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A.I. Artificial Intelligence (2001)

Artificial Intelligence: AI (original title)
PG-13 | | Adventure, Drama, Sci-Fi | 29 June 2001 (USA)
2:12 | Trailer

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A highly advanced robotic boy longs to become "real" so that he can regain the love of his human mother.



(short story "Supertoys Last All Summer Long"), (screen story) | 1 more credit »
1,314 ( 146)
Nominated for 2 Oscars. Another 16 wins & 64 nominations. See more awards »



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Cast overview, first billed only:


In the not-so-far future the polar ice caps have melted and the resulting rise of the ocean waters has drowned all the coastal cities of the world. Withdrawn to the interior of the continents, the human race keeps advancing, reaching the point of creating realistic robots (called mechas) to serve them. One of the mecha-producing companies builds David, an artificial kid which is the first to have real feelings, especially a never-ending love for his "mother", Monica. Monica is the woman who adopted him as a substitute for her real son, who remains in cryo-stasis, stricken by an incurable disease. David is living happily with Monica and her husband, but when their real son returns home after a cure is discovered, his life changes dramatically. Written by Chris Makrozahopoulos <makzax@hotmail.com>

Plot Summary | Plot Synopsis

Plot Keywords:

boy | future | fairy | affection | robot | See All (121) »


Do not speak the seven-word activation code unless you mean it. See more »

Motion Picture Rating (MPAA)

Rated PG-13 for some sexual content and violent images | See all certifications »

Parents Guide:





Release Date:

29 June 2001 (USA)  »

Also Known As:

A.I.  »

Filming Locations:


Box Office


$100,000,000 (estimated)

Opening Weekend:

$29,352,630 (USA) (29 June 2001)


$78,616,689 (USA) (21 September 2001)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

| |



Aspect Ratio:

1.85 : 1
See  »

Did You Know?


Julianne Moore and Gwyneth Paltrow were considered for the role of Monica. See more »


The William Butler Yeats poem is misquoted on the door in Dr. Hobby's office. Dr. Know reads it "Come away, O human child! To the waters and the wild..." This is the correct line, and also what Gigolo Joe says as he reads it. However, the lines on the door read "To the waters of the wild". See more »


[first lines]
Narrator: [narrating, with ocean waves crashing together] Those were the years after the ice caps had melted... because of the greenhouse gases, and the oceans had risen drown so many cities... along all the shorelines of the world. Amsterdam, Venice, New York - Forever lost. Millions of people were displaced. Climates became chaotic. Hundreds of millions of people starved in poorer countries. Elsewhere a high degree of prosperity survived... when most governments in the developed world... ...
See more »

Crazy Credits

Sentient Machine Therapist ... JEANINE SALLA Assistant to Mr. Chan ... LAIA SALLA Toe-Bell Ringer ... KATE NEI Cybertronics - Room 93056 ... CLAUDE GILBERT Sentient Machine Security ... DIANE FLETCHER Covert Information Retrieval ... RED KING These are characters from the AI alternate-reality game that was connected to the release of the film, and was played over the Internet. Several of the TV and cinema trailers for AI contained clues for game players, including the name Jeanine Salla listed in the credits at the end of the first trailer. This was the way into the game. The room number given in Claude Gilbert's credit is a further clue to game players. See more »


Der Rosenkavalier Suite, Opus 59
Written by Richard Strauss
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Future classic...?
26 September 2001 | by (Wiltshire, England) – See all my reviews

First of all, once again I think the critics have got it wrong. Like Blade Runner and 2001, this is a film that will be properly judged in 10/20 years or maybe more. Its way ahead of its time, the combination of Kubrick and Spielberg is unique, its unlikely we will ever see anything like this again.

Did I like it? The answer would have to be yes, the mix of styles will put many people off, but I found it to be unlike anything I have ever seen, and all the better for it. The story is by no means original but everything else about the film is so different that this can be forgiven. To get one thing straight, Kubrick decided Spielberg would be the better man for directing it, and I think this was a very wise decision, many of the ideas are pure Kubrick, but Spielberg has the neccassary attributes to direct such a film, and great credit has to go to Kubrick for handing it to him.

Haley Joel Osment is amazing, the robot/human emotion must be amazingly difficult to pull off effectively, but Osment does it with such relative ease to the point where you do believe he is a robot, not that he is just acting as a robot. Jude Law is excellent, and so to is Frances O'Conner.

As for the ending, as brave as an idea it may of been to end on a downbeat note at "the first ending" I think the slightly upbeat ending is much more appropriate.

All in all I would say A.I is a wonderfully unique film that should be judged for what it is, a film. Forget everything about the Spielberg/Kubrick "issue" and just sit back and take in a truely amazing film. You may hate it, you may love it, but no matter what, it will effect your emotions in some way and you will discuss the film afterwards.

This film will be truely judged in 20 years or so, when it can be assessed purely as a film, as with 'Blade Runner', '2001', and even 'The Thing', it will get better with age.

327 of 430 people found this review helpful.  Was this review helpful to you?

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