The continuing saga of Hannibal Lecter, the murdering cannibal. He is presently in Italy and works as a curator at a museum. Clarice Starling, the FBI agent whom he aided to apprehend a serial killer, was placed in charge of an operation but when one of her men botches it, she's called to the mat by the Bureau. One high ranking official, Paul Krendler has it in for her. But she gets a reprieve because Mason Verger, one of Lecter's victims who is looking to get back at Lecter for what Lecter did to him, wants to use Starling to lure him out. When Lecter sends her a note she learns that he's in Italy so she asks the police to keep an eye out for him. But a corrupt policeman who wants to get the reward that Verger placed on him, tells Verger where he is. But they fail to get him. Later Verger decides to frame Starling which makes Lecter return to the States. And the race to get Lecter begins. Written by
Australia received an MA15+ rating, but the film was edited within first week of cinema release (2 small but distinct cuts were made - One small edit and removal of frames during the shoot out at the Seafood market to reduce overall impact of violence, the other was the removal of sequence of frames showing the clear dissecting of the brain of Ray Liotta.) The film was re-classified to R18+. Australian VHS, DVD and Bluray release had the R18+ rating reclassified to MA15+, but the edited cuts were not reinserted into the film. Till this day, all MA15+ versions of the film are still cut. See more »
Inspector Pazzi's cellphone is switched off in the library, when Lecter takes it and talks to Clarice. Although it is on vibrate mode, the LCD display is blank. See more »
Dear Clarice, I have followed with enthusiasm the course of your disgrace and public shaming. My own never bothered me except for the inconvenience of being incarcerated, but you may lack perspective. In our discussions down in the dungeon it was apparent to me that your father, the dead night watchman, figures largely in your value system. I think your success in putting an end to Jame Gumb's career as a couturier pleased you most because you could imagine your father being pleased. But now, ...
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As the opening credits end, Hannibal's face can be seen in the formation of pigeons on the ground before they fly away. See more »
Hannibal is a pure pleasure! While a little unevenly paced (the beginning was a bit slow), David Mamet and Steve Zallian have done a good job of telling the basic story Thomas Harris gave to us - and, incidently, the book was incredibly underrated by critics whose thought processes seem to have been damaged by too little quality literature. People have complained that it took ten years for Harris to write it - well, read it! It is chock-a-block full of mythology, astronomical and religious themes that weave their way throughout. The threads never break. The movie would have had to be eight hours long to even begin to explore the depths plumbed by Harris in the book.
Anthony Hopkins is, as usual, brilliant! Julianne Moore was sexy and strong. Giancarlo Giannini was outstanding and Gary Oldman creditable. My only complaint with casting was Ray Liotta, who just didn't have "it".
Having seen this movie three times thus far, I will say that watching it is like peeling layers off an onion. You see more and more with each viewing - little treasures and nuggets that you find almost by accident. The first time I saw it, I left the theatre not really knowing what I thought of it. Then I found myself smiling. I did like it. When I went back again (and again!) I liked it more and more.
Gory? Not really - and I consider myself pretty sensitive to gore. I have seen far worse. The story does have violence in it, and I think Ridley Scott, while depicting an integral part of the story, handled the violence tastefully (if you'll pardon the expression).
Is it as good as Silence of the Lambs? No. It's DIFFERENT from SotL. In Silence we had a caged monster whose intensity was extremely focussed. Here, we have a monster who is on the loose in a great big world, free to indulge in his passions. Hannibal Lecter's essence has not changed. He's merely in a different situation.
My only disappointments were: The changed ending. This was the major one. I realize the critics lambasted Thomas Harris for the ending in the book, saying "Clarice would never have done that", but Clarice was the child of Harris' imagination. The author is god, and if god says a character will do something, who are we to second-guess?
The length of the movie. It could have been a little longer and more focus could have been put on the relationship between Hannibal and Clarice - specifically, his obsession with her, and the time they spent together after the fiasco at the Verger Estate.
It was also too bad that Mason Verger's sister, Margot, was written out of the script.
All in all, though, I thoroughly enjoyed the dark humor and the adventure. Hans Zimmer's score is magnificent! This is a really good film - not a great film, but a really good one. Don't go into it expecting to see another Silence of the Lambs. It's not - and I don't think anyone has ever tried to claim that it is. Expect to see a weird and wonderful love story and an adventure! (It's just too bad about that ending!)
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