The continuing saga of Hannibal Lecter, the murdering cannibal. He is presently in Italy and works as a curator at a museum. Clarice Starling, the FBI agent whom he aided to apprehend a serial killer, was placed in charge of an operation but when one of her men botches it, she's called to the mat by the Bureau. One high ranking official, Paul Krendler has it in for her. But she gets a reprieve because Mason Verger, one of Lecter's victims who is looking to get back at Lecter for what Lecter did to him, wants to use Starling to lure him out. When Lecter sends her a note she learns that he's in Italy so she asks the police to keep an eye out for him. But a corrupt policeman who wants to get the reward that Verger placed on him, tells Verger where he is. But they fail to get him. Later Verger decides to frame Starling which makes Lecter return to the States. And the race to get Lecter begins. Written by
The Italian servant in the Sardinia scene is actually the onsite painter with work clothes on, not a costume. The painter was working on adding cement to the fountain in the courtyard and had the half sheet on to keep cement off her clothes. When Director Ridley Scott came through to do the phone call scene... they added her as the servant because she looked like authentic. Lines were given but due to painter's southern accent, the decision was made to have no verbal from her. Also most of crew ended up being used all over the film, for example, the tattooed fish market girl is also the set dresser. See more »
During the scene where Pazzi and Benetti are watching the debate, Benetti offers Pazzi a cigarette, Pazzi declines and Benetti starts smoking. In the next shot Pazzi is the one smoking while Benetti has no cigarette. See more »
[in a letter to Clarice]
Your job is to craft my doom, so I am not sure how well I should wish you. But I'm sure we'll have a lot of fun. Ta-ta, "H."
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After the credits, we hear Lecter say "Ta ta, H.", the closing line of the post-script in his letter to Clarice. See more »
GOLDBERG VARIATION: No. 25 and ARIA, BWV 988
Written by Johann Sebastian Bach
Performed by Glenn Gould
Courtesy of Sony Classical/The Estate of Glenn Gould
By Arrangement with Sony Music Licensing See more »
Well, the deal is done. Saw it. Liked it. However.....not nearly as good as Silence. Very different effect is achieved by this film. It does almost play like an elite form of slasher movie. Like Jason with class and an education. I like Jodie and I see why she really didn't want this role. There's not a hell of a lot for Starling to do. Let's just say this- I liked it for what it is. As a stand alone film. It works on some levels. I think 2 1/2 is a good rating. I can recommend it. I even liked it. It just pales in comparison. And one can't help but compare. The characters all seem a bit shallow. Even Lecter. Some parts of this film are sooo over the top, I have to accept them as dark humor. The main thing I remember about Silence is the overwhelming feeling of dread, of sadness about the events in the film. "What does he do, this man you seek?" "He kills women." "NO, that is INCIDENTAL." Now that exchange instilled horror in me. There's just nothing like that in this film.
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