A small group of typical Tromaville citizens find themselves in the path of a terrorist army controlled by the power elite. The freedom of Tromaville and the world is at stake! Troma's War ... See full summary »
Return to the Class of Nuke 'Em High follows a young couple that are up against the school glee club. Unfortunately, the glee club has mutated into a gang called The Cretins. When the other... See full summary »
The class of nuke 'em high is back, and this time they're in college! Tromaville's nuclear factory has been rebuilt and now includes the Tromaville institute of technology. Located inside ... See full summary »
The third installment in the Class of Nuke 'em High series takes up where part 2 left off. A giant mutant squirrel has destroyed the Tromaville power plant and Roger Smith has saved the day... See full summary »
When the notorious Diaper Mafia take hostage the Tromaville School for the Very Special, only the Toxic Avenger and his morbidly obese sidekick Lardass can save Tromaville. However, an explosion results in some unforeseeable consequences, creating a dimensional tear between Tromaville and its dimensional mirror image, Amortville. While the Toxic Avenger (Toxie) is trapped in Amortville, Tromaville comes under the control of Toxie's evil doppelganger, the Noxious Offender (Noxie). Will Toxie return to Tromaville in time to stop Noxie's rampage or is he doomed to remain a second-class citizen in Amortville forever? How did Toxie's wife Sarah become pregnant with two babies from two different fathers? Will Tito ever get over his teen angst and become a productive member of society? Written by
Citizen Toxie demands respect. It demands respect because Feldman's emotionally compelling performance sweeps you into Toxie's topsy-turvy (and delightfully dark) world, and it doesn't let up until the credits roll. Citizen Toxie delivers primarily because of Feldman's mastery, in the spirit of what Keat's called the objective correlative, of his character's every facet and nuance. Feldman's control and deliberate persistence not only excite, they electrify, not unlike a bloated and beached prehistoric eel. Further, it is by far Feldman's most whimsical performance since the Goonies.
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