| Photos (See all 42 | slideshow) |
Directed by | |||
| Jay Roach | |||
Writing credits(WGA) | ||
| Greg Glienna | (1992 screenplay) & | |
| Mary Ruth Clarke | (1992 screenplay) | |
| Greg Glienna | (story) & | |
| Mary Ruth Clarke | (story) | |
| Jim Herzfeld | (screenplay) and | |
| John Hamburg | (screenplay) | |
Produced by | |||
| Robert De Niro | .... | producer | |
| Greg Glienna | .... | associate producer | |
| Emo Philips | .... | associate producer | |
| Jay Roach | .... | producer | |
| Shauna Robertson | .... | co-producer (as Shauna Weinberg) | |
| Jane Rosenthal | .... | producer | |
| Amy Sayres | .... | co-producer | |
| Nancy Tenenbaum | .... | producer | |
| Jim Vincent | .... | associate producer | |
Original Music by | |||
| Randy Newman | |||
Cinematography by | |||
| Peter James | (director of photography) | ||
Film Editing by | |||
| Greg Hayden | |||
| Jon Poll | |||
Casting by | |||
| Ellen Chenoweth | |||
Production Design by | |||
| Rusty Smith | |||
Art Direction by | |||
| John Kasarda | |||
Set Decoration by | |||
| Karin Wiesel | (as Karen Wiesel) | ||
Costume Design by | |||
| Daniel Orlandi | |||
Makeup Department | |||
| Michal Bigger | .... | key makeup artist (as Michael Bigger) | |
| Victor DeNicola | .... | hair stylist: Mr. Stiller (as Victor De Nicola Jr.) | |
| Ilona Herman | .... | hair stylist: Mr. De Niro | |
| Ilona Herman | .... | makeup artist: Mr. De Niro | |
| Linda Melo | .... | makeup artist | |
| Rita Ogden | .... | makeup artist | |
| Jackie Payne | .... | hair stylist (as Jacqueline Payne) | |
| John Quaglia | .... | key hair stylist (as John D. Quaglia) | |
| Carla White | .... | makeup artist: Mr. Stiller | |
Production Management | |||
| Lisa Rodgers | .... | post-production supervisor | |
| Lenny Vullo | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Richard Cowan | .... | first assistant director | |
| Amy Lauritsen | .... | second assistant director | |
| Deanna Leslie | .... | additional second assistant director | |
| Dominick Scarola | .... | dga trainee | |
| Marco Schnabel | .... | second unit director | |
| Jennifer Truelove | .... | second second assistant director | |
Art Department | |||
| Tommy Allen | .... | property master (as Tom Allen) | |
| Eric Cheripka | .... | assistant property master | |
| Ann Edgeworth | .... | assistant property master (as Ann L. Edgeworth) | |
| Jason Farrar | .... | construction accountant | |
| Chris Ferraro | .... | set dresser | |
| Gerard J. Furey | .... | shop craftsman | |
| Judy Gurr | .... | set dresser | |
| John R. Johnston | .... | shop foreman | |
| Hyun-joo Kim | .... | assistant art director | |
| Steven E. Lawler | .... | construction foreman | |
| Gary Levitsky | .... | set dresser | |
| Alan Muzeni | .... | set dresser | |
| Chris T. Nelson | .... | leadman (as Crhistopher Nelson) | |
| Ken Nelson | .... | construction coordinator (as Kenneth D. Nelson) | |
| Richard Nelson | .... | set dresser (as Rick Nelson) | |
| Raymond C. Polak | .... | set dresser | |
| William Riley | .... | scenic foreman (as Bill Riley) | |
| Jeffrey Rollins | .... | set dresser (as Jeffrey S. Rollins) | |
| Amy Safhay | .... | greensperson | |
| Adam Scher | .... | assistant art director (as Adam M. Scher) | |
| Aleta Shaffer | .... | art department production assistant (as Aleta K. Shaffer) | |
| David Stein | .... | assistant art director | |
| Christina K. Tonkin | .... | assistant set decorator (as Christina Tonkin) | |
| Robert Topol | .... | scenic artist | |
| M. Tony Trotta | .... | scenic artist | |
| Alyson Wellins | .... | art department coordinator | |
| Mike Bundlie | .... | graphic designer (uncredited) | |
| John Davis | .... | storyboard artist (uncredited) | |
| Gerard V. Engrassia | .... | greensmen (uncredited) | |
| Daniel Geary | .... | carpenter (uncredited) | |
| Erik Lundell | .... | greensman (uncredited) | |
| Grant Shaffer | .... | storyboard artist (uncredited) | |
| Stephen Siersema | .... | scenic artist (uncredited) | |
| Nell Stifel | .... | scenic artist (uncredited) | |
| Jonathan Tessler | .... | assistant greensman (uncredited) | |
| Ginny Walsh | .... | greens foreman (uncredited) | |
| Joan Winters | .... | graphic designer (uncredited) | |
Sound Department | |||
| George H. Anderson | .... | supervising sound editor (as George Anderson) | |
| David Boulton | .... | adr mixer | |
| Jeanette Browning | .... | adr recordist | |
| Joe DeAngelis | .... | sound recordist | |
| Dennis Drummond | .... | sound effects editor | |
| Kim Drummond | .... | dialogue editor | |
| Charlie Essers | .... | sound re-recording mixer (Japanese theatrical version) | |
| David Giammarco | .... | dialogue editor | |
| Galen Goodpaster | .... | assistant adr editor | |
| Frank Graziadei | .... | boom operator (as Frank J. Graziadei) | |
| Frank Graziadei | .... | cableman (as Frank J. Graziadei) | |
| Michael Haight | .... | sound effects editor | |
| Doc Kane | .... | adr mixer | |
| Jonathan Klein | .... | foley editor | |
| Andy Koyama | .... | sound re-recording mixer | |
| Goro Koyama | .... | foley artist | |
| Tod A. Maitland | .... | sound mixer | |
| Andy Malcolm | .... | foley artist | |
| Ron Malligers | .... | foley recordist (as Ron Mellegers) | |
| Cindy Marty | .... | sound effects editor | |
| Bill Meadows | .... | sound recordist | |
| James Morioka | .... | assistant sound editor | |
| Joe Schiff | .... | assistant sound editor | |
| Michael Scott | .... | boom operator (as Mike Scott) | |
| Renee Tondelli | .... | supervising adr editor | |
| Jonathan Wales | .... | sound re-recording mixer | |
| Don White | .... | foley recording mixer | |
| Don White | .... | foley recordist | |
| Paul J. Zydel | .... | adr mixer (as Paul Zydel) | |
| Cornelia Mariana Gavrilescu | .... | foley recording assistant (uncredited) | |
| Philip Rogers | .... | adr recordist (uncredited) | |
| Jerome R. Vitucci | .... | playback operator (uncredited) | |
| Rebecca Wright | .... | foley recording assistant (uncredited) | |
Special Effects by | |||
| J.C. Brotherhood | .... | special effects coordinator (as Jonathan C. Brotherhood) | |
| Deed Rossiter | .... | special effects foreman | |
| Byron K. Lovelace | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| David D. Johnson | .... | visual effects supervisor: Pacific Vision Productions | |
| Mark Sawicki | .... | optical camera (uncredited) | |
Stunts | |||
| G.A. Aguilar | .... | stunt coordinator | |
| Bill Anagnos | .... | stunts (as William Anagnos) | |
| Blaise Corrigan | .... | stunts | |
| Douglas Crosby | .... | stunts (as Doug Crosby) | |
| Peter Epstein | .... | stunts | |
| Tony Guida | .... | stunts | |
| Stephen A. Pope | .... | stunts (as Stephen Pope) | |
| Ron Michaels | .... | utility stunts (uncredited) | |
Camera and Electrical Department | |||
| Bill Almeida | .... | best boy electric (as William Almeida) | |
| Steven Blaho | .... | rigging grip (as Steven A. Blaho) | |
| Kenny Burke | .... | best boy grip (as Kenneth J. Burke) | |
| Ronald Burke | .... | dolly grip (as Ronald J. Burke) | |
| Michael Cambria | .... | second assistant camera: "a" camera | |
| Caesar S. Carnevale | .... | camera loader | |
| Phillip V. Caruso | .... | still photographer | |
| Andrew Casey | .... | camera operator: "b" camera | |
| Andrew Cheung | .... | grip | |
| Ray Collins | .... | second assistant camera: "b" camera (as Raymond Collins) | |
| Ralph G. Crowley | .... | generator operator (as Ralph Crowley) | |
| James Edmiston | .... | grip | |
| Morris Flam | .... | gaffer | |
| Kevin Flynn | .... | grip (as Kevin W. Flynn) | |
| Jamie Gallagher | .... | generator operator (as Jamie E. Gallagher) | |
| Shaun Gilbert | .... | rigging lamp operator | |
| John Gilgar | .... | rigging lamp operator | |
| Gary Hildebrand | .... | rigging best boy electrician | |
| Tom Houghton | .... | director of photography: second unit | |
| Nils Johnson | .... | 24 frame video operator | |
| Amy Kupferberg | .... | rigging lamp operator (as Amy M. Kupferberg) | |
| Francis Leach | .... | lamp operator | |
| Todd Lichtenstein | .... | rigging lamp operator (as Todd B. Lichtenstein) | |
| Clay Liversidge | .... | rigging gaffer | |
| Bruce MacCallum | .... | camera operator: "a" camera | |
| Bobby Mancuso | .... | first assistant camera: "b" camera (as Robert Mancuso) | |
| Kevin McKenna | .... | video playback operator | |
| John Panuccio | .... | rigging key grip (as Jack Panuccio) | |
| Lance E. Phox | .... | rigging lamp operator | |
| Robert T. Prate | .... | best boy rigging grip (as Robert Prate) | |
| Tom Prate | .... | key grip (as Thomas J. Prate) | |
| Michael R. Rudolph | .... | rigging lamp operator | |
| Tom Shinn | .... | lamp operator | |
| Eric Swanek | .... | first assistant camera: "a" camera | |
| Phil Testa | .... | lamp operator (as Philip D. Testa) | |
| Mark van Rossen | .... | lamp operator | |
| Joshua Wingard | .... | grip | |
| Richard Yacuk | .... | rigging grip | |
| Don Zappia | .... | rigging grip | |
| Nick Cupkovic | .... | rigging lamp operator (uncredited) | |
| William MacGhee | .... | electrician (uncredited) | |
| Jason Micallef | .... | electrician (uncredited) | |
Casting Department | |||
| Susie Farris | .... | casting associate | |
| Grant Wilfley | .... | extras casting | |
| Amanda Koblin | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Joanna Brett | .... | wardrobe supervisor | |
| David Davenport | .... | costumer | |
| Patricia Eiben | .... | costumer (as Patty Eiben) | |
| John Glaser | .... | assistant costume designer | |
| Donna Maloney | .... | wardrobe supervisor | |
| Marcie Olivi | .... | costumer: Mr. DeNiro | |
| Benjamin Wilson | .... | costumer | |
| Jeff Caron | .... | wardrobe production assistant (uncredited) | |
Editorial Department | |||
| Kent Blocher | .... | assistant editor: New York | |
| Gary Burritt | .... | negative cutter | |
| Curtis Croeni | .... | first assistant editor | |
| Christopher Marcoux | .... | assistant editor: New York | |
| Dennis McNeill | .... | color timer (as Denny McNeill) | |
| Carrie Puchkoff | .... | assistant editor: New York | |
| Elizabeth Schmidt | .... | assistant editor | |
| Kevin Du Toit | .... | post-production assistant (uncredited) | |
Music Department | |||
| Bruno Coon | .... | music editor | |
| Mark Cross | .... | music consultant | |
| Michael Danziger | .... | vocal consultant | |
| Don Davis | .... | orchestrator | |
| Sandy DeCrescent | .... | music contractor (as Sandy De Crescent) | |
| Jim Dunbar | .... | music consultant | |
| Brenda Heins | .... | music coordinator | |
| Luana Jackman | .... | vocal contractor | |
| Randy Newman | .... | orchestrator | |
| Randall Poster | .... | music supervisor | |
| Jonathan Sacks | .... | orchestrator | |
| Frank Wolf | .... | music mixer | |
| Frank Wolf | .... | music recordist | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
| John Rodd | .... | orchestral scoring recordist (uncredited) | |
| James Thatcher | .... | musician: french horn (uncredited) | |
Transportation Department | |||
| Rocco Curatolo | .... | driver: Mr. De Niro | |
| Maurice Fitzgerald | .... | transportation co-captain | |
| Kevin Harrington | .... | driver: Ms. Rosenthal | |
| Herb Lieberz | .... | driver: Mr. Stiller | |
| Thomas McGoldrick | .... | driver: Mr. Roach (as Thomas R. McGoldrick) | |
| Edward O'Donnell | .... | transportation captain | |
Other crew | |||
| Natalie Alexander | .... | adr voice | |
| Newell Alexander | .... | adr voice | |
| Julie Arenal | .... | choreographer | |
| Valentina Aulisi | .... | production secretary | |
| Tamara Bally | .... | accountant | |
| Dawn Barkan | .... | key animal trainer (as Dawn M. Barkan) | |
| Cynthia Bauer | .... | set production assistant | |
| Milton Bearden | .... | consultant: CIA (as Milt Bearden) | |
| Brian Byers | .... | adr voice | |
| Eva Z. Cabrera | .... | script supervisor | |
| Brian Cantaldi | .... | location assistant | |
| Mitch Carter | .... | adr voice | |
| Robin Chambers | .... | assistant: Mr. De Niro | |
| Robert Clotworthy | .... | adr voice | |
| David Cowgill | .... | adr voice | |
| Wendy Cutler | .... | adr voice | |
| Juliet D'Annibale | .... | assistant production coordinator | |
| Carey DePalma | .... | assistant location manager | |
| Ike Eisenmann | .... | adr voice (as Iake Eissenmann) | |
| Orin Faison | .... | set medic | |
| Michael Ferrara | .... | assistant: Mr. De Niro | |
| Jeff Flach | .... | location manager | |
| Elisa Gabrielli | .... | adr voice | |
| Steve Ginsburg | .... | second assistant accountant | |
| Edith Hagigi | .... | assistant: Mr. Stiller | |
| Tony Hernandez | .... | office production assistant | |
| Bridget Hoffman | .... | adr voice | |
| Jenny Kane | .... | assistant: Mr. Newman | |
| Kate Kelly | .... | production coordinator | |
| Elyse Klaits | .... | assistant: Ms. Rosenthal | |
| Julie Kuehndorf | .... | publicist | |
| Annie Kuronyi | .... | location assistant (as Anne Kuronyi) | |
| Dirk Q. Long | .... | caterer (as Dirk Long) | |
| Christina MacGregor | .... | adr voice | |
| Gina Marcheschi | .... | assistant: Ms. Weinberg | |
| James Maull | .... | post-production accountant (as James O. Maull) | |
| Ryan McCormick | .... | office production assistant | |
| Tracey G. Mitchel | .... | assistant: Ms. Sayres | |
| Solange Monnier | .... | craft service (as Solange G. Monnier) | |
| Scott Michael Murray | .... | assistant: Mr. Roach (as Scott M. Murray) | |
| Edmund Nardone | .... | location projectionist | |
| Jennifer Nickson | .... | assistant: Mr. De Niro | |
| Greg Outcalt | .... | accounting clerk | |
| Judy Pursley | .... | first assistant accountant (as Judy Sarton Pursley) | |
| Daniel Riccio Jr. | .... | location assistant | |
| Paul Roeder | .... | assistant: Ms. Tenenbaum | |
| Bethann Schebece | .... | set production assistant | |
| Robert Scott Schweitzer | .... | animal trainer | |
| Reuben Seid | .... | adr voice (as Ruben Seid) | |
| Susan Silas | .... | payroll accountant | |
| Andre Sulmers | .... | assistant: Ms. Rosenthal | |
| Brenda Ventura | .... | assistant: Mr. De Niro | |
| Saskia Saffron Viner | .... | craft service | |
| Laura A. Wheeler | .... | set production assistant | |
| Maria Williams | .... | assistant: Mr. Stiller | |
| Joseph Barry | .... | stand-in (uncredited) | |
| Brett Botula | .... | location scout (uncredited) | |
| Mark Ross Edrys | .... | stand-in (uncredited) | |
| Johnny Egan | .... | production assistant (uncredited) | |
| Krista Fico | .... | set production assistant (uncredited) | |
| Jay Geller | .... | metal work and welding (uncredited) | |
| Mike Le | .... | assistant: Owen Wilson (uncredited) | |
| Jeff Lomaglio | .... | shop craftsmen (uncredited) | |
| Daisy Schwartz | .... | assistant: Mr. De Niro (uncredited) | |
| Ben Selkow | .... | production assistant (uncredited) | |
| Mimi Turner | .... | location scout (uncredited) | |
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| Meet the Fockers | Persepolis | In Her Shoes | Giant | Freeway |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Funny as well as touching, `Meet the Parents' blazes forth as one of the outstanding comedies of recent years.
Co-writers Greg Glienna and Mary Ruth Clarke, along with director Jay Roach, have managed to make a film that is often laugh-out-loud hilarious without ever becoming overbearing or obnoxious, the style of choice for far too many other comedies made in this day and age. Although the film overflows with madcap situations and even outright slapstick at times, these comic elements are always tethered to the reality of the premise and to the emotional states of the characters involved.
The foundation for any great comedy must, first and foremost, be its ability to connect with its audience on a personal level. `Meet the Parents' does so from the very start by tapping into the universal dilemma we all face at one time or another of desperately trying to make a good impression on someone we feel holds nothing less than the fate of our lives in their own two hands. For some of us this person might come in the form a boss or a potential employer or, as in poor Greg Focker's case, those most dreaded figures of all the prospective in-laws. The comedy arises from seeing the chain of ever more preposterous events and circumstances that come along to sabotage his efforts. Greg is a goodhearted, well-meaning nebbish who wants nothing more out of life than to marry Pam, the girl he loves. First, however, he must climb over the rather formidable barrier of her eccentric father, Jack Byrnes, played to perfection by Robert De Niro, who certainly has his own offbeat way of looking at the world.
The triumph of this film is that it never overdoes anything. The people in Pam's family and in their coterie of friends are all twisted it's true, but twisted in sly, subtle ways that knock both Greg and us slightly off our balance. Like Greg, we never quite know where these people are coming from and this greatly enhances the comedic quality of the film. Tone is everything in comedy and here the tone is just right. Byrnes can seem at one moment to be a reasonable loving father, then turn immediately around and make the most unbalanced comments about the most trivial matters. Even when the movie is at its most outrageous in terms of plot complications and slapstick, it never veers off the scale into incredibility. Part of the reason is that we feel so much empathy for Greg, the best Everyman character I have seen in a movie in a long time. Ben Stiller gives a beautifully understated comic performance in the main role. Greg's completely understandable feelings of nervousness, intimidation and growing frustration help to keep the film anchored in reality, even as the story threatens to spiral off into undisciplined absurdity. Luckily, the filmmakers never let this happen. They are also blessed with the genius of Mr. De Niro, who never makes a false move as the seemingly crazy ex-CIA agent who may or may not be harboring a few secrets of his own. Above all, De Niro never lets us bank on the extent of his character's eccentricity, which brilliantly enhances this `weekend from hell' scenario. For crazy and maddening as he can be at times, we can't help loving this character.
Finally, unlike in many other romantic dramas and comedies, the relationship between the young couple in this film is both believable and touching. Greg and Pam are so likable - and the odds against them seem so staggering - that we find ourselves rooting them on from first moment to last. Their moments together are genuinely touching at times, particularly in the film's closing stretches.
Kudos go out to everyone involved for making `Meet the Parents' one of the slyest, wittiest and flat-out funniest movies to come our way in a long, long time.