Algie Allmore has one year to prove he's a man in order to wed Harry Lyons' daughter.

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Algie is in love with Clarice Jackson, but Clarice's father will have none of him. To a real man Algie is unendurable. His "sissy" manner makes him look like a jellyfish. Algie cajoles and is persistent, so in order to be rid of him, Mr. Jackson advises Algie that he may have his daughter, provided he goes out west for a year and "makes good." Algie thinks well of the proposition. After many unnecessary preparations he departs. His arrival out west among the rough and ready cowboys gives these hearty men of the plains many hours of amusement. Algie is soon tied down to a job and is bunked with one of the toughest specimens of the ranch. His constant association with this man brings him in touch with many hard places and rough experiences. These hard knocks change Algie completely. After a year expires, Algie comes east, a wealthy miner and to the staggering astonishment of all, asks for the hand of Clarice. He emphasizes his claims with a big six-shooter. Written by Moving Picture World synopsis

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28 February 1912 (USA)  »

Also Known As:

Алджи-золотоискатель  »

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(TCM print)

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1.33 : 1
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Unfunny but fascinating as a representation of early gay cinema
9 June 2007 | by (Worcester, MA) – See all my reviews

"Algie, the Miner" is one bad and unfunny silent comedy. The timing of the slapstick is completely off. This is the kind of humor with certain sequences that make you wonder if they're supposed to be funny or not. However, the actual quality of the film is irrelevant. This is mandatory viewing for film buffs mainly because its one of the earliest examples of gay cinema. The main character of Algie is an effeminate guy, acting much like the stereotypical "pansy" common in many early films. The film has the homophobic attitude common of the time. "Algie, the Miner" is pretty awful, but fascinating from a historical viewpoint. (3/10)


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