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Yiu-Fai and Po-Wing arrive in Argentina from Hong Kong and take to the road for a holiday. Something is wrong and their relationship goes adrift. A disillusioned Yiu-Fai starts working at a... See full summary »
Kar Wai Wong
Tony Chiu Wai Leung,
A disillusioned killer embarks on his last hit but first he has to overcome his affections for his cool, detached partner. Thinking it's dangerous and improper to become involved with a ... See full summary »
He was a writer. He thought he wrote about the future but it really was the past. In his novel, a mysterious train left for 2046 every once in a while. Everyone who went there had the same intention.....to recapture their lost memories. It was said that in 2046, nothing ever changed. Nobody knew for sure if it was true, because nobody who went there had ever come back- except for one. He was there. He chose to leave. He wanted to change. Written by
While 2046 was being filmed, a photographer from Sudden Weekly, a Hong Kong tabloid, bribed his way onto the set. After his pictures of the interior of the Oriental Hotel were published, 'Wong Kar Wai' ordered the set to be rebuilt. The photographer was subsequently sentenced to three months' jail for corruption. See more »
Chow Mo Wan:
Take care. Maybe one day you'll escape your past. If you do, look for me.
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2046 was directed by Kar Wai Wong, who also directed In the Mood for Love. This film is also lyrical, deliberately paced, and very romantic.
Without giving too much away, the film takes place in Hong Kong and Singapore in the 60's. The main character, Chow, is a writer and womanizer. Part of the story takes place in his work, a science fiction tale called 2046.
The story is told out of sequence, with past and present jumbled. In a clever use of irony, we gradually understand that the future is being used to tell the past. Some scenes are presented early, in a way that is confusing until the context is presented later.
There are 3 female characters who are in his life, and the story is segmented accordingly.
The cinematography is beautiful. Interestingly, Wong uses 3 colors nearly exclusively: Blood red, sea green, and yellow. Sometimes he will use light to make those colors stand out, other times it is the objects themselves which are in that color.
I would characterize the story as one of love and loss. There is one poignant scene where, after he realizes what has been happening, he states that timing is crucial in love.
The film is well acted, the characters are understandable if not necessarily ones we can identify with, and the story gradually allows itself to be revealed, a peek here and a peek there, until all the pieces fall into place.
Turn off the lights, cuddle up with a glass of wine, and see this one. Well worth it.
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