A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
The story focuses on a man who suffers "anesthetic awareness" and finds himself awake and aware, but paralyzed, during heart surgery. His mother must wrestle with her own demons as a drama unfolds around them, while trying to unfold the story hidden behind her son's young wife.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
The continuing saga of Hannibal Lecter, the murdering cannibal. He is presently in Italy and works as a curator at a museum. Clarice Starling, the FBI agent whom he aided to apprehend a serial killer, was placed in charge of an operation but when one of her men botches it, she's called to the mat by the Bureau. One high ranking official, Paul Krendler has it in for her. But she gets a reprieve because Mason Verger, one of Lecter's victims who is looking to get back at Lecter for what Lecter did to him, wants to use Starling to lure him out. When Lecter sends her a note she learns that he's in Italy so she asks the police to keep an eye out for him. But a corrupt policeman who wants to get the reward that Verger placed on him, tells Verger where he is. But they fail to get him. Later Verger decides to frame Starling which makes Lecter return to the States. And the race to get Lecter begins. Written by
This film was publicized as having the highest body count in a movie See more »
When Hannibal Lecter undersigns the letter to Clarice Starling, he draws a line above his name from the "b" of Hannibal to the M.D. But when Starling reads the letter the line suddenly starts above the first "n" of Hannibal. See more »
[apparently about to cut Starling's hand off with a cleaver]
This is really gonna hurt.
See more »
After the credits, we hear Lecter say "Ta ta, H.", the closing line of the post-script in his letter to Clarice. See more »
GOLDBERG VARIATION: No. 25 and ARIA, BWV 988
Written by Johann Sebastian Bach
Performed by Glenn Gould
Courtesy of Sony Classical/The Estate of Glenn Gould
By Arrangement with Sony Music Licensing See more »
Hannibal is a pure pleasure! While a little unevenly paced (the beginning was a bit slow), David Mamet and Steve Zallian have done a good job of telling the basic story Thomas Harris gave to us - and, incidently, the book was incredibly underrated by critics whose thought processes seem to have been damaged by too little quality literature. People have complained that it took ten years for Harris to write it - well, read it! It is chock-a-block full of mythology, astronomical and religious themes that weave their way throughout. The threads never break. The movie would have had to be eight hours long to even begin to explore the depths plumbed by Harris in the book.
Anthony Hopkins is, as usual, brilliant! Julianne Moore was sexy and strong. Giancarlo Giannini was outstanding and Gary Oldman creditable. My only complaint with casting was Ray Liotta, who just didn't have "it".
Having seen this movie three times thus far, I will say that watching it is like peeling layers off an onion. You see more and more with each viewing - little treasures and nuggets that you find almost by accident. The first time I saw it, I left the theatre not really knowing what I thought of it. Then I found myself smiling. I did like it. When I went back again (and again!) I liked it more and more.
Gory? Not really - and I consider myself pretty sensitive to gore. I have seen far worse. The story does have violence in it, and I think Ridley Scott, while depicting an integral part of the story, handled the violence tastefully (if you'll pardon the expression).
Is it as good as Silence of the Lambs? No. It's DIFFERENT from SotL. In Silence we had a caged monster whose intensity was extremely focussed. Here, we have a monster who is on the loose in a great big world, free to indulge in his passions. Hannibal Lecter's essence has not changed. He's merely in a different situation.
My only disappointments were: The changed ending. This was the major one. I realize the critics lambasted Thomas Harris for the ending in the book, saying "Clarice would never have done that", but Clarice was the child of Harris' imagination. The author is god, and if god says a character will do something, who are we to second-guess?
The length of the movie. It could have been a little longer and more focus could have been put on the relationship between Hannibal and Clarice - specifically, his obsession with her, and the time they spent together after the fiasco at the Verger Estate.
It was also too bad that Mason Verger's sister, Margot, was written out of the script.
All in all, though, I thoroughly enjoyed the dark humor and the adventure. Hans Zimmer's score is magnificent! This is a really good film - not a great film, but a really good one. Don't go into it expecting to see another Silence of the Lambs. It's not - and I don't think anyone has ever tried to claim that it is. Expect to see a weird and wonderful love story and an adventure! (It's just too bad about that ending!)
60 of 102 people found this review helpful.
Was this review helpful to you?