While they're on vacation in the Southwest, Rae finds out her man Michael spent their house money on a classic car, so she dumps him, hitching a ride to Vegas for a flight home. A kid ... See full summary »
In New York, Alvin Sanders is a small-time thief who's just been hauled in for stealing a bunch of prawns (shrimp) from a local restaurant. He ends up in a cell with John Jaster, one half of a high-tech criminal team that's just stolen $42,000,000 worth of gold from the Federal Reserve. Realizing that he could die at any moment from his worsening heart condition, Jaster tells Alvin to relay a cryptic message to his wife about the whereabouts of the hidden gold. Alvin doesn't know exactly what the message means, and Edgar Clenteen, the U.S. Treasury investigator working the case, hopes it will lead to the gold or Jaster's partner Bristol, but it does neither. Eighteen months later, Jaster is dead, and both Clenteen and Bristol are still looking for that gold. Clenteen decides to secretly plant a tracking device in Alvin's jaw, release him from prison, and then let the word out that he knows where the gold is hidden. Knowing that Bristol is probably watching their every move, Clenteen ... Written by
When Bristol is reading the information on Alvin from the FBI one screen shows a picture of Alvin holding a pron with the following text. ALVIN DEAN SANDERS WAS BEING SOUGHT IN CONNECTION WITH THE ATTEMPTED BURGLARY OF A NEW YORK SHRIMP WAREHOUSE CONSIDERED EXTREMELY BUMBLING THE FBI IS OFFERING A $50,000 REWARD FOR INFORMATION LEADING DIRECTLY TO THE ARREST OF ALVIN DEAN SANDERS IF YOU CAN READ THIS YOU ARE TOO CLOSE
IF YOU CAN READ THIS YOU ARE TOO CLOSE. THE ACCURACY OF THE DATA SUBMITTED BY THE REQUESTER WILL DIRECTLY DETERMINE THE ACCURACY OF THE RESULTS OBTAINED WHILE THE INFORMATION FURNISHED IS FROM RELIABLE SOURCES IT'S ACCURACY IS NOT GUARANTEED USE OF AVAILABLE DATA MAY BE SUBJECTED TO FCRA AN OTHER APPLICABLE LAW See more »
When the Mercedes is sliding on its side causing sparks, then car stops after hitting another car. The sparks continue to flow out after the car stops. See more »
...that Jamie Foxx would ever deliver such a wonderful, Oscar-winning performance. One of the reasons why I was so impressed with Foxx's performance in "Ray" was because from watching his hammy, obnoxious acting in movies like "Bait" and "Booty Call," I would never imagine he would ever hold the Oscar. If people told me five years ago that Jamie Foxx was one day going to win an Oscar, I would laugh right in their faces. Who knows? Maybe he's better off sticking to drama, because if you watch "Bait," it's clearly evident that comedy is not his forte. I swear, Jamie mugs so much in this movie that I'm surprised his face didn't fall off. And why does he have to do those stupid voices at every chance he gets? Anyone familiar with comedians like Bob Newhart and Steven Wright knows that doing comedy doesn't require being loud and obnoxious. If a joke is funny, it's funny. If it's not funny, then doing some crazy accent is not going to make it any funnier. The problem I have with some comedians who decide to try acting is that they favor getting laughs over being in character. In real life, normal people don't always have witty comebacks and quips. Like Albert Brooks said in an interview discussing his character in "Taxi Driver," it's important to be funny as your character, rather than be funny as a comedian. A prime example of Jamie violating that rule is the nauseatingly awful scene where his mug shots are being taken, and he starts posing for the photographs like a model. If a regular person were being thrown in jail, would he really be acting goofy while having his mug shots taken? And wouldn't the police try to scold him if he was? There are many scenes like that throughout the film. Another awful sequence is one where Jamie is on the unwittingly on the phone with the villain, and he starts doing a phony Caribbean accent. Not funny! Not to mention Jamie never seems to acknowledge the timing of a joke. Giving a comedic performance requires patience, whereas he goes straight to the punchline, whether it's the right time for it or not. I'm not even a big Mike Epps fan, but even his performance is good in comparison to Jamie's. As a matter of fact, this is the first time I felt somewhat relieved whenever he would appear on screen. Epps has the same flaws when it comes to comedy, but at least he chooses a more low-key approach. One of the few bright spots in this clunker of a comedy is David Morse, a highly underrated actor mostly known for his supporting roles as villains. He seems to be the only actor in the film concerned with grounding it in reality. However, fellow "Green Mile" star Doug Hutchison is disgustingly over-the-top as the villain. A big surprise, considering he gave a superb performance in "The Green Mile," also playing a heavy. Antoine Fuqua has proved his directing chops in movies like "The Replacement Killers" and "Training Day." Even in "Bait," he shows he can direct a hell of an action sequence. His only problem seemed to be in disciplining Jamie Foxx, who probably improvised half the script with one bad joke after another. Unless you're a die-hard fan of Foxx, please don't take the bait.
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