Set in 1960, the film centres on the young, boyishly handsome Yuddy, who learns from the drunken ex-prostitute who raised him that she is not his real mother. Hoping to hold onto him, she ... See full summary »
Yiu-Fai and Po-Wing arrive in Argentina from Hong Kong and take to the road for a holiday. Something is wrong and their relationship goes adrift. A disillusioned Yiu-Fai starts working at a... See full summary »
Kar Wai Wong
Tony Chiu Wai Leung,
A disillusioned killer embarks on his last hit but first he has to overcome his affections for his cool, detached partner. Thinking it's dangerous and improper to become involved with a ... See full summary »
He was a writer. He thought he wrote about the future but it really was the past. In his novel, a mysterious train left for 2046 every once in a while. Everyone who went there had the same intention.....to recapture their lost memories. It was said that in 2046, nothing ever changed. Nobody knew for sure if it was true, because nobody who went there had ever come back- except for one. He was there. He chose to leave. He wanted to change. Written by
The wrapping paper on the gift Mr. Chow gives to Bai Ling is very faintly imprinted with the words "Dragon Seed". The Dragon Seed Co. Ltd. is a chain of Hong Kong department stores that was first incorporated in 1948. See more »
Chow Mo Wan:
Whenever someone asked why I left 2046, I always gave them some vague answer. It was easier.
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Truly romantic film for the matured, bitter homage to Hong Kong
The movie was well above my expectation and definitely worth a wait. Tony Leung plays the same man with "In the Mood for Love" but has a different character. The movie is also vaguely related to "Days of Being Wild" in 1990, co-starred by Leslie Cheung and Maggie Cheng. All three films are about the mixture of hustle-bustle and weariness of Hong Kong in 1960s.
Tony's performance in this film was again brilliant. Faye Wong performed in WKW film for the first time in 10 years (since "Chung King Express" in 1994, also co-starred by Tony Leung) and made this film one of a kind. Mysterious gambler Gong Li was also attractive. Zhang Ziyi gave me a positive surprise. The film's technical level (costumes, music, photography etc.) is also very high. Someone suggested 2004 Cannes Palm d'Or should have gone to this film instead of "Fahrenheit 9/11" and now I can totally agree.
The number "2046" is the metaphor of Hong Kong's destiny, which implies the last year of status-quo for 50 years guaranteed by Chinese government.
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