The annual British Hairdressing Championship comes to Keighley, a town where Phil and son Brian run a barbershop and Phil's ex-wife Shelly and her lover Sandra run a beauty salon. Phil and ... See full summary »
Matthew Barnes is a young exec on the move up who finds himself a pawn in corporate in-fighting when he's sent to London to oversee a merger. He's to replace John Gissing; Gissing's gotten ... See full summary »
Porter Stoddard is a well-known New York architect who is at a crossroads... a nexus where twists and turns lead to myriad missteps some with his wife Ellie, others with longtime friends ... See full summary »
The annual British Hairdressing Championship comes to Keighley, a town where Phil and son Brian run a barbershop and Phil's ex-wife Shelly and her lover Sandra run a beauty salon. Phil and Shelly haven't talked in ten years, since she bolted; she's just found out her cancer is terminal; and, Ray Roberts, the reigning hairdressing champion, blows into town taunting Phil for retreating from competitive styling into barbering. Roberts also brings his daughter, Christina, who remembers Brian from when she was a little kid. Everything's set: Brian decides to enter the competition with his mom and Sandra; will Phil join in? Ray wants to win at any cost; will Christina go along? Written by
At one point in the movie, Ray tells Christina that she isn't in Minneapolis anymore. Rachael Leigh Cook, who plays Christina, is a native of Minneapolis. See more »
Brian says that hair keeps on growing after you die. This is an urban legend that is not true, of which a cadaver barber ought to be well aware. See more »
Detroit, 1982. World Styling Finals. We're running around shouting, "Foul," while the Yanks, whose combs mysteriously do not wilt, do not melt, just carry on styling. No prizes for guessing who took the medals that year.
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So it's a comedy about hairdressing. In truth, the hairdressing provides little more than colour commentary (pun intended), because it's the relationships that take first stage, and they take it really well. Alan Rickman is good, sincere and has depth, Josh Hartnett has an okay delivery ruined by his trying-too-hard faux Yorkshire accent, and Bill Nighy is Bill Nighy, you'll always get a few laughs from him, but the real stars are Rachel Griffiths and Natasha Richardson. Griffiths, in particular, is splendid, going from funny to poignantly hurt to deep, deep love without skipping a beat. Richardson also makes a strong impression, and you can feel the pain in her as the film goes. Oh well... It's a fun film, but it's also a good film.
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