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Cirque du Soleil: Journey of Man (2000)
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Overview
User Rating:
Your Rating:
Director:
Writers (WGA):
Release Date:
5 May 2000 (Canada)
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Tagline:
The journey is about to begin...
Plot:
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with...
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Awards:
1 win
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NewsDesk:
(2 articles)
Cirque Du Soleil: Journey of Man
(From JustPressPlay. 15 June 2011, 9:42 PM, PDT)
DVD Playhouse--June 2011
(From The Hollywood Interview. 10 June 2011, 10:53 PM, PDT)
(From JustPressPlay. 15 June 2011, 9:42 PM, PDT)
DVD Playhouse--June 2011
(From The Hollywood Interview. 10 June 2011, 10:53 PM, PDT)
User Reviews:
An artistic interpretation of the human journey through life.
See more (14 total) »
Cast
(in credits order)
Directed by | |||
| Keith Melton | |||
Writing credits(WGA) | ||
| Steve Roberts | (written by) & | |
| Peter Wagg | (written by) | |
Produced by | |||
| Mitchell Cannold | .... | executive producer | |
| Antoine Compin | .... | co-producer | |
| Charis Horton | .... | co-producer | |
| André Picard | .... | producer | |
| Peter Wagg | .... | producer | |
Original Music by | |||
| Benoît Jutras | |||
Cinematography by | |||
| John Hora | |||
| Reed Smoot | |||
Film Editing by | |||
| Harry B. Miller III | |||
Production Design by | |||
| John Zachary | |||
Costume Design by | |||
| Mark Bridges | |||
Makeup Department | |||
| Melanie Robinett | .... | assistant makeup artist | |
| Jenny-King Turko | .... | key makeup artist | |
Production Management | |||
| Deborah Hebert | .... | production manager | |
Second Unit Director or Assistant Director | |||
| James Grayford | .... | first assistant director | |
| Rod Smith | .... | assistant director | |
| Claudia Wipfler | .... | first assistant director | |
Art Department | |||
| Robert Clark | .... | sculptor | |
| Kevin Farrell | .... | illustrator | |
| Kevin Farrell | .... | storyboard artist | |
| Michael McCombe | .... | head greensman | |
| Beth Peterson | .... | greens | |
| Crain E. Smith | .... | on-set assistant (uncredited) | |
Sound Department | |||
| Dean Beville | .... | sound effects editor | |
| Jerome Boiteau | .... | adr recordist | |
| Dan Gleich | .... | sound mixer | |
| Tom Johnson | .... | sound re-recording mixer | |
| Tom Myers | .... | sound designer | |
| Gary Summers | .... | sound re-recording mixer | |
| Jennifer Barin | .... | sound re-recordist (uncredited) | |
| Juan Peralta | .... | sound mix technician (uncredited) | |
Special Effects by | |||
| Ray Brown | .... | special effects foreman | |
| Skip Burrows | .... | special effects | |
| Casey Pritchett | .... | special effects technician | |
| Bob Riggs | .... | special effects coordinator | |
Visual Effects by | |||
| Peter Anderson | .... | visual effects supervisor | |
| Curtis Augspurger | .... | visual effects | |
| Buckley Collum | .... | computer graphics supervisor | |
| Martin Foster | .... | technical director | |
| Mike Goslin | .... | chief engineer | |
| Alan G. Markowitz | .... | visual effects supervisor: Imagica USA | |
Stunts | |||
| Chuck Borden | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Russel Bowie | .... | assistant camera | |
| Keith Brondson | .... | loader | |
| Don Cerrone | .... | key grip | |
| Paul Freuer | .... | lighting technician | |
| Marc Wolff | .... | pilot: camera helicopter | |
| Brian Sharp | .... | electrician (uncredited) | |
| Michael Tolochko | .... | underwater lighting technician (uncredited) | |
Casting Department | |||
| Lillian Pyles | .... | casting: Cleveland | |
Costume and Wardrobe Department | |||
| Marti Acker | .... | costumes (uncredited) | |
Editorial Department | |||
| Adrian Colon | .... | assistant editor (uncredited) | |
| Adrian Colon | .... | apprentice editor (uncredited) | |
Music Department | |||
| Robb Boyd | .... | assistant music editor | |
| Robert Puff | .... | music preparation | |
| J.A.C. Redford | .... | orchestrator | |
| Allan K. Rosen | .... | music editor | |
Transportation Department | |||
| David R. Blakely | .... | driver: honeywagon | |
| Roger Bojarski | .... | transportation coordinator | |
| Lance Cherniet | .... | transportation captain | |
| Lonnie Craig | .... | driver | |
| William P. Lafon | .... | driver generator operator | |
| Michael Vieira | .... | driver | |
Other crew | |||
| Peter Anderson | .... | stereographer | |
| Nancy Blumstein | .... | production coordinator | |
| Stel Deleon | .... | assistant accountant | |
| Paul Kenney | .... | first assistant accountant | |
| Katalin Kovacs Rogers | .... | script supervisor | |
| Gilda Longoria | .... | set production assistant | |
| Peter McManus | .... | production accountant | |
| Michael Neal | .... | payroll accountant | |
| Michael Neal | .... | second assistant accountant | |
| Frederic Perrin | .... | caterer | |
| David Schladweiler | .... | production coordinator: Los Angeles | |
| Vanessa Tolino | .... | production assistant | |
| Adriana Sharp | .... | craft service (uncredited) | |
Distributors
- Alta Dimensión Cinematográfica S.A. (Spain)
- Columbia TriStar Home Video (2001) (USA) (DVD)
- Columbia TriStar Home Video (2001) (USA) (VHS)
- Les Productions de la Géode (France)
- Sony Pictures Classics Large Format (2000) (USA)
- Chapman/Leonard Studio Equipment cranes and dollies
- Skywalker Sound post-production sound services
Additional Details
Also Known As:
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Parents Guide:
Runtime:
39 min | Spain:38 min
Country:
Language:
Color:
Aspect Ratio:
1.44 : 1 See more »
Sound Mix:
Certification:
Did You Know?
Movie Connections:
FAQ
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This is an art film that works for the over 45 age crowd. We have been around long enough to see our lives go through phases each with it's own sense of wonder. Look at the ratings by age group and you'll see the over 45 age group is the most appreciative. It may also be that we have waited long to see the promise of an art film realized in this sumptuous format.
If you can go see this film with a relaxed, open mind it will touch you and it will linger. Journey of Man has a solid concept in writing, excellent art direction, and the I-Max format is well utilized with it's amazing image and sound quality and the traditionally shorter runtime. The film exploits the latest 3D technology that has to be experienced to be appreciated.