Set during Japan's Shogun era, this film looks at life in a samurai compound where young warriors are trained in swordfighting. A number of interpersonal conflicts are brewing in the ... See full summary »
In 1942 British soldier Jack Celliers comes to a Japanese prison camp. The camp is run by Yonoi, who has a firm belief in discipline, honor and glory. In his view, the allied prisoners are ... See full summary »
Based on a true story set in pre-war Japan, a man and one of his servants begin a torrid affair. Their desire becomes a sexual obsession so strong that to intensify their ardor, they ... See full summary »
Hakuchu no Torima" is the portrayal of a violent rapist as seen through the recollections of his wife and one of his victims. As the film starts, Eisuke (Kei Sato) encounters Shino (Saeda ... See full summary »
In 1923, the Korean teenager Kim Shun-Pei moves from Cheju Island, in South Korea, to Osaka, in Japan. Along the years, he becomes a cruel, greedy and violent man and builds a factory of ... See full summary »
Set during Japan's Shogun era, this film looks at life in a samurai compound where young warriors are trained in swordfighting. A number of interpersonal conflicts are brewing in the training room, all centering around a handsome young samurai named Sozaburo Kano. The school's stern master can choose to intervene, or to let Kano decide his own path. Written by
Jean-Marc Rocher <email@example.com>
An Exquisite travelogue to another place, time, and culture
Nagisa Oshima's work is always visually exquisite. He has that finely honed, generations-old Japanese eye for detail which has served his artistry well over the last 50 years. It reveals itself to be the difference in the world of film that a Monet, Michelangelo, or Van Gogh is to sidewalk chalk drawings.
Decades ago, Oshima set out explore new territories, to leave formula and standard, approved plot progressions behind and delve into the deeper recesses of the human experience. What comes out of that are works of storytelling which require more attention and involvement on the part of the viewer than your typical Michael Bay or Renny Harlin flick. Not that pure escapist entertainment is a bad thing; far from it. But you don't generally come away from one of those features wanting to go sit at a table with your friends, staying up to the wee hours discussing what you've just seen and all the ramifications of each scene. In simpler terms, they don't enrich your intellect! (I think even Bay?s and Harlin?s most ardent fans can agree with me on that part :-) ).
"Gohatto" is the Japanese word meaning "Taboo" in its simplest form, so you know going in your about to see something out of the ordinary. Oshima has long had a fascination with the dichotomies in Japanese culture (and frankly most cultures) between how behavior is proscribed and how the more primal, instinctual urges (mostly sex) always find their way to the surface in spite of those mores. Oshima has also found a fascination in seeing how both Western and Eastern cultures have, at one time or another (or more than one), put strict moral taboos on homosexuality, adultery, and even on prostitution, but these strictures have never eliminated or even slowed down their existence.
"Gohatto" takes us into a world 150 years ago where such things don't exist on the surface but are fully integrated into what is real life just beneath. Whether such subject matter, or exploring Eastern cultures, particularly interests you or not, if you're interested in being challenged by the art that you see, "Gohatto" (like Peter Greenaway's recent "The Pillow Book") is a must-see film.
20 of 26 people found this review helpful.
Was this review helpful to you?