| Christopher Lee | ... | Walter Strauss | |
| Ramon Estevez | ... | Karl Holbach (as Ramon Sheen) | |
| Mark Hamill | ... | Peter Froehlich | |
| Alexandra Ehrlich | ... | Lillian Strauss (as Alexandra Erlich) | |
| Daniel Grimm | ... | Captain Anton (as Harrison Grimm) | |
| Carole Keeper | ... | Johanna Menz | |
| Craig Hill | ... | Major Holbach | |
| Teresa Gimpera | ... | Lena | |
| Teri Vallee | ... | Rosa | |
| Carlos Quiroga | ... | Dimitri | |
| Laurence Lamaire | ... | Ingrid | |
| Robert Ground | ... | Gestapo General | |
| Antonio Mayans | ... | Hans Gruningen (as Antony Mayans) | |
| Jacques Potin | ... | Rudy | |
| Steph Angelier | ... | Otto Hemming | |
| Pierre Cheremetieff | ... | Officer | |
| Yann Deschelles | ... | American Soldier | |
| Christine Ronsin | ... | Nurse | |
| rest of cast listed alphabetically: | |||
| Daniel White | ... | Piano Player (uncredited) | |
Directed by | |||
| Jesus Franco | |||
Writing credits(in alphabetical order) | ||
| Jesus Franco | adaptation (as Jess Franco) | |
| Jesus Franco | screenplay (as David Khune) | |
| Georges Friedland | adaptation (as George Freedland) | |
Produced by | |||
| Ilona Kunesova | .... | associate producer | |
| Daniel Lesoeur | .... | producer | |
| Marius Lesoeur | .... | executive producer | |
Original Music by | |||
| Daniel White | |||
Cinematography by | |||
| Jean-Jacques Bouhon | |||
Film Editing by | |||
| Jesus Franco | (as J.P. Johnson) | ||
Casting by | |||
| Claire Newell | |||
Production Design by | |||
| Didier Burgaux | |||
Art Direction by | |||
| William Lighty | |||
Costume Design by | |||
| Janine Gonzales | |||
Makeup Department | |||
| Lydia Kalaydjian | .... | makeup/hair supervisor | |
| Isabella Long | .... | makeup/hair supervisor | |
| Manu Moreno | .... | hair styles supervisor | |
| Manu Moreno | .... | makeup supervisor | |
Production Management | |||
| Eric Lardy | .... | post-production supervisor | |
| Sharyon Reis Cobe | .... | executive in charge of production | |
Art Department | |||
| Didier Burgaux | .... | set director | |
| Arnould Delmotte | .... | property master | |
Sound Department | |||
| Valerie Abrial | .... | sound effects recordist | |
| Alan Braun | .... | adr director | |
| Dominique Davy | .... | sound engineer: second unit | |
| Claude Martenot | .... | sound mixer | |
| Claude Martenot | .... | sound recordist | |
| S. Mutela | .... | foley artist | |
| Jaime Puig | .... | ultra stereo consultant | |
| Bruno Winsdow | .... | sound effects recordist | |
Special Effects by | |||
| Tom Anouk | .... | special effects crew (as Tom Annouk) | |
| Peter Radek | .... | special effects crew | |
Stunts | |||
| Steve Goulak | .... | stunt player | |
| Doug Morries | .... | stunt coordinator | |
| Mike Nourris | .... | stunt player | |
| Willis Sutlliff | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Milo Balin | .... | key grip: dolly grip | |
| Lonka Domaz | .... | still photographer | |
| Steve Doug | .... | grip | |
| Henry Frogers | .... | second unit photographer | |
| Alan Garblor | .... | electrician | |
| Enrique López Quesada | .... | camera operator (as Henry L. Quesada) | |
| Wilson Marcus | .... | electrician | |
| Charles Marzolf | .... | best boy electric (as Charlie Marzolf) | |
| Mike Mills | .... | grip | |
| Raoul Pacioselli | .... | camera operator (as Raoul Piacoselli) | |
| John Scott | .... | best boy grip | |
Costume and Wardrobe Department | |||
| Joelle Mennequin | .... | assistant wardrobe | |
Editorial Department | |||
| John Heigh | .... | assistant editor | |
Transportation Department | |||
| John Louis Fiaux | .... | transportation captain | |
Other crew | |||
| Veronica Bastid | .... | script supervisor | |
| Regi Flynn | .... | weapons advisor | |
| Daniel Grimm | .... | dialogue coach | |
| Otto Volgen | .... | technical/historical consultant | |
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| Au Revoir Les Enfants | Head in the Clouds | Days of Glory | Captain Corelli's Mandolin | The Boy in the Striped Pajamas |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section |
*** This review may contain spoilers ***
Spoilers ahead I find it impossible to review this film without a word about the director. Jesus Franco was a Spanish Ed Wood. He had a few dozens of pseudonyms and several professions like writer, cinematographer, actor, composer, editor, producer and more. He made over 180 movies, mostly monster horror or erotic, or even both! For instance, what would you expect from a movie called “Virgin Among the Living Dead” or “White Cannibal Queen”, or “Kiss Me Killer”, or “Erotic Kill”, or “The Erotic Rites of Frankenstein”, or “Lesbian Vampires”? You got the idea. Well, “Fall of the Eagles” is neither horror, nor erotic, it`s quite a well done World War Two drama.
The story begins in Berlin just before the war. We see the house of a rich German banker (Christopher Lee) and his wonderful daughter Lillian (Alexandra Ehrlich). And it seems that everyone is in love with her, including Peter Froehlich (Mark Hamill). But she falls for a young composer Karl (Ramon Estevez). The problem is… they both go to the war to get killed one after another. Lillian starts singing for the wounded soldiers at hospitals and ends up signing in a night club for the officers. Then she even becomes a soldier too, and goes to the war. But when she returns home she finds it ruined and her brilliant one time rich father walking at the streets begging for food. But Lillian finds strength to go on and even work at a night club singing just the same songs for American soldiers. Her father, her stubborn father, refuses to recognize his daughter, which he used to be so proud of, in that hardly dressed lady on a stage, singing English for the Americans. He doesn`t realize, she is doing it for him, to get him fed.
Anyway, that`s the story and here is the critics. First of all I found that lady pretty strange. She loves Karl, but when he is gone to the war, she goes to bed with Peter, just the same. She is ready to sleep with anyone out of patriotism (well, here is the logic: he is going to the war, maybe he`ll die, so why not to comfort him for the last time? Why she isn`t sleeping with every German soldier then, I wonder). Yes, about her singing which everyone is amazed at in the movie… Well, it`s rather dull. I don`t know, maybe Mr. Franco knew about the culture of pre-war Germany better of course, but I wouldn`t stay to the end of any song, which is sang with this lack of enthusiasm. I almost fell asleep every time she started singing. What kind of a cabaret is that! Despite all that she is brave to rebel against her powerful father and go through the war. I have to say that almost every character in this film is quite controversial. Karl understands the nature of the war and is afraid to fight, but gets drafted and killed, the girl`s father, played by Christopher Lee has a Jewish friend and so on. The only straight forward character is the one played by Mark Hamill. He is just in love with the girl. She even fulfils one of his dreams and becomes his wife (out of mercy, of course). Next second he dies.
It might be predictable, but it is a pretty watchable film afterall.