In commedia dell'arte style, an actor on a stool presents six distinct characters through speedy application of whiskers and a hat or, in one case, a wig followed by a few gestures. First ... See full summary »
Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a ... See full summary »
Members of the French Photographic Society arrive from a riverboat to their congress venue in Neuville-sur-Saône on a summer day. They go ashore across a wooden landing stage. Among the ... See full summary »
Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of ... See full summary »
Outdoors, with a nondescript building in the background, four men stand, each holding the corner of a blanket stretched parallel to the ground. They wear the clothes of laborers. By the ... See full summary »
In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black uniform, demonstrates how to mount the... See full summary »
A rowboat with three men is leaving a little harbor. Two of them are rowing the boat, while the third is sitting in the stern. All of them wear hats. They are passing the outer end of a ... See full summary »
A stationary camera looks across the boulevard at a diagonal toward one corner of Lyon's Cordeliers' Square. It's a long shot, with a great deal of depth of focus. We can see the sky and ... See full summary »
A baby is seated at a table between its cheerful parents, Auguste and Marguerite Lumière. While the father is feeding the baby with a spoon, the mother is pouring coffee into her cup. The ... See full summary »
Mrs. Auguste Lumiere,
In Phil Hardy's encyclopedia of science fiction films, this 50-second movie by Lumière was celebrated as the first science fiction film ever. Why not? It is the first time there was given a cinematic form for fear of technology. Here the theme is dealed with humour. There is a big box with circulaw saw in it. A pig is put in and it comes out as sausages and other kind of meat products.
Of course, you can't seriously talk about science fiction films as a genre before the 50's, but "La charcuterie mécanique" has certainly a scifi-angle in it.
Anyway, this is the funniest film by Lumière I have seen, and least dated of his fictitious subjects.
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