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2046 (2004)

7.5
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Ratings: 7.5/10 from 35,155 users   Metascore: 78/100
Reviews: 205 user | 195 critic | 34 from Metacritic.com

He was a writer. He thought he wrote about the future but it really was the past. In his novel, a mysterious train left for 2046 every once in a while. Everyone who went there had the same ... See full summary »

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Title: 2046 (2004)

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Cast

Credited cast:
...
Chow Mo-wan (as Tony Leung)
...
Faye Wong ...
Takuya Kimura ...
...
...
...
Mimi's Boyfriend
...
Wang Jie-wen
...
Thongchai McIntyre ...
Bird (as Bird Thongchai McIntyre)
Wang Sum ...
Mr. Wang / Train Captain
Ping Lam Siu ...
Rest of cast listed alphabetically:
Wah Hong ...
Party girl
Alice Lee ...
Hostess
Ting Yip Ng ...
(unconfirmed)
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Storyline

He was a writer. He thought he wrote about the future but it really was the past. In his novel, a mysterious train left for 2046 every once in a while. Everyone who went there had the same intention.....to recapture their lost memories. It was said that in 2046, nothing ever changed. Nobody knew for sure if it was true, because nobody who went there had ever come back- except for one. He was there. He chose to leave. He wanted to change. Written by chicken noodles

Plot Summary | Add Synopsis

Taglines:

Where everything ends... and begins (Spanish translation) See more »


Motion Picture Rating (MPAA)

Rated R for sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

| | | |

Language:

| |

Release Date:

29 September 2004 (Hong Kong)  »

Also Known As:

2046  »

Filming Locations:

 »

Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend:

$113,074 (USA) (5 August 2005)

Gross:

$261,481 (USA) (9 December 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Originally conceived as a story of a hit man in Bangkok (hence the casting of Thai actor Bird Thongchai McIntyre). The hit man was to be played by Japanese superstar Takuya Kimura, and the events to be played out in a hotel in room 2046. See more »

Quotes

Tak: Let's see each other again. Then, if you think we shouldn't be together, tell me so frankly... That day, six years ago, a rainbow appeared in my heart. It's still there, like a flame burning inside me. But what are your real feelings for me? Are they like a rainbow after the rain? Or did that rainbow fade away long ago?...
See more »

Connections

Referenced in Afstiros katallilo (2008) See more »

Soundtracks

Siboney
Written by Ernesto Lecuona, Theodore Morse
Instrumented by Xavier Cugat
Performed by Connie Francis
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
near-masterpiece, Wong Kar Wai's 8th film is sensual, stylish, and affecting
11 August 2005 | by (United States) – See all my reviews

I read different takes on 2046 and its connection to its predecessor by writer/director Wong Kar-Wai, In the Mood for Love. Some said you had to see it before 2046, although the general consensus was that the unusual romanticism and little details in both films, and actors like Tony Leung and Maggie Chung, made the only real connection(s) (Wong himself has said ironically to see 2046 before In the Mood for Love). It seems, after seeing the film, that he was correct; I had seen half of In the Mood for Love a while back, and I did get an idea of what I might expect, but the fact is is that 2046 really does work fine as a film on its own terms. It's a story that at first seems like it will be style over substance, and at times it is, but the substance is usually very intriguing, and keeps attention. It isn't a perfect film, and towards the end it starts to lag, but such criticisms are made up for by the attributes.

We learn from the narrator and lead character, Chow (Leung), that there is a place, if not a time, called 2046, where people don't leave unless they fall in love. But, for the bulk of the film, the film is not set in any kind of futuristic setting that might be assumed on the outset of going into the film. It's set in late 60's Hong Kong, where Chow writes lurid fantasy stories. He takes room 2046 after seeing a woman, Su (Li Gong), in the room. He feels that this place is where he, like others, can go to "lose memories" ("All memories are traces of tears", a title-card reads), which spurs him on the start writing a sci-fi novel with the room's title.

During his stay, he meets two women that effect him: an abused girl, at first acting aloof, Lulu/Mimi (Carina Lau), leaves and the later comes back in the film as a kind of writing assistant for Chow. The more significant woman, however, is in the form of call-girl Bai Ling (Zhang Ziyi, a woman so gorgeous it borders on the unreal), who like the others takes room 2047, and becomes Chow's "drinking buddy". But this soon turns to playfulness, to a side affair. Although there is much else that goes on in the film, this has some of the best material, with wonderful dialog and style giving room for perhaps th best performance I've seen from Ziyi yet.

This is not all to the film, though it could've been and been as successful. The women in Wong's films, like with Hitchcock or even Antonioni or Godard (all directors he was obviously inspired by for his own original stance), are crucial to how it turns out. These women express everything Wong desires, abandons, represses, flirts, and acts cool with. They spur on almost every one of his creative pieces (he gives a short story of 2047 to one, who wonders why the ending is so sad, to which he cannot create a happy one), and all of the things he'd rather not forget. Without the strong performances from them all, in particular Ziyi, Lau and Cheung, the drama just wouldn't be there, and certainly the style giving much weight to the film would become over-cooked and pretentious.

The style, of which, was something I took various notes of while I watched, scribbling bits, elements, colors and shots that caught my eyes: the greens in the halls, the brightness of outside on the porch, the black and white scene in the cab (one of my favorites), and of course the futuristic visualization scenes of Chow's own 2046. What's curious about the real sci-fi type scenes is that they make little sense aside from the central point- finding real love and the exile following- but the atmosphere, use of different colors and shots and film speeds (Christopher Doyle, a DP on most of Wong's films, does beautiful work all around) is unique, and basically saves a dramatically empty sequence.

There is also the question of slow-motion, which is used to much more effect than in the previous Wong films I've seen, and if it is over-used. It becomes a distraction only towards the end, when one wishes things were not TOO romanticized, but many times it is affecting, and tries to past the melodrama in some of the (above average) writing. Overall, Wong Kar-Wai displays without a shadow of doubt with 2046 that he is a master of compositions, of moods, and of creating characters that are true to themselves, who feel and love but can't seem to reach for it. But this doesn't make it an 'empty' film. If a scene missteps or something gets irksome with the style, it comes back around at the next minutes.


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definitely overrated movie!!! but... boricua_bomb
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