Charles (Jean Gabin), a sixtyish career criminal fresh out of jail, rejects his wife's plan for a quiet life of bourgeois respectability. He enlists a former cellmate, Francis (Alain Delon)... See full summary »
Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made. Also a line of ... See full summary »
Paris, 1942. Robert Klein cannot find any fault with the state of affairs in German-occupied France. He has a well-furnished flat, a mistress, and business is booming. Jews facing ... See full summary »
Doctors at a rejuvenation clinic discover a formula that will prevent aging. However, it involves harvesting the blood and body parts of young men, a process that the doctors aren't particularly averse to.
Julien Dandieu, leader of the socialist political party PRU is asked to be part of the new conservative government as minister of foreign affairs. However his reputation is somewhat ... See full summary »
Julien and Agatha appear to be a great couple, loving, caring and seem to feel complete with each other. Though Julien often gives the impression of being interested in other girls, his ... See full summary »
After years of poverty, Carrier, a repairman, inherits a large sum of money upon his brother's death in an accident. Now rich, he decides it is time to make his mark and be known at any cost. Becoming more and more mentally unstable, he begins to threaten police and the government signing his tracts, "Armaguedon". A detective from Interpol heads the investigation and prepares a trap at an ... See full summary »
Because Delon's popularity was sinking fast and Jacques DEray was dismissed as unhip this deliciously old-fashioned film was unfairly unnoticed and nobody seems to care now.
Jacques Deray 's film is a wonderful tribute to old cinema ,that cinema with strong screenplays which preceded the French new wave .It's interesting to note that ,unlike,say,Jean-Paul Belmondo ,Alain Delon never worked with the Young Turks : it did not prevent him,anyway,from working with great directors such as René Clément -he was a better Ripley than Matt Damon- Luchino Visconti and Joseph Losey ,to name but three.He was also featured in the great Duvivier 's last -and unfortunately rather weak- work "diaboliquement vôtre"(1966) and he had the guts to defend the "old" man against the new wave's hateful attacks.
"Un crime" is "back to the forties and the fifties".Forget the color and think Duvivier,Clouzot and most particularly Henry Decoin ("les inconnus dans la maison" "la vérité sur bébé Donge" ""non coupable" )and André Cayatte (one of his latter works "verdict" but also "le glaive et la balance" and "justice est faite").Deray is perhaps not in the same league ,particularly he had not Duvivier's or Clouzot's genius but here he delivers the goods and the screenplay has enough unexpected twists to satisfy the lovers of, say , "primal fear" -sometimes Manuel Blanc 's Frederic is close to Edward Norton's character and it's not plagiarism,because "un crime' was made before- Most of the time ,there are only two men on the stage ,and they sustain interest till the very end.Frederic's luxury flat is also part of the game ,and ,with astute and subtle flashbacks,Deray reveals its secrets little by little.
Delon's fans were not satisfied,because it was definitely a thankless part :a brilliant lawyer who always wins at the beginning, he's slowly turning into a jaded disenchanted human being.
Best moment:the flowers Manuel Blanc throws on the floor,a scene a lot of "modern" directors" could be proud of.
It 's a short film -about 85 minutes and they say Gilles Perrault did not approve of the adaptation of his novel,but you should have a look at it.
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