Amélie (2001)
"Le fabuleux destin d'Amélie Poulain" (original title)

Amelie, an innocent and naive girl in Paris, with her own sense of justice, decides to help those around her and along the way, discovers love.

Director:

Jean-Pierre Jeunet

Writers:

Guillaume Laurant (scenario), Jean-Pierre Jeunet (scenario),

Stars:

Audrey Tautou, Mathieu Kassovitz, Rufus

Top 250 #68 | Nominated for 5 Oscars. Another 54 wins & 50 nominations.

Cast

Cast overview, first billed only:
Audrey Tautou	...	Amélie Poulain
Mathieu Kassovitz	...	Nino Quincampoix
Rufus	...	Raphaël Poulain
Lorella Cravotta	...	Amandine Poulain
Serge Merlin	...	Raymond Dufayel
Jamel Debbouze	...	Lucien
Clotilde Mollet	...	Gina
Claire Maurier	...	Madame Suzanne - la patronne du café
Isabelle Nanty	...	Georgette
Dominique Pinon	...	Joseph
Artus de Penguern	...	Hipolito
Yolande Moreau	...	Madeleine Wallace
Urbain Cancelier	...	Collignon
Maurice Bénichou	...	Dominique Bretodeau
Michel Robin	...	Mr. Collignon

Storyline

Amélie is a story about a girl named Amélie whose childhood was suppressed by her Father's mistaken concerns of a heart defect. With these concerns Amélie gets hardly any real life contact with other people. This leads Amélie to resort to her own fantastical world and dreams of love and beauty. She later on becomes a young woman and moves to the central part of Paris as a waitress. After finding a lost treasure belonging to the former occupant of her apartment, she decides to return it to him. After seeing his reaction and his new found perspective - she decides to devote her life to the people around her. Such as, her father who is obsessed with his garden-gnome, a failed writer, a hypochondriac, a man who stalks his ex girlfriends, the "ghost", a suppressed young soul, the love of her life and a man whose bones are as brittle as glass. But after consuming herself with these escapades - she finds out that she is disregarding her own life and damaging her quest for love. Amélie then ...

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Plot Keywords:

love | waitress | garden gnome | hypochondriac | happiness | 

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Taglines:

She'll change your life.

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Genres:

Comedy | Romance

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Motion Picture Rating (MPAA)

Rated R for sexual content

Details

Official Sites:

Official Facebook Official site

Country:

France Germany

Language:

French Russian

Release Date:

25 April 2001 (France)

Also Known As:

Amélie

Filming Locations:

France

Box Office

Budget:

FRF 77,000,000 (estimated)

Opening Weekend:

$2,069 (Iceland) (8 February 2002)

Gross:

$33,201,661 (USA) (28 June 2002)

Company Credits

Production Co:

Claudie Ossard Productions, Union Générale Cinématographique (UGC), Victoires Productions

Technical Specs

Runtime:

122 min

Sound Mix:

DTS Dolby Digital

Color:

Black and White Color (Duboicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Hipolito is a reference to the secondary character Hippolite Terentyev, an unlucky philosopher, from the novel 'The Idiot' (1869) by Fyodor Dostoevsky. The main character of the novel is a person who is innocent, naive and immensely kind just like Amelie - most likely the film was inspired by the book.

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Goofs

(English subtitled version) Throughout the film, Madame Wallace's name is spelled "Wells" in the subtitles.

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Quotes

[first lines]
Narrator: On September 3rd 1973, at 6:28pm and 32 seconds, a bluebottle fly capable of 14,670 wing beats a minute landed on Rue St Vincent, Montmartre. At the same moment, on a restaurant terrace nearby, the wind magically made two glasses dance unseen on a tablecloth. Meanwhile, in a 5th-floor flat, 28 Avenue Trudaine, Paris 9, returning from his best friend's funeral, Eugène Colère erased his name from his address book. At the same moment, a sperm with one X chromosome, belonging to ...

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Crazy Credits

In the opening credits, the girl playing Amélie as a child is shown doing various things. If you give a careful look at these activities, you'll find they illustrate the credits shown at the same time.

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Connections

References Chungking Express (1994)

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Soundtracks

"Les Jours Tristes (instrumental)"
Written by Neil Hannon
Arranged and Performed by Yann Tiersen

User Reviews

A nice little film

Rating: ***1/2 out of ****

What a fun film! From the moment it begins, "Amelie" bursts with joy and energy. It's a fable of sorts, a love letter to a Paris fondly dreamt of by many. It may not be the real world, but it is such a delightful fantasy that it doesn't matter how unbelievable some of it may be. "Amelie" is the rare romantic comedy that has both the romance and the comedy. It isn't very surprising that this has been a hit in France for a while now, and I have no doubt it will find the audience it needs in the States as well.

Amelie Poulain (Audrey Tautou) is a nave girl working at the Two Windmills Caf. When she was a child her mother and teacher was an innocent victim of a suicide gone awry. Amelie stayed with her father until she was old enough to leave and lead a life of her own. One day she finds a small box of treasures behind a tile in her wall, she decides to return it to her owner and become a natural do-gooder. Later on, she catches a man groping for lost photos under a photo booth (Nino Quincampoix, played by Mathieu Kassovitz), and it's love at first sight. She decides to go on a quest to find this man and help anyone she can along the way (including her father and co-workers).

I said before that this film was a love letter to Paris, it is also a love letter to Amelie herself. Jean-Pierre Jeunet (director and co-screenwriter) conjured the film like a dream, as if Amelie is his dream girl and he is trying to save her and bring her to a happy ending. It's not hard to want everything to work out for her and her friends. Amelie Poulain is the kind of person who you wish was your best friend, your neighbor or your sister. She bounces along with good grace and whimsy living life to its fullest, yet keeping a mischievous grin. She has her own idea of justice that isn't very disagreeable. The tormentors must in turn be tormented; the lifeless must be brought to life. The film is like a non-musical "Bells Are Ringing", with our heroine bringing so much life to those around her but neglecting her wants and needs.

After seeing Audrey Tautou as Amelie, I can't possibly imagine anyone else in that role. She embodies Amelie like no one else could, she is a rare find that pulls off the job of breathing life into Amelie in spades. Wait, I take that back. She does not just breathe life into Amelie, Tautou makes her jump off the screen and pull the audience into the story. It would be a crime for her not to get a Best Actress nomination for her role.

Magical is the world that Amelie lives in, where photos and lamps come alive to aid her quest, where TV shows are showing nothing but her story. The story this setting surrounds is pretty standard, and presented plainly could have just been another machine-processed romantic comedy. Is it too sappy? No. On the contrary, the film takes quite a few steps to make sure it doesn't become tacky or conventional. The rich, storybook setting and a witty screenplay (asides are taken to deepen our connection each character, little things that each likes and dislikes) make the film all the more a delight to watch. The cinematography, crafted by Bruno Delbonnel, does wonders for "Amelie". The camera captures the action with an eye of a child in a candy store, beautifully bringing about each shot as a new discovery.

With films like "The Widow of Saint-Pierre", "With a Friend Like Harry" and box-office hit "Brotherhood of the Wold", French cinema has had quite a year. It's a delight that we round off the year with "Amelie", a fresh, funny journey that could have easily just been more Meg Ryan-esque romantic comedy fodder. If not for anything else, see it for Tautou's performance, but prepare to be smothered in a dream world.