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From Spike Lee comes this vibrant semi-autobiographical portrait of a school-teacher, her stubborn jazz-musician husband and their five kids living in '70s Brooklyn.
Director:
Spike Lee
Stars:
Alfre Woodard,
Delroy Lindo,
David Patrick Kelly
A transexual punk rock girl from East Berlin tours the US with her rock band as she tells her life story and follows the ex-boyfriend/bandmate who stole her songs.
Director:
John Cameron Mitchell
Stars:
John Cameron Mitchell,
Miriam Shor,
Stephen Trask
In this movie based on the early days of Def Jam Recordings, up-and-coming manager Russell Walker has all the hottest acts on the record label Krush Groove records, including Run-D.M.C., Dr... See full summary »
Director:
Michael Schultz
Stars:
Sheila E.,
Joseph Simmons,
Darryl McDaniels
Dark, biting satire of the television industry, focusing on an Ivy-League educated black writer at a major network. Frustrated that his ideas for a "Cosby Show"-esque take on the black family has been rejected by network brass, he devises an outlandish scheme: reviving the minstrel show. The hook: instead of white actors in black face, the show stars black actors in even blacker face. The show becomes an instant smash, but with the success also comes repercussions for all involved. Written by
N. Cognito <nobody@noplace>
Most of this film was shot only on digital (Mini DV) camcorders, the kind you can buy at any electronics store. While this sacrificed quality, it allowed them to shoot with 15 cameras at a time, and it also allowed Spike Lee to get all the footage he needed shot within the film's modest budget. The only scenes shot on film were the "Mantan: The New Millennium Minstrel Show" sequences, which were shot on 16mm film. See more »
Quotes
Dunwitty:
Sorry I'm late. I had trouble catching a cab.
Pierre Delacroix:
Perhaps they thought you were Danny Glover.
See more »
Crazy Credits
The producers wish to thank ... New York Production Locals ... See more »
Being white, and european, I'm not really sure about the point of this movie seen in an american perspective. But as a european it really opened my eyes to a strange fact: if your only knowledge about black America comes from television, you WOULD really think, that all afro-americans were gangsters, rappers or Urkel-like comedians, that is: stereotypes. You very rarely see an american show, or movie, where a black american is portrayed as a complex human being. And that really IS scary.
50 of 76 people found this review helpful.
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Being white, and european, I'm not really sure about the point of this movie seen in an american perspective. But as a european it really opened my eyes to a strange fact: if your only knowledge about black America comes from television, you WOULD really think, that all afro-americans were gangsters, rappers or Urkel-like comedians, that is: stereotypes. You very rarely see an american show, or movie, where a black american is portrayed as a complex human being. And that really IS scary.