After a brutal gay bash attack at a reggae dance hall competition, a group of thuggish performers defend their actions as being provoked by the victim. They serve a shockingly light ... See full summary »
Rikki Beadle Blair
Duran Fulton Brown,
The Lair is a private gay club run by vampires, who use the club as a source for attractive young men to feed from. Thom, a local journalist in the small island town begins digging into the... See full summary »
Four young offenders and their care workers visit the remote Yorkshire village of Mortlake, which prides on keeping itself to itself. A minor incident with locals rapidly escalates into a blood-soaked, deliriously warped nightmare.
Kwame is seventeen; sexy and unswervingly straight with his hormones raging like a forest fire. But there's no room in his packed schedule to feed the flames. His best mate's in love with his dad - his gay dad has just divorced his husband and plunged into a mid-life attack of 'adultescence', buying a skate-park and becoming the original bitch on wheels. The family counselor has run off with his girlfriend's nouveau rich millionaire father, and his bitch/angel girlfriend is hanging out with a pair of sexy 'lippy lesbians'. It ain't easy being straight in the 21st century - but hey, someone's got to do it... Written by
[calling to his boyfriend who's in the bathroom as he writhes on their bed...]
You've got ten seconds to wash your face... Or I'm starting without you. I'm gonna do more than just good old-fashioned "make your dreams come true." Times up! I'm gonna make your reality compete with your dreams.
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It seems the reviews on this series are mixed. (At least on this site) so let me add my 2 cents worth (pence worth?)
I rented Metrosexuality from my local gay bookstore along with California based soap, West Hollywood Stories. What can I say? Once again the Brits blow us away when it comes to telling good stories in an engaging way.
Metrosexuality is wonderful. It takes an even less traditional stance than `Queer as Folk' but presents gay folks (and their friends and families) in a positive light. The characters are presented within a gay subculture but within that milieu they are so real and understandable that I can identify with them all, even those that are very different from anyone that I know. As a gay man in his 40's I expect to be able to empathize with a 40 something gay man with a son and an ex-lover who's dating an ex-paratrooper but I was amazed by how quickly I felt myself in empathy with a straight man nearing middle age who's missing his wife.
The actors are uncommonly good looking and there's a wide variety to suit all tastes. The dialogue is so witty that this `Yank' longed for subtitles so that I wouldn't miss anything. The music integrated into the episodes was great and the different closing montages for every episode were a hoot. I only hope that this series goes on and on and that I can somehow find the next set of episodes in the good ole USA.
Unlike Queer as Folk, I don't see this one making it `across the pond' as the sensibility is more British and less easily translated, particularly in its equal treatment of blacks. More's the pity.
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