5.3/10
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Table One (2000)

R | | Comedy
Four successful New Yorkers in their 40s open a restaurant together to meet women. Their plans hit a snag when they discover the money they received from their investors might be dirty.

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Cast

Credited cast:
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Freddie's Date
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Sal
Jaclyn Dietl ...
David Filippi ...
Extra #2
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Club Dancer
Katie Grant ...
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Mary Hammett ...
Holly (as Mary C. Hammett)
Andrew Damon Henriques ...
Couple Fighting
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Rowdy's Date (as Raquel Baldwin)
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Storyline

Four successful New Yorkers in their 40s open a restaurant together to meet women. Their plans hit a snag when they discover the money they received from their investors might be dirty.

Plot Summary | Add Synopsis

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Comedy

Motion Picture Rating (MPAA)

Rated R for language and some sexuality/nudity | See all certifications »
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Also Known As:

A csendestárs nem dumál  »

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Did You Know?

Trivia

In the scene where Michael Rooker's character tells Burt Young that he did not want to return to Detroit. This was in reference to his character who plays for the New York Rangers hockey team, which isn't mentioned in any specific way in the film. The Detroit Red Wings is the other team he mentions in a non specific way in that monologue. See more »

Soundtracks

As If It Were Yesterday
Written & Performed by Joe Lervold
Courtesy of MasterSource
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User Reviews

 
Time Moves Quickly With This Pleasant Film.
10 August 2005 | by (Mountain Mesa, California) – See all my reviews

Four men, displeased with the overcrowded, under lit and noisy night club where they gather, decide to pool their funds in order to open a bar and grill, taking with them from their old hangout two favoured employees, bartender Freddie (Kohl Suddeth) and doorman Xavier (Luis Guzmán), but the entrepreneurs soon learn that the success toward which they look forward is elusive. Because their original seed funding - $100,000 - is insufficient, Freddie persuades a family member, mobster Frankie "Chips" (Bert Young), to contribute a matching amount, but after a successful opening night, the business suffers a sharp dip in receipts. The quartet is then forced to yield to a suggestion from Frankie that their type of operation be changed to an adult cabaret featuring topless dancers and, despite the vigorous objections from one of the original partners, played by a rather hammy David Herman, the new operation becomes an immediate hit, although there are expected comedic complications. The actors are well cast for the texture established by first time director Michael Bregman and the film is shot in great part at the Lucerne Hotel and its Wilson's Grill and Bar in New York City's upper West Side, while Kohl, Michael Rooker, and Guzmán give notably strong performances, the latter smoothly handling a voice-over track. Bregman's background in television is plainly apparent throughout the piece, particularly pertinent to editing. A highly episodic work, it is smoothly constructed and it is obvious that all involved have a good time along the way, with the salad of subplots blended into a film having about it a feeling of good nature.


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