| Courtney Love | ... | Joan Vollmer Burroughs | |
| Kiefer Sutherland | ... | William S. Burroughs | |
| Lisa Sheridan | ... | Sadie | |
| Patricia Llaca | ... | Mary (as Patricia De Llaca) | |
| Steve Hedden | ... | Pharmacist | |
| Ron Livingston | ... | Allen Ginsberg | |
| Norman Reedus | ... | Lucien Carr | |
| Daniel Martínez | ... | Jack Kerouac | |
| Kyle Secor | ... | Dave Kammerer | |
| Pedro Gonzalez | ... | Knife Sharpener | |
| Georgiana Sîrbu | ... | Julie | |
| Rene Rubio | ... | Bill Jr. | |
| Sam Trammell | ... | Lee | |
| Alec Von Bargen | ... | Heard | |
| Tommy Perna | ... | Dwight | |
| Luis Felipe Tovar | ... | Federale Sergeant | |
| Khotan | ... | Federale Officer (as Kothan) | |
| Serafina De Lorca | ... | Woman at Angahuan | |
| Chano Samoana | ... | Man at Bar | |
| Darren Ross | ... | UPI colleague | |
| rest of cast listed alphabetically: | |||
| Luisa Huertas | ... | Maria (uncredited) | |
Directed by | |||
| Gary Walkow | |||
Writing credits | ||
| Gary Walkow | (written by) | |
Produced by | |||
| Michael Beugg | .... | co-executive producer | |
| Willi Bär | .... | executive producer | |
| Wendy Pier Cassileth | .... | co-producer | |
| Alejandra Cárdenas | .... | co-producer (as Alexandra Cárdenas) | |
| Leonardo de la Sierra | .... | co-producer | |
| Danny Dimbort | .... | executive producer | |
| Dave Duce | .... | assistant producer | |
| Avi Lerner | .... | executive producer | |
| Heidi Levitt | .... | co-producer | |
| Nicole M. Libresco | .... | line producer | |
| Andrew Pfeffer | .... | producer | |
| Trevor Short | .... | executive producer | |
| Alain Silver | .... | producer | |
| Antonio Zavala Kugler | .... | co-executive producer | |
| Víctor Zavala Kugler | .... | co-executive producer (as Víctor Zavala) | |
| Donald Zuckerman | .... | producer | |
Original Music by | |||
| Ernest Troost | |||
Cinematography by | |||
| Ciro Cabello | |||
Film Editing by | |||
| Peter B. Ellis | |||
| Steve Vance | |||
Casting by | |||
| Heidi Levitt | |||
| Monika Mikkelsen | |||
Production Design by | |||
| Rando Schmook | |||
Art Direction by | |||
| Ana Solares | |||
Costume Design by | |||
| David Chierichetti | |||
| Patricia Delgado | |||
Makeup Department | |||
| Paco Baron | .... | hair stylist | |
| Gabriela Benito | .... | makeup artist | |
| Jahel Enguilo | .... | hair stylist | |
| Humberto Escamilla | .... | assistant makeup artist | |
| Kathy Jeung | .... | key makeup artist | |
| Gabriela Ovalle | .... | makeup artist | |
| Lona Vigi | .... | key hair stylist | |
Production Management | |||
| Jesús Jimenez | .... | production manager: Mexico | |
| Nicole M. Libresco | .... | production manager | |
| Michael Toji | .... | post-production supervisor | |
Art Department | |||
| Arturo Bastón | .... | assistant art director | |
| Alejandra Cuervo | .... | art department assistant | |
| René Marquéz | .... | on-set dresser | |
| Zaida Monteforte | .... | art coordinator | |
| Hugo A. Reyes | .... | property master | |
Sound Department | |||
| Katherine Alcantar | .... | dialogue assistant | |
| Eric Behrend | .... | sound re-recording mixer | |
| Sarah Brady | .... | adr supervisor | |
| Matthew T. Duncan | .... | sound recordist | |
| Carlos Isais | .... | sound recordist | |
| Jerry Jordan | .... | sound re-recording mixer | |
| Jon Mete | .... | supervising sound editor | |
| Jon Metz | .... | sound supervisor | |
| Gina Nuccio | .... | adr editor | |
| Doug Reed | .... | foley artist | |
| Scott Rusch | .... | foley recordist | |
| Leon Sandoval | .... | boom operator | |
| Brian Smith | .... | adr mixer | |
| Mimi Starrett | .... | sound services manager | |
| Cameron Steenhagen | .... | dialogue editor | |
| William Jacobs | .... | sound editor (uncredited) | |
Stunts | |||
| Arminius Arzate | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Jose Cabiya | .... | camera loader | |
| Oswaldo Carrera | .... | grip | |
| Ricardo Covarrubias | .... | best boy | |
| Mariano Federico Garcia | .... | still photographer | |
| Pedro Gonzalez | .... | key grip | |
| Jesús González Gancy | .... | gaffer | |
| Noe Muñoz | .... | first assistant camera | |
| Ismael Parades | .... | dolly grip (as Ismael Paredes) | |
| Regino Perez | .... | best boy | |
| Juan Pablo Somohano | .... | second assistant camera | |
Casting Department | |||
| Leah Buono | .... | casting associate: USA | |
Costume and Wardrobe Department | |||
| Amy Brownson | .... | seamstress | |
| Liz Cowan | .... | costume designer: Ms. Love | |
| Gary Farnsworth | .... | assistant costumer: USA | |
| Eduardo Hermosilla | .... | assistant costumer: Mexico | |
| Kristen Johnson | .... | assistant costumer: USA | |
| Yasmine Mustaklim | .... | assistant costumer: USA | |
| Jaime Ortiz | .... | key set costumer | |
| Bao Tranchi | .... | seamstress | |
| Fernando Varela | .... | assistant costumer: Mexico | |
Editorial Department | |||
| Lauren Anderson | .... | assistant editor | |
| Megan Madzoeff | .... | first assistant editor | |
| Joy Stingone | .... | apprentice editor | |
| David C. Whitten | .... | color timer | |
Music Department | |||
| Louise Hatem | .... | music producer | |
| Ernest Troost | .... | conductor | |
| Ernest Troost | .... | music producer | |
| Ernest Troost | .... | orchestrator | |
Other crew | |||
| Federico Alvarez | .... | production assistant | |
| Mariel Ayuso | .... | production assistant | |
| Hans Paul Brauns | .... | location manager | |
| Linda Brookover | .... | production executive | |
| Eaquel Cortes | .... | assistant production accountant | |
| Rodrigo Herranz | .... | production coordinator | |
| Sarah Maruri | .... | production secretary | |
| Valerie Miranda | .... | assistant to director | |
| Emily Mullen | .... | assistant to producers | |
| Alejandra Orozco | .... | production secretary | |
| Lourdes Perez Nido | .... | production accountant | |
| Ana Rebuelta | .... | script supervisor | |
| Zana Ross | .... | assistant to producers | |
| Bernando Terrones | .... | key production assistant | |
| Claudia Tovar | .... | production assistant | |
| Steve Vance | .... | title designer | |
| Vivian Velasco | .... | assistant production coordinator | |
| Alma Rosa Zuñiga | .... | stand-in: Ms. Love | |
| Eric Jones | .... | visual consultant (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| Great movie! | brianhasbigears |
| One of my favorites! | gdzac |
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| So Sweet, So Dead | Total Eclipse | American Beauty | Before the Devil Knows You're Dead | Howl |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I wasn't expecting much (truth be told) but was quite pleasantly surprised. As much as history equates to fiction (and from what I've heard/read this movie must be taken as a work of near-fiction.. "sources" being what they are..) this story still made for a pretty good motion picture. Courtney Love is a very good actress, and not many parts is she better suited to than that of Joan Burroughs. I liked her performance. Keifer Sutherland also made a pretty convincing Bill. The guy that played Lucien Carr (Norman Reedus?) was also impressive.
As "interpretive" as the story was I didn't resent it as much as I thought I might. I imagine William Burroughs, were he still in the land of the living, might have had a few issues with this film but hey, movies always without fail in-one-way-or-another romanticize the truth (truth, truth.. mmmm.. ponder it) and the movie DID do that.. but not as grotesquely as it could've and for that, if nothing else, I liked it. Well-observed (in a secondary, nobody-here-was-actually-there, speculative kind of way) the story still flowed (aided by the, in my opinion, very good performances.) Keifer made William Burroughs seem to have emotions, and strong ones at that, which was interesting.. as you never really picture him like that. (Going by the tone of his spoken-word recordings maybe? the dour face? the slightly contemptible countenance? I don't know.. you just never think of him as the howl-at-the-moon type.. I think Keifer's attempt at humanizing him was quite admirable really.)
The script wasn't bad (could've been MUCH worse.. riddled with beatnik cliches..) there were no real cringe-worthy moments (no-one said anything to the effect of "are you hip to all that jazz" etc etc.. which was a relief.) I liked the movie overall. It's no major statement, and you'd do infinitely better to read some of the great biographies out there if you want an overview of the tale and the beats in general, but the movie is a harmless, and quite enjoyable, footnote.
I liked the quotes at the end (their attempt at a summery i suppose..) especially the gorgeous quote from Lucien Carr. Oh yes and Ron Livingston was also in fine form as poor old lovelorn Allen Ginsberg.