In 2002, two rival Olympic ice skaters were stripped of their gold medals and permanently banned from men's single competition. Presently, however, they've found a loophole that will allow them to qualify as a pairs team.
On his latest expedition, Dr. Rick Marshall is sucked into a space-time vortex alongside his research assistant and a redneck survivalist. In this alternate universe, the trio make friends with a primate named Chaka, their only ally in a world full of dinosaurs and other fantastic creatures.
#1 NASCAR driver Ricky Bobby stays atop the heap thanks to a pact with his best friend and teammate, Cal Naughton, Jr. But when a French Formula One driver, makes his way up the ladder, Ricky Bobby's talent and devotion are put to the test.
John C. Reilly,
Sacha Baron Cohen
Because of his salacious language, late-night radio advice-show host Leon Phelps, along with his sweet and loyal producer Julie, is fired from his Chicago gig. They can't find another job. About that time, two things happen: he gets a letter from a wealthy former lover who offers to take care of him (but she doesn't sign her real name, so Leon, an inveterate Casanova, has no idea who she is), and a group of angry cuckolds, all of whom have surprised their wives in flagrante delicto with Leon (who has a distinctive tattoo on his booty), are closing in, armed and dangerous. Can he find the sugar mommy and escape the wrath of the mob of husbands? What about Julie? Written by
I'm probably one of the few who thought this movie was hilarious. I mean, how can you NOT laugh at Will Ferrell and Lee Evans breaking into a song about how they're going to beat up the title character ("the bastard's going to pay!") The movie gets funnier and stranger in the second hour, when anything resembling a plot was apparently tossed out the window. Leon Phelps is a unique Saturday Night Live creation. If you don't expect much (as I did going in), you may just find yourself in stitches. Granted, this is not the stuff of classic comedy, but it's not the "one star" comedy that most critics called it.
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