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Bluff Master (1963)

| Romance
An inveterate con man falls in love and realizes the error of his ways after his mother comes to know the truth about him.

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(screenplay), (story) (as Madhusudan Kalelkar) | 1 more credit »
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Cast

Complete credited cast:
...
Ashok
...
Seema (as Saira Banoo)
Niranjan Sharma
Mohan Choti ...
Mohan Choti
...
Lajwanti
Rashid Khan
Charlie Walker
Jugal Kishore
Shyamlal
Anand Joshi
Santosh Kumar
...
Ashok's mom
...
Kumar
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Storyline

Bombay-based Ashok is a fast-talking conman who will do anything for a quick buck: cheat, steal and even sell a laundry receipt as a lottery ticket. He has, however, written to his village-based mother that he is the owner of the Taj Mahal Hotel and is very wealthy, though he lives in a small room in a chawl. Ashok meets with Seema and they fall in love. Seema has another admirer in Kumar, who will do anything to marry Seema. He arranges so that Ashok's mother comes to know the truth about her son and Ashok's carefully-constructed world of lies and deceit comes crashing down. Written by Soumitra

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Romance

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(RCA Sound System)
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Did You Know?

Trivia

The credits express the producer's "sincere thanks to C.P.W.A. and their General Secretary, Shri Panna Kapoor with whose co-operation and efforts we have been able to complete this picture". Several members of the crew including the Art Director, Production Manager and all four Dance Directors mark their allegiance to the C.P.W.A. by having those initials appended to their names in the credits. See more »

Connections

References Dark Street (1961) See more »

Soundtracks

Bedardi Dagabaaz Jaa Tu Nahi Balam Mera
Lyrics by Rajinder Krishan
Music by Anandji Veerji Shah and Kalyanji Veerji Shah (as Anandji and Kalyanji)
Sung by Lata Mangeshkar
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User Reviews

 
Shake it, Shammi; smile, Pran!
28 October 2010 | by (Eugene, Oregon) – See all my reviews

Disclaimer: these comments reflect only my own tastes, feelings and ignorance. I like watching Bollywood DVDs (among other reasons), for the option to play just the songs. They often (but not always!) make more sense in the context of the plot, but what I'm really interested in are the musical numbers. If I don't like the music, I probably won't like the film. As a United Statesian, I am pretty clueless about Indian culture, except that I like watching these films. I've enjoyed watching the films of the Kapoor dynasty; Raj is my fave, but little bro Shammi is fun, too. He has a reputation as the Indian Elvis. I think this is more evident in other films where he adopts a more western style. Here the music sounds more traditionally Indian (except for the "Spanish" number), with great playback singing by Mukesh, Rafi, Lata & her little sister Usha. I wonder who did the voice for Shammi's drag number?

As far as I know, Shammi is straight, a family man and all that, but the first time I saw him, perhaps in scenes from Teesri Manzil, he set off my gaydar. I immediately suspected my cultural ignorance, but his moves can be so fey that to these eyes he looked like a big queen. Hey, I'm not knocking it! Like Elvis, he is provocative, with strange twitches. So I was delighted in this film to find he had a musical number as female impersonator. He seems to be having fun. I think the person seated almost immediately behind him in this scene may also be a man dressed in woman's clothing.

But my favorite Shammi dance number in this film is when he joins a procession singing a song about Govinda. He gets to display his abandon in a "wet" scene, and then climb a human pyramid to reach a pot.

Pran, the eternal villain, gets to do a little dancing, and in the picnic number he even smiles like he might actually be having fun, rather than his usual sadistic leer. However, he has plenty of creepy smiles in a later song when he dances with Saira Banu in the "Spanish" number, she in a fabulous gown and Pran brandishing a whip. Throughout the film his character wipes his nose with his hand, perhaps to make him more disgusting, but he did it so often that I wondered if his character was cokey. (Again, cultural bias.)

I also like the accordion in the soundtrack.

Plus, Saira sure looks cute holding a sitar, her bare toe taping in the foreground.


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