| Brent Carver | ... | Ichabod Crane | |
| Rachelle Lefevre | ... | Katrina Van Tassle | |
| Vlasta Vrana | ... | Mr. Van Tassle | |
| Kathleen Fee | ... | Mrs. Van Tassle | |
| Paul Lemelin | ... | Brom Bones | |
| Michel Perron | ... | Mr. Van Ripper | |
| Dawn Ford | ... | Mrs. Van Ripper | |
| Lisa Bronwyn Moore | ... | Mrs. Van Ecke | |
| Richard Jutras | ... | Mr. Van Ecke | |
| Samuel Holden | ... | Ernest Van Ecke | |
| Michael Rudder | ... | Pastor Van Der Veen | |
| Danette Mackay | ... | Mrs. Van Der Veen (as Danette MacKay) | |
| Brendan McClarty | ... | Brom Crony | |
| Martin Kevan | ... | Aaron | |
| Paul Hopkins | ... | Knickerbocker | |
| John Dunn-Hill | ... | Old Man, Tavern | |
| Terrence Labrosse | ... | Old Man, Tavern (as Terence La Brosse Ross) | |
| Victor Knight | ... | Old Man, Tavern | |
| Norris Domingue | ... | Old Man, Tavern | |
| Elan Zafir | ... | Linnart | |
| Renee Madeline Le Guerrier | ... | Innkeeper's Wife (as Renée-M. Le Guerrier) |
Directed by | |||
| Pierre Gang | |||
Writing credits(in alphabetical order) | ||
| Washington Irving | story | |
| Joe Wiesenfeld | written by | |
Produced by | |||
| Steven Hewitt | .... | executive producer | |
| Michael Prupas | .... | executive producer | |
| Danièle Rohrbach | .... | producer | |
Original Music by | |||
| Denis Larochelle | |||
Cinematography by | |||
| Serge Ladouceur | (director of photography) | ||
Film Editing by | |||
| Debra Karen | |||
Casting by | |||
| Lucie Robitaille | |||
Production Design by | |||
| Normand Sarazin | (as Normand Sarrazin) | ||
Set Decoration by | |||
| Kenneth Gagné | |||
Costume Design by | |||
| Nicoletta Massone | |||
Makeup Department | |||
| Réjean Forget | .... | hair stylist | |
| Ginette Lajeunesse | .... | hairdresser | |
| Félix Larivière | .... | extras hairdresser | |
| Joan Patricia Parris | .... | makeup artist (as Joan-Patricia Parris) | |
| Cécile Rigault | .... | key makeup artist | |
| Delphine Rigault-Noël | .... | makeup artist: extras | |
| Daniel Jacob | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Karl Archambault | .... | unit manager | |
| Ghislain Pensa | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Geneviéve Duguay | .... | third assistant director (as Geneviève Duguay) | |
| Sean Dwyer | .... | first assistant director | |
| Tanya van Blokland | .... | second assistant director | |
Art Department | |||
| Francis Back | .... | storyboard artist | |
| Robert Bourdeau | .... | scenic painter | |
| Denis Caspar | .... | graphic artist | |
| Jean-Manuel Costella | .... | sketch artist | |
| Jean-Marie Francoeur | .... | key set decorator | |
| Michèle Gagnon | .... | assistant props buyer | |
| Patrice Gagné | .... | props buyer | |
| Louis Gascon | .... | set props master | |
| Oscar Lopez | .... | scenic technician | |
| Jean-Phillipe Marsan | .... | scenic technician | |
| Françoise Pauquet | .... | art department coordinator | |
| Régis Pelletier | .... | scenic painter | |
| Marianne Vézina-Méthé | .... | assistant set props | |
| Jean-Andre Carriere | .... | set designer (uncredited) | |
Sound Department | |||
| Pascal Beaudin | .... | boom operator | |
| Michel B. Bordeleau | .... | sound | |
| Diane Boucher | .... | adr supervisor | |
| Jo Caron | .... | sound recording engineer | |
| Michel Charron | .... | sound | |
| Michel Descombes | .... | sound | |
| Jérôme Décarie | .... | foley artist | |
| Gavin Fernandes | .... | sound | |
| Guy Francoeur | .... | foley assistant | |
| Marc Gagnon | .... | sound effects editor | |
| Daniel Lagacé | .... | assistant sound | |
| Sylvie Masse | .... | sound effects editor | |
| Mireille Morin | .... | dialogue editor | |
| Sylvain Richard | .... | sound assistant | |
| Bruno Ruffolo | .... | sound re-recording engineer | |
| Michel B. Bordeleau | .... | supervising sound editor (uncredited) | |
| Michel Descombes | .... | sound mixer: Covitec (uncredited) | |
| Gavin Fernandes | .... | sound mixer (uncredited) | |
Special Effects by | |||
| Yvon Charbonneau | .... | special effects technician | |
| Pierre Côté | .... | special effects technician | |
| Pierre 'Bill' Rivard | .... | special effects coordinator (as Pierre 'Bill' Rivard) | |
| Philippe Roberge | .... | special effects technician | |
| Sebastien Roussel | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Yves Béland | .... | visual effects | |
| Frederic St-Arnaud | .... | visual effects (as Frédéric St-Arnaud) | |
Stunts | |||
| Joel Belley | .... | stunts | |
| Ben Gauthier | .... | stunts (as Benoit Gauthier) | |
| François Gauthier | .... | stunts (as Frank Gauthier) | |
| Minor Mustain | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Brian Baker | .... | gaffer | |
| Sebastien Cassou | .... | clapper loader (as Sébastien Cassou) | |
| Stephan Charron | .... | best boy (as Stéphan Charron) | |
| Ron Diamond | .... | set photographer (as Ron S. Diamond) | |
| Gilles Filion | .... | Steadicam operator | |
| Daniel Guy | .... | focus puller | |
| Normand Hamilton | .... | generator operator (as Normen Hamilton) | |
| John Harris | .... | electrician (as John John Harris) | |
| Edith Labbe | .... | focus puller (as Edith Labbé) | |
| Jan Mark Lapointe | .... | key grip (as Jan-Mark Lapointe) | |
| Denis-Noel Mostert | .... | Steadicam operator | |
| Richard Paré | .... | electrician | |
| William Ross | .... | best boy (as William Ted Ross) | |
| Maurice Roy | .... | camera operator | |
| Daniel Thivierge | .... | grip | |
| Danielle Turgeon | .... | clapper loader | |
| Christian Vezina | .... | grip (as Christian Vézina) | |
| Pierre Beaulieu | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Catherina Chamberland | .... | assistant costume designer (as Caterina Chamberland) | |
| Julie Chenard | .... | assistant wardrobe (as Julie Chénard) | |
| Catou Gelinas | .... | key dresser (as Catou Gélinas) | |
| Marie-Maude Grenier | .... | dresser | |
| Hélène Lussier | .... | assistant wardrobe | |
| Alice Mayeux | .... | dresser: extras | |
| Marie-Hélène Ménard | .... | assistant wardrobe | |
| Catherine Gélinas | .... | key dresser (uncredited) | |
Editorial Department | |||
| Isabelle Bismuth | .... | post-production coordinator | |
| Jean-Sébastien Durocher | .... | on-line editor | |
| Paul Gagnon | .... | post-production consultant | |
| Michaël Karen | .... | off-line assistant editor (as Michael Karen) | |
| Marc Lussier | .... | colorist | |
| Martin Ross | .... | on-line editor | |
Music Department | |||
| Marc Larochelle | .... | additional music orchestrator | |
| Luc Papineau | .... | music mixer | |
Transportation Department | |||
| Christian Biron | .... | driver | |
| René Brisson | .... | driver | |
| Patrice Bujold | .... | driver | |
| Marc Bélanger | .... | driver | |
| Bertrand Calmeau | .... | driver | |
| Nicola Corbo | .... | office driver | |
| Jean-Yves Dolbec | .... | transportation coordinator | |
| Massimo Gallizzi | .... | driver | |
| Jean Simard | .... | driver | |
| Jose Uria | .... | driver captain (as José Uria) | |
Other crew | |||
| Helene Birade | .... | production coordinator (as Hélène Birade) | |
| Jesabelle Boileau | .... | assistant craft service (as Jézabel Boileau) | |
| Sylvie Boily | .... | production coordinator | |
| Diane Boisvert | .... | location coordinator | |
| Pascale Brault | .... | production assistant | |
| Daniel Charbonneau | .... | production assistant | |
| Christiane Charpentier | .... | craft service | |
| Danielle Delbecque | .... | security | |
| Stéphane Doyon | .... | production assistant | |
| Éric Fauteux | .... | security | |
| Irénée Gagné | .... | security | |
| Marie-Lynne Gleeson | .... | receptionist | |
| Patrick Lacerte | .... | security | |
| Sylvie Laurin | .... | production accountant | |
| Sophie Longpre | .... | animal wrangler (as Sophie Longpré) | |
| Brigitte Lévesque | .... | location manager | |
| Jim Lévesque | .... | set production assistant | |
| Claudette Messier | .... | script supervisor | |
| Betty Palik | .... | unit publicist | |
| Marjolaine Perron | .... | assistant accountant | |
| Manon Quenneville | .... | set runner | |
| Danny Raie | .... | paramedic | |
| Danette Smith | .... | assistant accountant | |
| Denis Veillette | .... | assistant animal wrangler | |
Thanks | |||
| Geraldine McDonald | .... | special thanks | |
| John McDonald | .... | special thanks | |
| Kevin Tierney | .... | special thanks | |
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| The Legend of Sleepy Hollow | The Legend of Sleepy Hollow | The Adventures of Ichabod and Mr. Toad | Sleepy Hollow | The Headless Horseman |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb Canada section |
1999 was the year the loose adaptation of Washington Irving's "The Legend of Sleepy Hollow", entitled "Sleepy Hollow" and directed by Tim Burton, came to the silver screen, which resulted in a successful theatrical run. What many people who have seen that movie may not realize is that a made-for-TV version of the story was released the same year. I saw some of this film in October 1999 (I guess when it first aired), but I think I only saw the first little bit of it. After watching the Tim Burton version a couple months ago, I couldn't remember enough of the audio book I heard a number of times in my childhood, and decided to actually read Irving's famous short story in book form. After doing that, I watched this version, with mixed results.
In the late 18th century, after the American Revolutionary War, Ichabod Crane is a man from Connecticut who comes to a quiet little town called Sleepy Hollow and soon becomes this town's new schoolmaster. He fears there is evil around him when he is outside at night, a lot different from during the day. He falls in love with Katrina Van Tassel, the daughter and only offspring of a wealthy farmer. However, in order to win Katrina's heart, he will have to compete with an oafish young man named Brom Bones. The schoolmaster also hears stories from inhabitants of Sleepy Hollow while staying in this town, including one about the Headless Horseman, the ghost of a Hessian from the American Revolutionary War who was killed in battle when his head was removed, and is now believed to appear at night and endanger those travelling out in the dark!
The starring role of Ichabod Crane is assumed here by an actor named Brent Carver. I haven't seen him in too many roles, but understand that he has done a number of Broadway performances during his acting career. This is not surprising looking at his performance here, with his overacting. This may work on Broadway, but not in a film like this. It's sometimes ridiculous how high his voice gets, and he just seems too excited. If Carver's portrayal of the character is supposed to be funny, it's not. There are other unsatisfactory performances in this adaptation, including Rachelle Lefevre as Katrina Van Tassel and especially Paul Lemelin as Brom Bones. This version of Bones is certainly not how I imagined the character while reading Irving's story. I did NOT imagine a stereotypical arrogant teenager, which is what Lemelin's version seems like! Not only does this made-for-TV film have severe acting and casting flaws, it also has some script problems, with some ridiculous scenes showing Ichabod's imagination, and the script can't quite carry the film consistently throughout.
I haven't seen every film adaptation of "The Legend of Sleepy Hollow", but since this and the Tim Burton version were released the same year, and I have now seen them both, it's obviously hard not to compare them. Without a doubt, this television adaptation is a much more faithful one than the successful theatrical 1999 version, and some viewers praise it for that. However, I know many hardcore fans of the original story by Washington Irving who have seen this version would disagree, but I think Burton's film is far superior, and comparing the two really shows that following the source material isn't everything. Despite this TV version's major flaws, it somehow kept me watching, without wanting to turn it off before the end. This was probably because I at least found mild suspense, plus this version has some nice cinematography and I guess I found the story fairly intriguing for the most part. Still, they could have done better with this made-for-TV movie in more than one way.