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| Zoe Caldwell | ... | ||
| Judith Anderson | ... |
Nurse
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| Mitchell Ryan | ... | ||
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Jacqueline Brookes | ... |
1st Woman of Corinth
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Paul Sparer | ... | |
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Peter Brandon | ... | |
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Harriet Nichols | ... |
2nd Woman
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Giulia Pagano | ... |
3rd Woman
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Don McHenry | ... |
The Tutor
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Stephen Garvin | ... |
Child
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Christopher Garvin | ... |
Child
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Lucien Douglas | ... |
Slave
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John Peters | ... |
Attendant
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Alan Thompson | ... |
Attendant
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Mark Leone | ... |
Attendant
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This is the U of Tenn/Kennedy Center production of 1982. Jeffers' translation is as evocative as any I've heard for the Greek plays. I was perpetually stunned by its power. Caldwell's performance burns at white heat beginning to end. I saw Mitch Ryan hold his own against James Earl Jones in play after play in the sixties and seventies, from Baal at the Martinique, to Coriolanus at Papp's Theater to The Great White Hope, but Caldwell turns him into Ralph Bellamy. All he can do on this is what he's told to do. Competently but outclassed. Pleasure also to see Judith Anderson at her most neoclassical. The entire cast is strong. Robert Whitehead's work as the stage director is manifest in their uniform quality. It's all Euripides, of course. And I am grateful for this reminder of who and what he was, and how alive his work and his ideas remain.