connections:
Referenced in Delphinsommer (2004) (TV) more
Soundtrack:
My Truth more
FAQ
This FAQ is empty. Add the first question.more (8 total)
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Related Links
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| News articles | IMDb Drama section | IMDb Germany section |
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It seems like Europe has finally developed its own style of teenage movies, which is far more appealing to me than the American one. There are indeed a few similarities to "Fucking Åmål", and at first I thought "Crazy" to be just some kind of a German copy of it. But then I found, it is mainly the realism and the straightness that is similar to FA; and I consider this as a new European style. Most of the feelings and emotions of this film have also appeared in my youth, and they most probably will in all upcoming generations, too. So, the film is very catching for everybody, especially males, who have been a teenager. Some of the people in the audience even shed a tear at certain moments. The only thing I thought to be a little unrealistic and even annoying is the way the sixteen year old boys seemed to think about god. I would think that most boys of that age, unless being raised in a strict religious environment, talk about god in a less reflected way. But maybe this is a typical Bavarian phenomena, or the producers wanted to push chances of receiving an US-American academy award.