Ichabod Crane, a Yankee wanderer, arrives in Sleepy Hollow and becomes the new schoolmaster. He meets Katrina Van Tassel, and blissfully fantasizes about how can marry her, ultimately, ... See full summary »
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Ichabod Crane, a Yankee wanderer, arrives in Sleepy Hollow and becomes the new schoolmaster. He meets Katrina Van Tassel, and blissfully fantasizes about how can marry her, ultimately, inherit her father's rich estate. Her suitor Brom Bones, the blacksmith, wants to scare him away and dresses up as the legendary Headless Horseman. During the prank, the real ghost appears and drives Ichabod off. Written by
Betty Palik
Most renditions of Irving's short story focus of Ichabod's romantic rivalry with Brom for the attention of Katrina. This version captures the historical context of the Hudson River Valley following the Revolutionary War. Several characters distinguish Ichabod as a 'Yankee'. During that time, New Englanders were migrating into the Hudson Valley, displacing the old Dutch communities. The other thing I liked about this script is that it didn't subject Ichabod to the cliche that has developed through earlier versions. Instead of jumping out his skin every time something goes bump in the night, Ichabod works very hard in this script to mask his fears, at least when in the presence of others. This is how I imagine Ichabod when I read Irving's original, not as the wobbly-kneed, teeth-chattering, shaky handed Don Knotts-like cliche running off gobbling like a turkey at the sight of his own shadow.
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Most renditions of Irving's short story focus of Ichabod's romantic rivalry with Brom for the attention of Katrina. This version captures the historical context of the Hudson River Valley following the Revolutionary War. Several characters distinguish Ichabod as a 'Yankee'. During that time, New Englanders were migrating into the Hudson Valley, displacing the old Dutch communities. The other thing I liked about this script is that it didn't subject Ichabod to the cliche that has developed through earlier versions. Instead of jumping out his skin every time something goes bump in the night, Ichabod works very hard in this script to mask his fears, at least when in the presence of others. This is how I imagine Ichabod when I read Irving's original, not as the wobbly-kneed, teeth-chattering, shaky handed Don Knotts-like cliche running off gobbling like a turkey at the sight of his own shadow.