Director Alan Smithee takes us on an irreverent (and unauthorized) romp through George A. Romero's classic Night of the Living Dead, the film that spawned the modern zombie craze and a thousand "of the living dead" remakes and rip-offs.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
The young executive of a publicity agency Henry Creedlow is a man that has repressed morbid thoughts and is walked over by most of his acquaintances: his wife is cheating on him with his boss and stealing his investments with help from his best friend; his housemaid is frequently stealing from his house and insulting him in Spanish; even his annoying poodle does not respect him. While in his daily morning routine listening to a talk show on the radio, he hears a man committing suicide live because he had been felt miserable and disrespected for a long time, and Henry feels impressed with the tragic story. The next morning, he wakes up to find his face covered by a white mask, changing his personality and letting him seek revenge against those who have humiliated him. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The Misfits, a horror-punk band from New Jersey, are featured in Bruiser. The play two songs from their Famous Monsters album: Descending Angel and Scream, as well as two songs written for the film: Bruiser and Fiend Without a Face. See more »
The man had gone to market, to buy a diamond ring. The man who never noticed, that he was not a king. He choose the brightest sparkle, a diamond made of glass. The setting bright and gold, was crafted out of brass. The man spent all his money, the jeweler was a cheat. He told the man that royals, wore diamonds on their feet. The man went proudly walking, inside his shoe the ring. And no one ever told him, that he was not a king.
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I got the chance to see Bruiser at a small screening in the presence of George A. Romero himself when he visited my college campus. I thought it was very interesting, a well written story as well as tightly directed. At the time I met with Romero, he wasn't sure if it would be released theatrically or move straight to video/DVD. He did tell me that it was produced by a small Canadian film company and may not be released in the U.S. for quite some time. Still, the Romero fans that I watched this with seemed to enjoy every second of it, as did I. I would refer this film to anyone who enjoys the dark comedy/cult classics such as Pulp Fiction or A Clockwork Orange.
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