This sexy, teen-comedy is about a freshman, Matthew, at college who meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the ... See full summary »
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
This sexy, teen-comedy is about a freshman, Matthew, at college who meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the morning, the power is restored, but the "dream girl" has vanished. All Matthew knows is that she lives in an all-girls dorm. He sets out on a semester-long journey to find his mystery girl amongst a hundred female suspects. Could it be Wendy? Dora? Arlene? Patty? Cynthia? Or the 95 other girls, any of whom could have been in that elevator with Matthew. Written by
When the two guys first start in the Female Studies class, the teacher starts scolding the guys for being there. One of them starts pulling his knit cap down over his face, but in the next shot, the hat is back on his head. See more »
One hundred girls. And one of them is my true love, my forever soul mate, the Betty to my Barney, my kismetic destiny. The problem is I don't know who she is.
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A horrible follow-up to the horrible Eight Days a Week. Both films share the same basic idea: Gorgeous women will swoon for a boring, 98-pound weakling. The beautiful women will go out with this geek because he treats them with a modicum of common courtesy, unlike the muscular Neanderthals they had been dating before. Although said geek pretends to care about the women, he only appreciates them for their bodies. Yet because the geek is portrayed as "sensitive" every woman in the area falls for this fool (as if guys who think this way aren't a dime a dozen in real life). It's the usual double-standard: guy falls girl because she's beautiful, girl falls for unattractive guy because he's the least rude male. The film pretends to be sympathetic towards women but ends up being utterly condescending. After seeing two of this writer-director's witless films that have gone straight to cable, I am wondering how on earth he gets them greenlit.
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