A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, ... See full summary »
Fusing the 3000 year-old tradition of Chinese acrobatic arts with the multidisciplinary approach of Cirque du Soleil, Dralion draws its inspiration from Eastern philosophy and it's never ending quest for harmony between man and nature.
A young Russian boy, Thomas Minton, travels to New York as a passenger on a Russian freighter. Close to Ellis Island he gets off and thus starts his journey to America the same way as all ... See full summary »
A live Cirque du Soleil performance featuring remixed music, visuals, musicians, singers, and dancers. Delirium is the quest for balance in a world increasingly out of sync with reality. ... See full summary »
A grand procession and festive parade imagined by a clown with awesome acrobatics. A theatrical world of comedy and spontaneity situated in a mysterious space between heaven and earth. ... See full summary »
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love. Written by
Jon Reeves <firstname.lastname@example.org>
The acts were marvelous. The outdoor scenery was wonderful. And Cirque reveals its dark side in several of the acts -- the closing of the Bungee acrobats scene comes to mind. I would give this feature a PG rating or maybe PG-13. Those who have seen Quidam/Mystere/O will have a sense of reunion with some long-lost friends. None of the sense of wonder I originally had with these wonderful live shows is lost in the IMAX format.
The narrator's script is the absolute pits. It is just way too pompous and serious for the material. I fondly wish that Woody Allen could do a post-production overdub of the voice in the grand style of "What's Up, Tiger Lily (1966)". Now, *that* would be fun!
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