A bickering couple drive fast through a downpour to catch the last ferry to their island retreat. In a flash, they recognize a crumpled body laying at the side of the road after much ... See full summary »
Set in the not so distant future, in Any Town USA, sixteen year old Herman Howards makes a fateful decision. He enters his suburban school and kills thirty nine students, two teachers, and ... See full summary »
The Beat Nicks are musician Nick Nero and poet Nick Beat, a pair of self-styled truth-seekers who'd better find a gig or they'll be out on the street. Their luck begins to change when they ... See full summary »
Mark Boone Junior,
Floating is the story of a young man's struggle to come of age during a violent period of emotional and financial bankruptcy. The film stars Norman Reedus as Van, a son shouldering the ... See full summary »
Preston Tylk is an ordinary guy living in Seattle. When he discovers that his wife, Emily, whom he adores, is having an affair, he is devastated. Storming out of the house, he returns later only to find her brutally murdered.
The trailer shows scenes not in the final version of the film. These seem to include scenes with Jack Kerouac and others from New York appearing only in brief flashback in the film. As well, a scene of William Burroughs reading a newspaper story to Joan about a fire at a zoo. The phrase "and the hippos were boiled in their tanks" which comes from this story was the title of the unpublished novel by Kerouac and Burroughs about the David Kammerer murder. See more »
Beat was quite possibly one of the most disappointing ventures I've yet encountered. Seeing it on the shelves at Hollywood Video, I promptly put down my other options and grabbed it up. It's rare that a movie about the Beats comes around, and this dharma bum wasn't about to pass it up...much to my chagrin. The movie first and foremost is just downright boring. (I guess I should take this opportunity now to say that I'm a huge student of the Beat Generation. Burroughs and Kerouac are two of my biggest influences in both poetry and prose.) The acting was lackluster with the exceptions of Kilmer's Burroughs and Livingston's Ginsberg (both were bloody perfect). I can't help but feel that Beat was beaten to death in the editing room. There was potential for a great script here, but it was the creative fecal matter of Gary "The Trouble with Dick" Walkow.
One final complaint that has nothing really to do seriously with the film: Would it be too much to ask for Gary to squeeze in more than 0.1 seconds of Jack?
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