7.1/10
248,081
2,161 user 284 critic

A.I. Artificial Intelligence (2001)

Artificial Intelligence: AI (original title)
PG-13 | | Adventure, Drama, Sci-Fi | 29 June 2001 (USA)
A highly advanced robotic boy longs to become "real" so that he can regain the love of his human mother.

Director:

Writers:

(short story "Supertoys Last All Summer Long"), (screen story) | 1 more credit »
Popularity
1,371 ( 114)

Watch Now

From $2.99 (SD) on Amazon Video

ON DISC
Nominated for 2 Oscars. Another 16 wins & 67 nominations. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

Action | Mystery | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

In a future where a special police unit is able to arrest murderers before they commit their crimes, an officer from that unit is himself accused of a future murder.

Director: Steven Spielberg
Stars: Tom Cruise, Colin Farrell, Samantha Morton
Adventure | Sci-Fi | Thriller
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

As Earth is invaded by alien tripod fighting machines, one family fights for survival.

Director: Steven Spielberg
Stars: Tom Cruise, Dakota Fanning, Tim Robbins
Drama | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

After an encounter with U.F.O.s, a line worker feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen.

Director: Steven Spielberg
Stars: Richard Dreyfuss, François Truffaut, Teri Garr
Gattaca (1997)
Drama | Sci-Fi | Thriller
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

A genetically inferior man assumes the identity of a superior one in order to pursue his lifelong dream of space travel.

Director: Andrew Niccol
Stars: Ethan Hawke, Uma Thurman, Jude Law
I, Robot (2004)
Action | Mystery | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

In 2035, a technophobic cop investigates a crime that may have been perpetrated by a robot, which leads to a larger threat to humanity.

Director: Alex Proyas
Stars: Will Smith, Bridget Moynahan, Bruce Greenwood
Armageddon (1998)
Action | Adventure | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

After discovering that an asteroid the size of Texas is going to impact Earth in less than a month, N.A.S.A. recruits a misfit team of deep core drillers to save the planet.

Director: Michael Bay
Stars: Bruce Willis, Billy Bob Thornton, Ben Affleck
Action | Adventure | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

In the colorful future, a cab driver unwittingly becomes the central figure in the search for a legendary cosmic weapon to keep Evil and Mr Zorg at bay.

Director: Luc Besson
Stars: Bruce Willis, Milla Jovovich, Gary Oldman
The Abyss (1989)
Adventure | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A civilian diving team is enlisted to search for a lost nuclear submarine and face danger while encountering an alien aquatic species.

Director: James Cameron
Stars: Ed Harris, Mary Elizabeth Mastrantonio, Michael Biehn
Comedy | Drama | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

An android endeavors to become human as he gradually acquires emotions.

Director: Chris Columbus
Stars: Robin Williams, Embeth Davidtz, Sam Neill
The Terminal (2004)
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

An eastern immigrant finds himself stranded in JFK airport, and must take up temporary residence there.

Director: Steven Spielberg
Stars: Tom Hanks, Catherine Zeta-Jones, Chi McBride
Action | Adventure | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

The aliens are coming and their goal is to invade and destroy Earth. Fighting superior technology, mankind's best weapon is the will to survive.

Director: Roland Emmerich
Stars: Will Smith, Bill Pullman, Jeff Goldblum
Men in Black (1997)
Adventure | Comedy | Family
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

A police officer joins a secret organization that polices and monitors extraterrestrial interactions on Earth.

Director: Barry Sonnenfeld
Stars: Tommy Lee Jones, Will Smith, Linda Fiorentino
Edit

Cast

Cast overview, first billed only:
...
...
...
...
...
...
...
...
Supernerd
...
Supernerd
...
Supernerd
...
Supernerd
...
...
...
Sheila
...
Edit

Storyline

In the not-so-far future the polar ice caps have melted and the resulting rise of the ocean waters has drowned all the coastal cities of the world. Withdrawn to the interior of the continents, the human race keeps advancing, reaching the point of creating realistic robots (called mechas) to serve them. One of the mecha-producing companies builds David, an artificial kid which is the first to have real feelings, especially a never-ending love for his "mother", Monica. Monica is the woman who adopted him as a substitute for her real son, who remains in cryo-stasis, stricken by an incurable disease. David is living happily with Monica and her husband, but when their real son returns home after a cure is discovered, his life changes dramatically. Written by Chris Makrozahopoulos <makzax@hotmail.com>

Plot Summary | Plot Synopsis

Plot Keywords:

boy | future | fairy | robot | fairy tale | See All (123) »

Taglines:

This Is Not A Game See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some sexual content and violent images | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

29 June 2001 (USA)  »

Also Known As:

A.I.  »

Filming Locations:

 »

Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend:

$29,352,630 (USA) (29 June 2001)

Gross:

$78,616,689 (USA) (21 September 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?

Trivia

The World Trade Center is seen in the New York scenes of the film, set many years into the future after 2001. Less than three months after the film's release, they were destroyed in the September 11 terrorist attacks. Though risking controversy and criticism, Steven Spielberg left the twin towers in the DVD release. See more »

Goofs

Monica takes David to the forest to abandon him. While she is telling him her plan, the sun is shining brightly on David's head and hair when the camera angle is showing Monica's face. However, whenever David's face is shown, his head is in shadow. See more »

Quotes

[first lines]
Narrator: [narrating, with ocean waves crashing together] Those were the years after the ice caps had melted... because of the greenhouse gases, and the oceans had risen drown so many cities... along all the shorelines of the world. Amsterdam, Venice, New York - Forever lost. Millions of people were displaced. Climates became chaotic. Hundreds of millions of people starved in poorer countries. Elsewhere a high degree of prosperity survived... when most governments in the developed world... ...
See more »

Crazy Credits

For Stanley Kubrick. See more »

Connections

References Barry Lyndon (1975) See more »

Soundtracks

I Only Have Eyes For You
Written by Harry Warren and Al Dubin
Performed by Dick Powell
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The Kubrick Dialectic, the Spielberg Inheritance, the AI Challenge
9 July 2001 | by (New York) – See all my reviews

The "literalists" are clearly not happy with A.I. So now is a good time to recall that "2001: A Space Odyssey" was greeted upon release with derision, confusion, dismissive reviews, public consternation, and, oh yeah, some thought it was an absolute masterpiece. Beyond the monolithic influence of that film (think of Han Solo's jump to lightspeed, etc.), the symbols of "2001" -- TO THIS VERY DAY -- cannot be decoded using anything but the most personal, interpretive language. The obelisks, the message of the obelisks, the Star Child, Cosmonaut Dave's "room", HAL-9000's true motivation – all these things remain in our collective subconscious as indelible images that refuse to be concretely defined between or among viewers. WHAT CAUSES THIS CONFLICT OF PERCEPTION? IS IT INTENTIONAL? Again and again, Kubrick's films take us to a No-Man's Land of narrative and moral ambiguity, stranding us, forcing us to make decisions, demanding interpretation (or we can judge the surface, walk away, hate the film). To my perception, Kubrick is the only, true "Brechtian" film director. The device Brecht proposed is "Alienation Effect", or put simply, Leading the audience down two, divergent paths at once. My favorite example is "Barry Lyndon". Being the adventures of a young man, handsome, virtuous, well-meaning, ambitious, full of promise. Yet in every scene, the camera "pulls-back" revealing Barry (but never to himself) to be womanizing, self-absorbed, criminally inclined, socially inept, not very bright, morally bankrupt, and at last, a broken shell of a man. Or let's consider "Strangelove": Did Kubrick really create a headbanger, slapstick comedy about nuclear proliferation, mass destruction, and military/political incompetence? The real question is "Who else could have?" Well, that's my take on Kubrick's artistic sensibility, and, without daring to presume Spielberg's motivation, it's what drew them both to "A.I." Pinocchio, the Blue Fairy, cuddly Teddy Bears on one hand, but on the other hand – social institutions are faltering forever -- parenthood, childhood, science, industry, sexuality -- all distorted beyond repair. And Humans, the ultimate A.I. protagonist, seem blissed-out, in denial, more interested in creating "Davids", "Darlenes" and "Gigolo Joes" than in rising water levels and the imminent threat of extinction. Therefore, I believe A.I. is getting precisely the response all Kubrick films "INITIALLY" get. Spielberg's reputation and career can withstand anything that public perception might bring to his films, but I keep thinking that A.I. is the riskiest moment of his artistic life.


167 of 294 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for:
?