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Beat (2000)

 -  Drama  -  29 January 2000 (USA)
5.6
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Ratings: 5.6/10 from 1,123 users  
Reviews: 30 user | 17 critic

The story of writer William Seward Burroughs and his wife.

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Title: Beat (2000)

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Cast

Cast overview, first billed only:
...
...
...
Sadie
Patricia Llaca ...
Mary (as Patricia De Llaca)
Steve Hedden ...
Pharmacist
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...
Daniel Martínez ...
...
Pedro Gonzalez ...
Knife Sharpener
Georgiana Sîrbu ...
Julie
Rene Rubio ...
Bill Jr.
...
Lee
...
Heard
...
Dwight
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Storyline

The story of writer William Seward Burroughs and his wife.

Plot Summary | Add Synopsis

Taglines:

Sex and Drugs before Rock and Roll

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for language and elements of sex, drugs and violence | See all certifications »

Parents Guide:

 »
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Details

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Release Date:

29 January 2000 (USA)  »

Also Known As:

Beat - pahan syke  »

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Quotes

Allen Ginsberg: I left Bill. Bill was sucking me dry. Bill is a psychic vampire. That's his phrase.
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Connections

Version of Naked Lunch (1991) See more »

Soundtracks

Hug Me, Slug Me
Music and Lyrics by Gary Walkow
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User Reviews

Dull Fingers Talk!
20 July 2001 | by (Perth, Australia) – See all my reviews

Look I think William Burroughs was one of the most important figures in not only post-War literature, but in pop culture generally. His work and ideas, and those of the other Beats, have had enormous repercussions on all kinds of arts, and have directly or indirectly affected many of our lives whether we know it or not. Burroughs life was almost as fascinating as his work, but you wouldn't know it from watching 'Beat', as it manages to condense some fascinatingly uncliched relationships into a soap-like love triangle.

I was suprised at the casting of Kiefer Sutherland at first. He isn't an obvious choice to play Burroughs, but he tries hard to humanise him. Unfortunately the thin script doesn't give him much to go on. Likewise Ron Livingston (best known for 'Office Space') does fairly well as Allen Ginsberg, but the script doesn't convince with it's simplistic, almost stereotypical drawing of a complex figure. Lastly, Courtney Love is fine as Burroughs second wife Joan Vollmer, but once again the writing simplifies a multi-layered person into an easy to grasp "character".

It speaks volumes that Cronenberg's surreal 'Naked Lunch' manages to give a much richer and more convincing depiction of these tragic events than the more "realistic" 'Beat'. Perhaps the only way to really deal with the Beats on screen is to aim closer to the approach of their own poetry and prose. The definitive movie portrayal of Burroughs, Ginsberg and co has yet to made. I hope one does eventuate as it's a story that NEEDS to be told!


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