Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Director Alan Smithee takes us on an irreverent (and unauthorized) romp through George A. Romero's classic Night of the Living Dead, the film that spawned the modern zombie craze and a thousand "of the living dead" remakes and rip-offs.
The storyline has been re-tooled to offer an experimental and contemporary revision of the 1968 original - much like a DJ remix. Slated to generate royalties for the Night of the Living ... See full summary »
The young executive of a publicity agency Henry Creedlow is a man that has repressed morbid thoughts and is walked over by most of his acquaintances: his wife is cheating on him with his boss and stealing his investments with help from his best friend; his housemaid is frequently stealing from his house and insulting him in Spanish; even his annoying poodle does not respect him. While in his daily morning routine listening to a talk show on the radio, he hears a man committing suicide live because he had been felt miserable and disrespected for a long time, and Henry feels impressed with the tragic story. The next morning, he wakes up to find his face covered by a white mask, changing his personality and letting him seek revenge against those who have humiliated him. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This was the first George Romero movie not shot primarily in or around Romero's hometown of Pittsburgh, Pennsylvania, USA. See more »
The man had gone to market, to buy a diamond ring. The man who never noticed, that he was not a king. He choose the brightest sparkle, a diamond made of glass. The setting bright and gold, was crafted out of brass. The man spent all his money, the jeweler was a cheat. He told the man that royals, wore diamonds on their feet. The man went proudly walking, inside his shoe the ring. And no one ever told him, that he was not a king.
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I got the chance to see Bruiser at a small screening in the presence of George A. Romero himself when he visited my college campus. I thought it was very interesting, a well written story as well as tightly directed. At the time I met with Romero, he wasn't sure if it would be released theatrically or move straight to video/DVD. He did tell me that it was produced by a small Canadian film company and may not be released in the U.S. for quite some time. Still, the Romero fans that I watched this with seemed to enjoy every second of it, as did I. I would refer this film to anyone who enjoys the dark comedy/cult classics such as Pulp Fiction or A Clockwork Orange.
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