In this presentation, which is the second of a series of classes on the ELEMENTS: earth, air, fire and water, Ken goes into great detail about air, breath of life, that includes stories, ... See full summary »
13-year-old Monica leads a street life, making her living by selling flowers to couples in local nightspots, she is joined by 10-year-old Andrea who runs out of her house after her mother ... See full summary »
A soldier from Earth crash-lands on an alien world after sustaining battle damage. Eventually he encounters another survivor, but from the enemy species he was fighting; they band together ... See full summary »
Louis Gossett Jr.,
Rodrigo, a poor and troubled teenager in the barrios of Medellin, Colombia, struggles to find hope in a world ravaged by violence and chaos. An aspiring drummer in a punk band, he uses his ... See full summary »
Carlos Mario Restrepo,
Jackson Idrian Gallego
A lot of people live in an ocupated house; after many years of quiet living, the owner of the house wants them out. They try whatever they can to avoid being put out, without sucess. But ... See full summary »
In this presentation, which is the second of a series of classes on the ELEMENTS: earth, air, fire and water, Ken goes into great detail about air, breath of life, that includes stories, myths and examples of how we are interacting with this element every day. This presentation is classroom worthy from grade school to college, loaded with information I'm sure you didn't know. Enjoy! Written by
A clever use of noir to provoke a series of mediations about history and violence at the end of the century in Colombia. Soplo is set in the context of the Armero disaster in 1985 - a volcanic mudslide which, conveniently for the government, buried investigations about a political tragedy that occurred only a few days before (the incident of the Palacio de Justicia). The film in some senses 'unburies' this tragedy although does not, as viewers will see, refer to the Palacio incident. Instead it uncovers structures of machismo, corruption, drug-trafficking (to some extent) and social breakdown that natural discourses of violence often forget. Aesthetically it is quite heterogeneous, and blends noir scenes (marginal locations, nighttime shots, black and white) with images of the post-apocalyptic landscape of Armero. Great performances all round, a wonderful script, and an absolute feast of cinematic references for film buffs out there who are doubtless more knowledgeable than I am. A breath of life (and of fresh air) for Colombian cinema at the end of the millennium.
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