A retired F.B.I. Agent with psychological gifts, is assigned to help track down "The Tooth Fairy", a mysterious serial killer. Aiding him, is imprisoned forensic psychiatrist Dr. Hannibal "The Cannibal" Lecter.
The continuing saga of Hannibal Lecter, the murdering cannibal. He is presently in Italy and works as a curator at a museum. Clarice Starling, the FBI agent whom he aided to apprehend a serial killer, was placed in charge of an operation but when one of her men botches it, she's called to the mat by the Bureau. One high ranking official, Paul Krendler has it in for her. But she gets a reprieve because Mason Verger, one of Lecter's victims who is looking to get back at Lecter for what Lecter did to him, wants to use Starling to lure him out. When Lecter sends her a note she learns that he's in Italy so she asks the police to keep an eye out for him. But a corrupt policeman who wants to get the reward that Verger placed on him, tells Verger where he is. But they fail to get him. Later Verger decides to frame Starling which makes Lecter return to the States. And the race to get Lecter begins. Written by
According to Ridley Scott, Barney would take things out of Lecter's cell while he was taking a walk outside. See more »
Hannibal mis-pronounces the word 'tableaux' (plural of 'tableau') as having an 'S' on the end ('tableaus') - an unusual mistake for such a cultured and educated man to make. (However, this may not actually be a mistake on his part, but rather an intended error. There have been times when Dr Lecter purposely mis-pronounces words for the sake of effect, such as the "census taker" speech in The Silence of the Lambs. In that scene (after brow-beating Clarice for her humble West Virginia roots) he pronounces "Chianti" as "Key-ant-y" as a subtle taunting with regards to what he perceives as her uncultured origins.) See more »
Mason Verger doesn't want to kill me any more than I want to kill him. He just wants to see me suffer in some unimaginable way. He is rather twisted, you know.
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After fading to black, the alternate ending features a new voiceover-- Hannibal: Clarice, would you ever say to me, "Stop. If you really love me you'll stop?" Clarice: Not in a thousand years. Hannibal: Not in a thousand years? That's my girl. See more »
GOLDBERG VARIATION: No. 25 and ARIA, BWV 988
Written by Johann Sebastian Bach
Performed by Glenn Gould
Courtesy of Sony Classical/The Estate of Glenn Gould
By Arrangement with Sony Music Licensing See more »
Many people were disappointed or flat-out disgusted by Ridley Scott's follow-up to "The Silence of the Lambs." I can certainly understand their disgust, but I preferred this to its Oscar winning predecessor. It had been a long, long time since a movie made me turn from the screen in genuine horror, and I didn't believe it was even possible. "Hannibal"'s deservedly controversial climax took me by surprise. It may have been revolting (okay, it was very definitely revolting) but so few movies these days have any lasting impact and I appreciate that this one did. And it is, after all, about a cannibal, is it not? At some point in a series of films about a man of Lector's inclinations, we should see him at work.
Of course, the horror of the climax is effective because the rest of the film is so good. Hopkins, a little chunkier than the last time we saw him in this role, positively exudes menace especially in his final confrontation with Pazzi (an excellent Giancarlo Giannini whose sad eyes make him the most sympathetic character in the film). Then there's Gary Oldman's Mason Verger who is so contemptible that he never elicits sympathy no matter how he suffered at the hands of Lector. And Julianne Moore is an improvement over Jodie Foster who I have always believed was overrated.
But the best thing about "Hannibal" is the atmosphere in which Scott and his team envelop the story. A cloud of dread hangs over this film, and beautiful Florence, Italy, though still beautiful, appears haunted by Lector's very presence in the city.
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