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Bamboozled (2000)

R  |   |  Comedy, Drama, Music  |  20 October 2000 (USA)
6.4
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Ratings: 6.4/10 from 8,355 users   Metascore: 50/100
Reviews: 183 user | 55 critic | 32 from Metacritic.com

A frustrated African American TV writer proposes a blackface minstrel show in protest, but to his chagrin it becomes a hit.

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Title: Bamboozled (2000)

Bamboozled (2000) on IMDb 6.4/10

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1 win & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Sloan Hopkins (as Jada Pinkett-Smith)
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Thomas Jefferson Byrd ...
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Dot
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Verna (as Gillian Iliana Waters)
Susan Batson ...
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Mau Mau: Big Blak Afrika (Julius Hopkins) (as Mos Def)
M.C. Serch ...
Mau Mau: 1 / 16th Blak (as MC Serch)
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Canibus ...
DJ Scratch ...
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Storyline

Dark, biting satire of the television industry, focusing on an Ivy-League educated black writer at a major network. Frustrated that his ideas for a "Cosby Show"-esque take on the black family has been rejected by network brass, he devises an outlandish scheme: reviving the minstrel show. The hook: instead of white actors in black face, the show stars black actors in even blacker face. The show becomes an instant smash, but with the success also comes repercussions for all involved. Written by N. Cognito <nobody@noplace>

Plot Summary | Plot Synopsis

Taglines:

Starring the great negroe actors

Genres:

Comedy | Drama | Music

Motion Picture Rating (MPAA)

Rated R for strong language and some violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

20 October 2000 (USA)  »

Also Known As:

It's Showtime  »

Filming Locations:


Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend:

$190,720 (USA) (6 October 2000)

Gross:

ESP 5,010,100 (Spain) (29 June 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The two award ceremony scenes are parodies of two real award recipients whom Spike Lee has publicly criticized: the first, where DelaCroix is fumbling around and yelling "Show me the money!", is a jab at Cuba Gooding Jr.'s enthusiastic victory speech for winning the Oscar for Best Supporting Actor; the second scene, in which DelaCroix becomes a teary-eyed brown-noser to Matthew Modine, is a shot at Ving Rhames' Golden Globe victory in which he gave teary-eyed kudos to Jack Lemmon. See more »

Quotes

Pierre Delacroix: The mission was accomplished. All of these people left the room thinking they would have real input. I was writing this pilot alone. Myself. Me. Moi.
See more »

Crazy Credits

The credits roll over several "coon" collectable items that are wound-up. See more »

Connections

References Eddie Murphy: Raw (1987) See more »

Soundtracks

In My Head
Written by India Arie and Blue Miller
Performed by India Arie
Courtesy of Motown Records
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User Reviews

 
Finally, the Truth has been revealed... in White and Blackface!
21 October 2000 | by (Cambridge, MA) – See all my reviews

I approached this film with trepidation due to the mixed reviews(in particular, the flat-out negative review of Ebert at the Movies). Knowing Lee's penchant for controversy, but knowing also his unflinching honesty and passion about his position, I decided to give this film a chance.

I consider myself an educated, articulate, middle-class black-american. And I was wary of Lee's supposed satire which centers on the creation of Minstrel show for the new millenium. By the time I credits rolled, I was applauding.

In this film, Lee takes no prisoners, he neither excuses the white establishment for its entrenched and hard-to-expose racism nor does he excuse the blacks and other non-whites who become the literal agents of this process.

This story of two young black men's rise to financial and commercial glory through demeaning themselves, their talent and by example the group of people from which they hail, is an allegory. Rather than getting stuck in a discussion of this film's form, viewers should consider what it means about the world around them.

The disturbing and unnerving finale, is a suitable response to our rising awareness of inner-city violence, hip-hop culture, the prison industrial complex, and the police state in which many blacks, poor or not, find themselves a part. Instead of offering us solutions this film offers us, as in many other of Lee's films, a wake up call.

As in the body of Lee's work, the camera work gives a gritty cinema verite feel to the scenes, and the performances of Glover, Davidson, Pinkett, Wayans, and Rappaport are dead-on. The cast has a good chemistry and the dialogue will have have you howling with disbelief and laughter.

An incredibly important film, for any consumer, and by definition, any creator of popular culture who may be responsible for the perpetuation and dissemination of DAMAGING and DEGRADING stereotypes. Thank you, Mr. Lee.


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