Directed by | |||
| Takuji Suzuki | |||
| Shinobu Yaguchi | |||
Writing credits(in alphabetical order) | ||
| Takuji Suzuki | writer | |
| Shinobu Yaguchi | writer | |
Cinematography by | |||
| Shinobu Yaguchi | |||
Film Editing by | |||
| Shinobu Yaguchi | |||
Sound Department | |||
| Joseph Shalack | .... | adr engineer | |
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| K-20: The Fiend with Twenty Faces | Ringu: Jiko ka! Henshi ka! 4-tsu no inochi wo ubau shôjo no onnen | Come On, Leathernecks! | The Name of This Film Is Dogme95 | Galaxy Express 999: Can You Love Like a Mother!? |
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| Full cast and crew | External reviews | IMDb Japan section |
You'd never guess that an experiment in minimalism like this could be so entertaining and laugh-out-loud funny.
Shinobu Yaguchi and his associate Takuji Suzuki have assembled a feast of short films united by a single theme: they're all one with no camera movement, in one take from a super-8 video cam. (These were chosen from a pool of films, which were being filmed even after the release of One Piece!) When this played at the San Francisco Film Festival, many claimed it was the best film of the bunch; it was certainly the most daring. "Cat's Meow" remains my favorite: Somehow, the consciousness of his pet cat finds its way into the body of his girlfriend, but the cat can't quite stop being a cat in the meantime.
The sketches are often comic, but sometimes scary and just plain weird. One Piece! is largely critic-proof, and nothing like it has been done before, or as well.