A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, ... See full summary »
Fusing the 3000 year-old tradition of Chinese acrobatic arts with the multidisciplinary approach of Cirque du Soleil, Dralion draws its inspiration from Eastern philosophy and it's never ending quest for harmony between man and nature.
A grand procession and festive parade imagined by a clown with awesome acrobatics. A theatrical world of comedy and spontaneity situated in a mysterious space between heaven and earth. ... See full summary »
A live Cirque du Soleil performance featuring remixed music, visuals, musicians, singers, and dancers. Delirium is the quest for balance in a world increasingly out of sync with reality. ... See full summary »
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love. Written by
Jon Reeves <firstname.lastname@example.org>
"Cirque du Soleil - the Journey of Man" is a visually stunning 3-D film that would be more rewarding if it was longer than 40 minutes and had a fuller message. As is, it serves as an enticement to see the complete Cirque du Soleil performance whether in person in Las Vegas or by recorded videotape. The stream of consciousness involving the little boy becoming an aging man symbolizing his development is not intuitively complete. In showing man's self discovery and his experiences of love and joy with us, the film fails to bring us his uniqueness and his identity. It may be enough, for some, just to see the virtuoso acrobatics of the four set pieces - the underwater magic of five synchronized swimmers, the quartet trapeze artists dangling on rope who twirl their bodies forward rhythmically from their waists, the couple with precise control who raise and lower each other by sheer muscular strength on a water lily platform, and the finale involving multi-level players standing on each other's shoulders and the star figure jumping somersaults to reach a pinnacle. But these are merely appetizers that lead us astray, making us anticipate a piece-de-resistance that will not be forthcoming.
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