| Dolph Lundgren | ... | Nick Preston | |
| Sherri Alexander | ... | Sarah McBride | |
| Joe Michael Burke | ... | Lucky Simcoe | |
| Rebecca Cross | ... | Candy | |
| Brook Susan Parker | ... | Rainbow | |
| Juliano Mer-Khamis | ... | Jesus Carrera (as Juliano Mer) | |
| Chanan Elias | ... | Simon Peace | |
| Ze'ev Revach | ... | Cooky | |
| Angelique Lettich | ... | Tamara | |
| Terry Big Charles | ... | Pope | |
| Howard Rypp | ... | Will | |
| Gilya Stern | ... | Miriam | |
| Ishai Golan | ... | Jasper | |
| Jack Adalist | ... | Ferguson | |
| Nati Ravitz | ... | State Trooper | |
| Yoav Deckelbaum | ... | Michael McBride | |
| Yohanan Herson | ... | Dying Man | |
| Jessica Lettich | ... | Lamar | |
| Jay Koller | ... | Hangman |
Directed by | |||
| Sheldon Lettich | |||
Writing credits(WGA) | ||
| Stephen Brackley | (written by) & | |
| Pamela K. Long | (written by) | |
Produced by | |||
| Stephen Brackley | .... | executive producer | |
| Leman Cetiner | .... | co-executive producer | |
| Guenther Heinlein | .... | co-executive producer | |
| Hanan Kotzky | .... | producer | |
| Jacob Kotzky | .... | producer | |
| Pamela K. Long | .... | executive producer | |
| Steven Mendelson | .... | executive producer | |
| Axel Munch | .... | co-executive producer | |
Original Music by | |||
| David Michael Frank | |||
Cinematography by | |||
| David Gurfinkel | |||
Film Editing by | |||
| Martha Huntley | |||
| Isaac Sehayek | |||
Casting by | |||
| Mindy Johnson | |||
| Mark Tillman | |||
Production Design by | |||
| Kuli Sander | |||
Art Direction by | |||
| Giora Porter | |||
Set Decoration by | |||
| Amos Lavi | |||
Costume Design by | |||
| Yael Rubin | |||
Makeup Department | |||
| Esther Ben-Noon | .... | key makeup artist (as Etty Ben Noon) | |
Production Management | |||
| Danny Ben Menahem | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Tamar Ichilov | .... | second assistant director | |
| Dov Maoz | .... | first assistant director | |
| Greg Powell | .... | second unit director | |
Art Department | |||
| Andrew Chernakov | .... | painter | |
| Robyn Glaser | .... | assistant property master | |
| Boaz Katzenelson | .... | property master | |
Sound Department | |||
| Colin Bates | .... | supervising sound editor | |
| Alex Epstine | .... | boom operator | |
| Greg Mauer | .... | foley mixer | |
| Yohai Moshe | .... | sound mixer | |
| Susan Pusateri | .... | foley artist (as Sue Pusateri) | |
| Paul Ratajczak | .... | sound re-recording mixer | |
| Paul Ratajczak | .... | sound supervisor | |
| Jonathan Wales | .... | sound re-recording mixer | |
| Brett Williams | .... | sound editor | |
Special Effects by | |||
| Pini Klavir | .... | special effects | |
Stunts | |||
| Wade Eastwood | .... | stunt double: Mr. Lundgren | |
| Bradley Farmer | .... | utility stunts | |
| Lee Millham | .... | stunts | |
| Greg Powell | .... | stunt coordinator | |
Casting Department | |||
| Beth Blanks | .... | casting associate | |
Other crew | |||
| Alona Barer | .... | production coordinator | |
| Nitsana Bellehsen | .... | script supervisor | |
| Brian Fitkin | .... | personal coach: Mr. Lundgren | |
| Katie Ladyko | .... | personal assistant: Mr. Lundgren | |
| Robert Yap | .... | production coordinator | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Israel section |
Out of all the lame action stars the 80's an 90's brought to us, there's one that will always remain my favorite: Dolph Lundgren. This movie is a classic Dolph film. When was the last time Arnie threw a brick at a guys face? 1985? Last I heard, he was working on Jingle All the Way 2. Dolph stayed in great shape for his age, and delivers the melodrama and unreal action that has made me like action heroes ever since I was a kid. It's this type of movie that reminds me of when Action heroes were tough. Guys like Micheal Dudikoff, Chris Christopherson, and Dolph Lundgren made good films that didn't need a bunch of cookie cutter acting. Guys like Stallone and Arnie needed to prove they could act for some reason. Leave acting to the actors and leave action to the men.