| Videos (see all 2) |
Directed by | |||
| Bruce Beresford | |||
Writing credits(in alphabetical order) | ||
| Marilyn Levy | ||
Produced by | |||
| Margit Bimler | .... | executive producer | |
| Norbert Blecha | .... | co-producer | |
| Steven Brown | .... | associate producer | |
| Kirt Eftekhar | .... | associate producer | |
| Willy Egger | .... | line producer: Austria (as Willi Egger) | |
| Jan Fantl | .... | co-producer | |
| Gerald Green | .... | executive producer | |
| Frank Hübner | .... | executive producer | |
| Evzen Kolar | .... | producer | |
| Lawrence Levy | .... | producer | |
Original Music by | |||
| Stephen Endelman | |||
Cinematography by | |||
| Peter James | |||
Film Editing by | |||
| Tim Wellburn | (as Timothy Wellburn) | ||
Casting by | |||
| Joseph Middleton | |||
| Ari Raidel | |||
Production Design by | |||
| Herbert Pinter | |||
Art Direction by | |||
| Christian Marin | |||
Set Decoration by | |||
| Barbara Demmer | |||
Costume Design by | |||
| Shuna Harwood | |||
Makeup Department | |||
| Rita Alembik | .... | hair stylist | |
| Rita Alembik | .... | makeup artist | |
| Hilde Busta | .... | hair stylist | |
| Hilde Busta | .... | makeup artist | |
| Monika Fischer-Vorauer | .... | makeup artist | |
| Norma Hill-Patton | .... | hair designer | |
| Norma Hill-Patton | .... | makeup designer | |
| Danijela Ibricic | .... | additional hair stylist | |
| Christine Leuser | .... | additional hairstylist | |
| Christine Leuser | .... | hair stylist | |
| Christine Leuser | .... | makeup artist | |
| Susanne Neidhart | .... | hair stylist | |
| Susanne Neidhart | .... | makeup artist | |
| Viv Nolguly | .... | hair stylist | |
| Viv Nolguly | .... | makeup artist | |
| Michaela Oppl | .... | hair stylist (as Michaela Oppl) | |
| Michaela Oppl | .... | makeup artist (as Michaela Oppl) | |
| Christine Perlinger | .... | hair stylist | |
| Christine Perlinger | .... | makeup artist | |
| Daniela Skala | .... | hair stylist | |
| Daniela Skala | .... | makeup artist | |
| C.J. Wills | .... | key hair stylist | |
| C.J. Wills | .... | key makeup artist | |
Production Management | |||
| Doro Geyer | .... | production manager: Austria | |
| Mark Harris | .... | post-production supervisor | |
| Torsten Leschly | .... | post-production manager | |
| Andrea Minauf | .... | unit manager | |
| Tom Udell | .... | production manager: USA | |
Second Unit Director or Assistant Director | |||
| Richard Cowan | .... | first assistant director | |
| Susanne Nowotny | .... | second assistant director | |
| Jeanette Rosenmaier | .... | first assistant director: Austria | |
Art Department | |||
| Christa Bannert | .... | art department runner | |
| Stefan Diem | .... | swing gang | |
| Freddi Dobsak | .... | draperies (as Fredi Dobsack) | |
| Gerhard Dohr | .... | swing gang | |
| Christian Eder | .... | swing gang | |
| Franz Essler | .... | swing gang | |
| Bettina Geier | .... | draftswoman | |
| Alfred Geigenberger | .... | swing gang | |
| Günther Gutermann | .... | props supervisor | |
| Ernst Hubmann | .... | assistant set decorator | |
| Rudolf Kieger | .... | on-set carpenter | |
| Wolfgang Küchler | .... | on-set dresser | |
| Fritz Müller | .... | second assistant property master | |
| Udo Naglstrasser | .... | first assistant property master | |
| Marcin Polak | .... | painter | |
| Christian Reiff | .... | swing gang | |
| Sigi Sauerschnig | .... | property master (as Siegfried Sauerschnig) | |
| Heli Schnöller-Malec | .... | painter (as Heli Malek-Schnöller) | |
| Mario Schritter | .... | carpenter | |
| Joachim Schwan | .... | stand-by props | |
| Gero Schwanberg | .... | sculptor | |
| Günther Schäfer | .... | painter | |
| Heinz Schön | .... | carpenter | |
| Katharina Setzer | .... | art department coordinator | |
| Ursula Sova | .... | artwork coordinator | |
| Martin Stainer | .... | buyer | |
| Stephanie Winkelbauer | .... | art researcher | |
| Lorenz Zeiner | .... | leadman | |
Sound Department | |||
| Jason Adams | .... | sound editor | |
| Jason Adams | .... | sound effects editor | |
| Kasper Val Bjerregård Larsen | .... | sound re-recording mixer (as Søren Bjerregaard) | |
| Paul Carr | .... | adr mixer | |
| Kotzman Cenda | .... | assistant sound engineer (as Cinda Rotzmann) | |
| Gary Chester | .... | sound mixer | |
| Gary Chester | .... | sound recordist | |
| Wave Denmark | .... | post-production sound facility | |
| Walter Fiklocki | .... | production sound mixer | |
| Petter Fladeby | .... | sound re-recording mixer | |
| Mads Heldtberg | .... | assistant sound mixer | |
| Svenn Jakobsen | .... | foley editor | |
| Svenn Jakobsen | .... | foley mixer | |
| Peter Kostl | .... | boom operator | |
| Jan Lindvik | .... | foley artist | |
| Gerard Loret | .... | first assistant sound editor | |
| Dennis McTaggart | .... | dialogue editor | |
| Dennis McTaggart | .... | sound editor | |
| Herbert Prasch | .... | playback operator | |
| Sandra Roth | .... | foley editor | |
| Axel Traun | .... | boom operator | |
| Nick Watson | .... | sound consultant: Dolby | |
Special Effects by | |||
| Karl-Heinz Bochnig | .... | special effects foreman | |
| Norman Ernst | .... | second special effects assistant | |
| Peter Orthmaier | .... | third special effects assistant | |
| Christoph von Lengerke | .... | first special effects assistant (as Christoph von Lenggerke) | |
Visual Effects by | |||
| Matt Butcher | .... | Flame artist | |
| Colin Kinnear | .... | engineer | |
| Eric Person | .... | digital effects | |
| Paul Round | .... | Inferno artist | |
Stunts | |||
| Josef Schützenhofer | .... | stunts | |
Casting Department | |||
| Romana Figemann | .... | extras casting assistant | |
| Sylvia Figemann | .... | extras casting | |
| Richard Whobrey | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Elisabeth Dobsa | .... | costume assistant | |
| Christine Ertl | .... | set costumer | |
| Brigitte Fink | .... | costume assistant | |
| Suzy Freeman | .... | assistant costume designer | |
| Waltraut Freitag | .... | wardrobe supervisor (as Waltraud Freitag) | |
| Martina King | .... | seamstress | |
| Brigitte Kortmann | .... | seamstress | |
| Hans Georg Struhar | .... | costume supervisor | |
| Hans Georg Struhar | .... | key set costumer | |
Editorial Department | |||
| Marcus Alexander | .... | second assistant editor | |
| Steve Harrow | .... | post-production consultant | |
| Gerlof Kamerling | .... | dailies colorist | |
| Laurie McDowell | .... | first assistant editor: UK | |
| Khalid Mohammed | .... | post-production coordinator (as Mohammed Khalid) | |
| Margit Wiltschko | .... | first assistant editor: Austria | |
| Donald Freeman | .... | final colorist (uncredited) | |
Music Department | |||
| Pavel Cizek | .... | music contractor | |
| Stephen Endelman | .... | musical director (as Stephan Endelman) | |
| Christopher Kennedy | .... | music editor | |
| Sonny Kompanek | .... | additional orchestrator | |
| Pavel Pranil | .... | concert master | |
| Pavel Pranil | .... | orchestra contractor | |
| Frantisek Preisler | .... | conductor | |
| Jean-Yves Thibaudet | .... | musician: piano | |
Transportation Department | |||
| Günter Ciboch | .... | driver: cast | |
| Andreas Djerdjev | .... | driver: set dressing | |
| Ulrich Gamisch | .... | driver: motorhome | |
| Winfried Heber | .... | driver: motorhome | |
| Max Reisinger | .... | transportation coordinator | |
| Philipp Schrems | .... | driver: Mr. Beresford | |
| Martin Trillsam | .... | driver: props | |
| Peter Voracek | .... | driver: make-up trailer | |
| Helmut Winkler | .... | wardrobe driver | |
| Recent Posts (updated daily) | User |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb UK section |
Bride of the Wind could have been great, it was an interesting subject and I love music-biographical dramas when they're good. Bride of the Wind was a big disappointment. Sure, it is beautifully shot and looks gorgeous from a colour and production value perspective. The music, mostly from Mahler, is every bit as wonderful, and Jonathan Pryce and particularly Vincent Perez are very good. Unfortunately Sarah Wynter's Alma is devoid of any sensuality, nuances or life, it's a complete blank of a performance that only succeeds in making Alma shallow and thoroughly unlikeable. Simon Verhoeven suffers from being completely under-utilised and underwritten so he can't do anything with his character, who is just there with no depth and nothing to make him distinguishable. But that is the case with all the characters actually, excepting perhaps Gustav Mahler, they are written with no substance- you can safely say that they are literally sketched over- and at no point do you engage with them. The script is completely lifeless and full to the brim with stilted dialogue, while the story is not just dull but too often steps through its content so after the film ended things happen but with hardly anything explaining them. There are also some ridiculously misconceived plot-strands, the one with Alma and Oskar being the main culprit. All in all, looks beautiful with two good performances and wonderful music, but shallow and dull that makes you hate Alma intensely. 4/10 Bethany Cox