John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
A Jewish male nurse plans to ask his live-in girl friend to marry him. However, he learns that her strict father expects to be asked for his daughter's hand before she can accept. Thus begins the visit from Hell as the two travel to meet Mom and Dad, who turns out to be former CIA with a lie detector in the basement. Coincidentally, a sister also has announced her wedding to a young doctor. Of course everything that can go wrong, does, including the disappearance of Dad's beloved Himalayan cat, Jinxie. Written by
John Sacksteder <firstname.lastname@example.org>
According to the DVD commentary, the car chase scene was originally meant to be a spoof of Ronin (1998). When the filmmakers go to the location, they saw how quickly the lights changed, realized it would be a funnier joke, and rewrote the scene (the lights really do change from green to red as fast as they are shown in the movie). See more »
When Greg is speaking with Pam for the first time in the movie, the collar of his coat is alternately up and down between shots. See more »
What is that smell?
That smell, Bob, is our shit. Focker flushed the toilet in the den so the septic tank overflowed.
I told you, Jack, it wasn't me. It was Jinx.
Focker, I'm not going to tell you again! Jinx cannot flush the toilet. He's a cat for Christ sakes!
The animal doesn't even have thumbs, Focker.
See more »
During the opening logos, the singers in the theme music are lyrically commenting "Look at the light coming out of the earth" during the Universal logo, and "Look at the boy sitting on the moon" during the Dreamworks logo. See more »
This film is an uneven mess. It is funny for about 10-15 minutes at the beginning, and for maybe 45 seconds (possibly two minutes) at the end. The rest of the film is a horrible monstrosity.
After the initial, fifteen minutes (I'll be generous), the film suddenly falls in love with its gross-out comedy. It began as a kinda strange, funny film about characters. There's unspoken tension between Stiller and DeNiro, and it was very funny. Then the film becomes a slapstick gross out mess of a film, and the jokes were seen miles away. The tragedy is that even when they're being set up we already know they will not be funny, so when they are finally delivered, we completely hate them.
At around the midpoint, you find the film too absurd to be taken seriously, and from there it only gets worse. The characters are so uneven and poorly written that you don't even really care what they say or do.
Things get more and more absurd and less and less funny as the film goes on and on (and on and on). Clueless Director Jay Roach clearly had a vision for this film, but it's a shame his crew didn't share the same vision. It's obvious that no one knew what the hell they were doing in this atrocity besides the director. And it's the irony of ironies that this happens to be one of the worst American directors working today.
This film is much, much worse than those Austin Powers films Roach directed, and I think that's saying quite a lot. In fact-
Wait, wait, what the hell am I doing writing this review? Why am I still typing? This film is awful-stay away! It doesn't even deserve my time in writing a decent review. If they didn't put that much effort into their film, why should I put that much effort into this?
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