Dar and Kyra are the only survivors of a tribe killed by the evil Terrons. They've become separated but Dar, with the help of an eagle, finds her held captive in a village. He tries to rescue her but...
In a mystical land, there lives the son of a king, the last survivor of his tribe, endowed with the magical gift of telepathically communicating with all the wild animals of nature. Together with his...
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It begins as a contest of strength the challenge of competition luring fighters from far away to a hilltop castle. Deathstalker leads the combatants but only to discover that the winners ... See full summary »
In this spinoff of the various movies, Dar, the Beastmaster and last survivor of his tribe, wanders the ancient lands, seeking out his beloved Kira, defending the animals he controls, and pitting his might against various sorcerers and tyrants. Written by
In plenty of scenes throughout the series, a lot of times in a single episode, Ruh is clearly played by different tigers. See more »
The Ancient One:
All things have a perfect place in life. Joy is balanced by sorrow. Day by night. Giving by receiving. Wisdom by humility. The secret of life is balance, living in harmony and honor with that which surrounds you.
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It seems from watching that the producers of this series didn't take the time to plan their "bible" before beginning the series. The basic story, handed down from Andre Norton through the series of films, was fine, but this kind of high-concept fantasy series requires an established mythology to guide the storytelling. This one seemed to flounder around without much dramatic impetus. The leads were highly appealing, if inexperienced at the beginning of the series, and individual episodes were often entertaining. The final story arc over the last half of the final season was too slapdash and amateurish to redeem the series as a whole. While it did draw the story to a finish, it wasn't a particularly compelling finish; the appearance of Marc Singer (the star of the Beastmaster films) was a silly stunt. One can only hope that Daniel Goddard and Jackson Raine move on to better projects--both are appealing enough to merit it.
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