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Kar Wai Wong
Tony Chiu Wai Leung,
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A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
He was a writer. He thought he wrote about the future but it really was the past. In his novel, a mysterious train left for 2046 every once in a while. Everyone who went there had the same intention.....to recapture their lost memories. It was said that in 2046, nothing ever changed. Nobody knew for sure if it was true, because nobody who went there had ever come back- except for one. He was there. He chose to leave. He wanted to change. Written by
The title of the film is supposed to be said as, "Two Oh Four Six." See more »
Chow Mo Wan:
Everyone who goes to 2046 has the same intention, they want to recapture lost memories. Because in 2046 nothing ever changes. But, nobody knows if that is true or not because no-one has ever come back.
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When you left a woman truly loving you, she always gets back to her ex, why? 2046 gives the answer.
A journalist quits his job, when his novels became top-seller. To be able to finish his last novel he needed inspiration, so he revisits a cheap motel which he has lived bittersweet memories with his ex-love, 2 years ago in 1967. The story takes place in 1969 in the same motel, once the novelist decided to stay there.
The novel he was writing has been a science fiction at first. Whereas, he's driven by a serendipity that the name of this novel "2046" is also the room number in which he and his ex has shared a love. Into that room, now a harlot settles in. He enriches his novel by putting himself as the true love of this harlot staying in room 2046. As destiny would have it, when the harlot meets him she really falls in love with him. By courtesy of her swallowing his bait, the novelist subjoins an erotic component into his novel. Let's gather together the first phase of the movie: We have one man and two woman. First woman left him 2 years ago, and he is still in love with her. Then at the present time, the second woman falls in love with him.
The second phase is the vengeance of the novelist from the woman he loved in 1967. This phase forms the essence of the novel: The future in the year 2046. Future is under the control of dreamers. Everybody who can dream and who can love, can travel into 2046 deep in their heart to recapture their lost memories. The novelist never goes there, 'cause he knows that if he goes once, he would never return to the present time, and would stay stuck in the future, living in the memories. Instead of making himself gone, he sends her inconstant love into 2046 as an android woman. Living as an android, the woman doesn't have a heart. But a young man falls in love with her. She yearns for him so much, but she could never express her feelings nor the look in her eyes could ever change; since she has no heart no more. She realizes that she deserves to be loved, and denies herself. She begins suffering of the love she remained lighthearted to the novelist 79 years ago. Witnessing her repentance, the novelist forgives her love; and wants her back at the present time in 1969.
At the last phase the novelist loses himself before his love finds him. Because his novel concludes to an ending which he doesn't have the love for her true love anymore, he depletes his inspirations to finish his novel without the memories of his past love. When she returns to him, he stands indifferent.
An amazing story layering ahead, including tons of short stories inside, and the director Wong Kar Wai uses a giddy and ravishing cinematography for use of symbolism. It's the viewers' duty to solve the puzzles of the storyline, to match the short stories with their attributions and to set in order of the straight-going novel versus unsteadily progressing movie; which altogether I shared with you above.
Both director and the writer of 2046, Wong Kar Wai presents a novel adaptation in the movie, and a movie adaptation in the novel; in conclusion a mixture of two arts on silver screen.
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