After being committed for 17 years, Michael Myers, now a grown man and still very dangerous, escapes from the mental institution (where he was committed as a 10 year old) and he immediately returns to Haddonfield, where he wants to find his baby sister, Laurie. Anyone who crosses his path is in mortal danger.
The continuing saga of Hannibal Lecter, the murdering cannibal. He is presently in Italy and works as a curator at a museum. Clarice Starling, the FBI agent whom he aided to apprehend a serial killer, was placed in charge of an operation but when one of her men botches it, she's called to the mat by the Bureau. One high ranking official, Paul Krendler has it in for her. But she gets a reprieve because Mason Verger, one of Lecter's victims who is looking to get back at Lecter for what Lecter did to him, wants to use Starling to lure him out. When Lecter sends her a note she learns that he's in Italy so she asks the police to keep an eye out for him. But a corrupt policeman who wants to get the reward that Verger placed on him, tells Verger where he is. But they fail to get him. Later Verger decides to frame Starling which makes Lecter return to the States. And the race to get Lecter begins. Written by
I like this film a lot, but of course it suffers - as all sequels do - by comparison to its predecessor, in this case 'Silence of the Lambs' The main reason for having a sequel at all was to showcase again the character of Hannibal Lecter, a monstrous creation everyone wanted to see more of after the first film. It could have bombed badly therefore if writer and actor had let us down by failing to catch the magic again. It was after all a decade after the original was made. But they don't, and Anthony Hopkins turns in another delicious performance as the man with the evil intent cloaked in inestimable, menacing charm.
Julianne Moore drew the short straw in having to re-create the Clarice Starling role that had been so memorably played by another actress. She does well in my opinion, but inevitably we keep thinking 'where is Jodie Foster?', and this lends her portrayal a lack of credibility which is entirely unfair. Gary Oldman's Mason Verger is suitably loathsome and manages to make Lecter seem almost like the hero in their battle of wits. If there is a weak link, Ray Liotta's Krendler seems a bit misplaced.
The direction deserves special mention. The lush, beautiful settings are mocked by the horror of what is happening in them and the perfectly-selected atmospheric music stayed in my mind long after the film had ended.
Once again, the film lacks realism, but as with the original, it doesn't matter. Of course things like this don't really happen - but so what? It's a film. Get over it! I was prompted after seeing it to read the books, and the right decision was made in changing the ending of this story from that written by Thomas Harris.
We were subsequently treated to another look at Lecter in a decent prequel movie, 'Red Dragon,' but I will not be alone in hoping that some day we will see yet more of him in a further instalment. Unlikely I suspect - but not impossible.
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