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Bamboozled (2000)

6.4
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Ratings: 6.4/10 from 7,902 users   Metascore: 50/100
Reviews: 183 user | 53 critic | 32 from Metacritic.com

A frustrated African American TV writer proposes a blackface minstrel show in protest, but to his chagrin it becomes a hit.

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Title: Bamboozled (2000)

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Cast

Cast overview, first billed only:
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Sloan Hopkins (as Jada Pinkett-Smith)
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Thomas Jefferson Byrd ...
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Dot
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Susan Batson ...
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Mau Mau: Big Blak Afrika (Julius Hopkins)
M.C. Serch ...
Mau Mau: 1 / 16th Blak (as MC Serch)
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Canibus ...
DJ Scratch ...
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Storyline

Dark, biting satire of the television industry, focusing on an Ivy-League educated black writer at a major network. Frustrated that his ideas for a "Cosby Show"-esque take on the black family has been rejected by network brass, he devises an outlandish scheme: reviving the minstrel show. The hook: instead of white actors in black face, the show stars black actors in even blacker face. The show becomes an instant smash, but with the success also comes repercussions for all involved. Written by N. Cognito <nobody@noplace>

Plot Summary | Plot Synopsis

Taglines:

Starring the great negroe actors

Genres:

Comedy | Drama | Music

Motion Picture Rating (MPAA)

Rated R for strong language and some violence | See all certifications »
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Details

Country:

Language:

Release Date:

23 February 2001 (Spain)  »

Also Known As:

It's Showtime  »

Filming Locations:


Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend:

$190,720 (USA) (6 October 2000)

Gross:

ESP 5,010,100 (Spain) (29 June 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.78 : 1
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Did You Know?

Trivia

The two award ceremony scenes are parodies of two real award recipients whom Spike Lee has publicly criticized: the first, where DelaCroix is fumbling around and yelling "Show me the money!", is a jab at Cuba Gooding Jr.'s enthusiastic victory speech for winning the Oscar for Best Supporting Actor; the second scene, in which DelaCroix becomes a teary-eyed brown-noser to Matthew Modine, is a shot at Ving Rhames' Golden Globe victory in which he gave teary-eyed kudos to Jack Lemmon. See more »

Quotes

Honeycutt: Uh... well, you know. I do all sorts of things, man. Whatever you need me to do. You know, like, I even do Shakespeare and shit.
Pierre Delacroix: Well do some Shakespeare.
Honeycutt: To be or not to be? That's the motherfuckin' question!
See more »

Crazy Credits

The credits roll over several "coon" collectable items that are wound-up. See more »

Connections

Features The Jazz Singer (1927) See more »

Soundtracks

One Night
Written by Allen Gordon and Teron Beal
Performed by Profyle
Courtesy of Motown Records
See more »

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User Reviews

 
Uneven but interesting
31 May 2004 | by (Detroit) – See all my reviews

This could have been a brilliant film. The problem I had with this film is that Spike Lee had too many ideas he was trying to pursue, and should have kept to the single focus. Yet, there were some brilliant scenes. We see a black gangsta group of hip-hoppers and one scene shows a member drinking out of a bottle shaped like a rocket. Later on we see a commercial for this product. Subtle and interesting. The film clips from old films and the display of of toys during the endtitles, were fascinating and could have made an interesting documentary.

One thing I didn't like, besides the stereotypical white bigots, was Lee's focusing upon 40s black comedian Mantan Moreland as the epitome of black humiliation. Moreland was a brilliant comic who stole the show from the white actors of the day. Whites and Blacks turned against Moreland during the civil rights movement and the man could hardly make ends meet. Before he died in the early 70s, opinion changed again and he was seen as a pioneer. He once again managed to get some work in films and tv before his death. A better target for Lee should have been Stepin Fletchit, who made a career out of playing a lazy black freeloader.

I have to agree with Lee on hip-hop as a minstrel show. The gold chains, oversized sport jerseys, and baseball caps worn sideways are clownish and not far removed from the olden days when blacks played buffoons to entertain white people. The show is still going on....


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