Dark, biting satire of the television industry, focusing on an Ivy-League educated black writer at a major network. Frustrated that his ideas for a "Cosby Show"-esque take on the black family has been rejected by network brass, he devises an outlandish scheme: reviving the minstrel show. The hook: instead of white actors in black face, the show stars black actors in even blacker face. The show becomes an instant smash, but with the success also comes repercussions for all involved. Written by
N. Cognito <nobody@noplace>
You know, I grew up around black people my whole life. I mean, if the truth be told, I probably know niggas better than you. And don't go getting offended by my use of the quote-unquote N-word. I have a black wife and two biracial kids, so I feel I have a right. I don't give a God damn what that prick Spike Lee says. Tarantino was right. Nigger is just a word. If Ol' Dirty Bastard can use it every other word, why can't I?
See more »
The opening credits for the film roll at the end. See more »
Being white, and european, I'm not really sure about the point of this movie seen in an american perspective. But as a european it really opened my eyes to a strange fact: if your only knowledge about black America comes from television, you WOULD really think, that all afro-americans were gangsters, rappers or Urkel-like comedians, that is: stereotypes. You very rarely see an american show, or movie, where a black american is portrayed as a complex human being. And that really IS scary.
52 of 79 people found this review helpful.
Was this review helpful to you?