A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, ... See full summary »
Ollie Dee and Stanley Dum try to borrow money from their employer, the toymaker, to pay off the mortgage on Mother Peep's shoe and keep it and Little Bo Peep from the clutches of the evil ... See full summary »
Fusing the 3000 year-old tradition of Chinese acrobatic arts with the multidisciplinary approach of Cirque du Soleil, Dralion draws its inspiration from Eastern philosophy and it's never ending quest for harmony between man and nature.
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love. Written by
Jon Reeves <firstname.lastname@example.org>
I've seen 2 Cirque shows live and all the DVDs and programming on A&E, this is by far the worst. Cirque is known for trying to interconnect performances through of flimsily plot line, it's usually easily ignored. Not this one, it's forced upon you by the reappearance of the boy->man and the trite voiceovers.
The scenery is beautiful and the lighting is incredible but the performances and cinematography never seem to take full advantage of it. It's like owning a Ferrari and driving it around the block at 15 MPH, sure it's beautiful but it could be so much more.
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