| Frances O'Connor | ... | Emma Bovary | |
| Hugh Bonneville | ... | Charles Bovary | |
| rest of cast listed alphabetically: | |||
| Eileen Atkins | ... | Marie Louise | |
| Desmond Barrit | ... | Guillaumin (episode 3) | |
| Keith Barron | ... | L'heureux (episodes 2, 3) | |
| Adam Cooper | ... | Vicomte (episode 1) | |
| Hugh Dancy | ... | Leon | |
| Marian Diamond | ... | Sister Marie Paul (episode 1) | |
| Claire Hackett | ... | Madame Homais (episodes 2, 3) | |
| Jenny Howe | ... | Sister Evangeline (episode 1) | |
| Barbara Jefford | ... | Marquise (episode 1) | |
| Stanley Lebor | ... | Binet | |
| Mary MacLeod | ... | Madame Lefrancois (as Mary Macleod) | |
| Roy Macready | ... | Vincart (episode 3) | |
| Phillip Manikum | ... | Lestiboudois | |
| Joe McGann | ... | Paul | |
| Jessica Oyelowo | ... | Felicite | |
| Trevor Peacock | ... | Rouault | |
| Joe Roberts | ... | Justin (episodes 2, 3) | |
| Willie Ross | ... | Hurdy Gurdy Man (episodes 1, 3) | |
| David Troughton | ... | Homais | |
| Thomas Wheatley | ... | Dr. Canivet (episode 2) | |
| Greg Wise | ... | Rodolphe (episodes 2, 3) | |
Directed by | |||
| Tim Fywell | |||
Writing credits | ||
| Gustave Flaubert | (novel) | |
| Heidi Thomas | (screenplay) | |
Original Music by | |||
| John Lunn | |||
Cinematography by | |||
| Chris Seager | |||
Film Editing by | |||
| Roy Sharman | |||
Casting by | |||
| Sarah Bird | |||
Production Design by | |||
| John Paul Kelly | (as John-Paul Kelly) | ||
Art Direction by | |||
| Niall Moroney | |||
| Anne Seibel | |||
Set Decoration by | |||
| Sara Wan | (uncredited) | ||
Costume Design by | |||
| Anushia Nieradzik | |||
Makeup Department | |||
| Ashley Johnson | .... | makeup artist | |
| Vivien Riley | .... | makeup designer | |
| Felicity Wright | .... | makeup artist | |
Production Management | |||
| Alistair Hopkins | .... | post-production supervisor | |
| Christine Raspillère | .... | production manager: French | |
Art Department | |||
| Barry Arnold | .... | stand-by props | |
| Chris Arnold | .... | stand-by props | |
| Roy Chapman | .... | dressing props | |
| Barry Gibbs | .... | property master | |
| Gregoire Lemoine | .... | production buyer: France | |
| Tom Lowen | .... | stand-by rigger (as Tommy Lowen) | |
| Emma MacDevitt | .... | stand-by art director | |
| Darryl Paterson | .... | dressing props | |
| Anne Seibel | .... | art director: France (as Anne Seibel) | |
| Bryan Smith | .... | stand-by carpenter | |
| Glenn Start | .... | stand-by painter | |
| Roger Tyrell | .... | construction manager | |
| Sara Wan | .... | production buyer | |
| Frank Howe | .... | drapes master (uncredited) | |
Sound Department | |||
| Philip Bothamley | .... | dubbing editor (as Phil Bothamley) | |
| Fiona Curran | .... | dubbing editor | |
| James Harris | .... | third man sound | |
| Billy Mahoney | .... | dubbing mixer | |
| Shaun Mills | .... | boom operator | |
| Leon Minas | .... | foley recordist | |
| Santiago Recio | .... | sound re-recording mixer | |
| Roger Slater | .... | sound recordist | |
| Nigel Squibbs | .... | foley editor | |
Special Effects by | |||
| Mark Holt | .... | special effects | |
| John Markwell | .... | special effects | |
Stunts | |||
| Richard Hammatt | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Steve Anthony | .... | electrician | |
| Jon Beacham | .... | clapper loader | |
| Barry Davis | .... | electrician | |
| Ele Denman | .... | camera trainee | |
| Darren Harvey | .... | best boy | |
| Jeremy Hiles | .... | camera operator | |
| Bob Hunt | .... | electrician | |
| Stuart King | .... | gaffer | |
| Micky Patten | .... | grip | |
| Kim Seber | .... | focus puller | |
Costume and Wardrobe Department | |||
| Russell Barnett | .... | costume assistant (as Russell Barnet) | |
| Caroline Hume | .... | costume design assistant | |
| Dulcie Scott | .... | wardrobe supervisor | |
| Berenice Wright | .... | costume assistant | |
Editorial Department | |||
| Chris Beeton | .... | telecine operator | |
| Bridgette Williams | .... | assistant editor | |
Music Department | |||
| Paul Golding | .... | music scoring engineer | |
Other crew | |||
| Mathieu Baillargeon | .... | production team member: France | |
| Jean Phillippe Baudart | .... | production team member: France | |
| Amanda Black | .... | production coordinator | |
| Joanie Blaikie | .... | production executive | |
| Maggie Boyd | .... | script supervisor | |
| Sarah Brown | .... | assistant script editor | |
| Sarah J. Brown | .... | assistant script editor (as Sarah Brown) | |
| Nina Cunningham | .... | production runner | |
| Sammi Davis | .... | production secretary | |
| Claire Deloire | .... | production secretary: France | |
| Monique Eydan | .... | production accountant: France | |
| Nick Fulton | .... | location manager: UK | |
| Pierre-Hugues Galien | .... | production team member: France | |
| Jane Gibson | .... | choreographer | |
| Jamie Lengyel | .... | location manager: France | |
| Emma Pill | .... | location manager: UK | |
| Rachel Plose | .... | production accountant | |
| Pier Wilkie | .... | script editor | |
| Michael Wood | .... | production executive | |
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| Madame Bovary | Madame Bovary | The Children of the Century | Cousin Bette | Barry Lyndon |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
The book - I read it one day before I watched the film on DVD - is (as often) much better. It sounds like a cliché but it's a fact. It's difficult to understand the motives of Madame Bovary and one simply needs hundreds of pages to describe what's going on in her mind.
Of course the movie omits many details of the original story. Yet the actors who perform the personages of Bovary, Homais, Lheureux and many minor roles are cast well. However, Frances O'Connor is not a credible Madame Bovary. I think it is difficult to find a actress for this complicated character. I could not help imagining that Emma Thompson might have been a much more sympathetic and understandable Emma Bovary.
Yet I think the BBC deserves a 7 out of 10 for this attempt to represent Flaubert's masterpiece.