Directed by | |||
| Keith Melton | |||
Writing credits(WGA) | ||
| Steve Roberts | (written by) & | |
| Peter Wagg | (written by) | |
Produced by | |||
| Mitchell Cannold | .... | executive producer | |
| Antoine Compin | .... | co-producer | |
| Charis Horton | .... | co-producer | |
| André Picard | .... | producer | |
| Peter Wagg | .... | producer | |
Original Music by | |||
| Benoit Jutras | (as Benoît Jutras) | ||
Cinematography by | |||
| John Hora | |||
| Reed Smoot | |||
Film Editing by | |||
| Harry B. Miller III | |||
Production Design by | |||
| John Zachary | |||
Costume Design by | |||
| Mark Bridges | |||
Makeup Department | |||
| Melanie Robinett | .... | assistant makeup artist | |
| Jenny-King Turko | .... | key makeup artist | |
Production Management | |||
| Deborah Hebert | .... | production manager | |
Second Unit Director or Assistant Director | |||
| James Grayford | .... | first assistant director | |
| Rod Smith | .... | assistant director | |
| Claudia Wipfler | .... | first assistant director | |
Art Department | |||
| Robert Clark | .... | sculptor | |
| Kevin Farrell | .... | illustrator | |
| Kevin Farrell | .... | storyboard artist | |
| Michael McCombe | .... | head greensman | |
| Beth Peterson | .... | greens | |
| Crain E. Smith | .... | on-set assistant (uncredited) | |
Sound Department | |||
| Dean Beville | .... | sound effects editor | |
| Jerome Boiteau | .... | adr recordist | |
| Dan Gleich | .... | sound mixer | |
| Tom Johnson | .... | sound re-recording mixer | |
| Tom Myers | .... | sound designer | |
| Gary Summers | .... | sound re-recording mixer | |
| Jennifer Barin | .... | sound re-recordist (uncredited) | |
| Juan Peralta | .... | sound mix technician (uncredited) | |
Special Effects by | |||
| Ray Brown | .... | special effects foreman | |
| Skip Burrows | .... | special effects | |
| Casey Pritchett | .... | special effects technician | |
| Bob Riggs | .... | special effects coordinator | |
Visual Effects by | |||
| Peter Anderson | .... | visual effects supervisor | |
| Curtis Augspurger | .... | visual effects | |
| Buckley Collum | .... | computer graphics supervisor | |
| Martin Foster | .... | technical director | |
| Mike Goslin | .... | chief engineer | |
| Alan G. Markowitz | .... | visual effects supervisor: Imagica USA | |
Stunts | |||
| Chuck Borden | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Russel Bowie | .... | assistant camera | |
| Keith Bronsdon | .... | loader | |
| Don Cerrone | .... | key grip | |
| Paul Freuer | .... | lighting technician | |
| Marc Wolff | .... | pilot: camera helicopter | |
| Brian Sharp | .... | electrician (uncredited) | |
| Michael Tolochko | .... | underwater lighting technician (uncredited) | |
Casting Department | |||
| Lillian Pyles | .... | casting: Cleveland | |
Costume and Wardrobe Department | |||
| Marti Acker | .... | costumes (uncredited) | |
Editorial Department | |||
| Adrian Colon | .... | assistant editor (uncredited) | |
| Adrian Colon | .... | apprentice editor (uncredited) | |
Music Department | |||
| Robb Boyd | .... | assistant music editor | |
| Robert Puff | .... | music preparation | |
| J.A.C. Redford | .... | orchestrator and conductor | |
| Allan K. Rosen | .... | music editor | |
Transportation Department | |||
| David R. Blakely | .... | driver: honeywagon | |
| Roger Bojarski | .... | transportation coordinator | |
| Lance Cherniet | .... | transportation captain | |
| Lonnie Craig | .... | driver | |
| William P. Lafon | .... | driver generator operator | |
| Michael Vieira | .... | driver | |
Other crew | |||
| Peter Anderson | .... | 3-D supervisor | |
| Peter Anderson | .... | stereographer | |
| Nancy Blumstein | .... | production coordinator | |
| Stel Deleon | .... | assistant accountant | |
| Paul Kenney | .... | first assistant accountant | |
| Katalin Kovacs Rogers | .... | script supervisor | |
| Peter McManus | .... | production accountant | |
| Michael Neal | .... | payroll accountant | |
| Michael Neal | .... | second assistant accountant | |
| Frederic Perrin | .... | caterer | |
| David Schladweiler | .... | production coordinator: Los Angeles | |
| Vanessa Tolino | .... | production assistant | |
| Adriana Sharp | .... | craft service (uncredited) | |
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| Big Fish | Walking, Walking | Peter Pan | I Am David | Diary of a Country Priest |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
"Cirque du Soleil - the Journey of Man" is a visually stunning 3-D film that would be more rewarding if it was longer than 40 minutes and had a fuller message. As is, it serves as an enticement to see the complete Cirque du Soleil performance whether in person in Las Vegas or by recorded videotape. The stream of consciousness involving the little boy becoming an aging man symbolizing his development is not intuitively complete. In showing man's self discovery and his experiences of love and joy with us, the film fails to bring us his uniqueness and his identity. It may be enough, for some, just to see the virtuoso acrobatics of the four set pieces - the underwater magic of five synchronized swimmers, the quartet trapeze artists dangling on rope who twirl their bodies forward rhythmically from their waists, the couple with precise control who raise and lower each other by sheer muscular strength on a water lily platform, and the finale involving multi-level players standing on each other's shoulders and the star figure jumping somersaults to reach a pinnacle. But these are merely appetizers that lead us astray, making us anticipate a piece-de-resistance that will not be forthcoming.