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When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.
Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
Amélie is a story about a girl named Amélie whose childhood was suppressed by her Father's mistaken concerns of a heart defect. With these concerns Amélie gets hardly any real life contact with other people. This leads Amélie to resort to her own fantastical world and dreams of love and beauty. She later on becomes a young woman and moves to the central part of Paris as a waitress. After finding a lost treasure belonging to the former occupant of her apartment, she decides to return it to him. After seeing his reaction and his new found perspective - she decides to devote her life to the people around her. Such as, her father who is obsessed with his garden-gnome, a failed writer, a hypochondriac, a man who stalks his ex girlfriends, the "ghost", a suppressed young soul, the love of her life and a man whose bones are as brittle as glass. But after consuming herself with these escapades - she finds out that she is disregarding her own life and damaging her quest for love. Amélie then ... Written by
Jean-Pierre Jeunet originally wanted Michael Nyman to score the film, but was unable to get him. Someone then gave Jeunet a CD by Yann Tiersen, who composes in a similar minimalist style, but with an extremely quirky, eclectic mix of instruments. Jeunet fell in love with the music and scored the film largely with existing pieces by Tiersen, for which he bought the rights. In addition, Tiersen wrote an original main theme, "La Valse d'Amelie," which was recorded in numerous variations and used throughout the film. See more »
When Amelie is in the park on the phone with Nino, she tells him to look at 'Page 51', but the subtitle reads 'Page St'. This was corrected for the Netflix version, though it says 'Page 62' instead of '51.' See more »
On September 3rd 1973, at 6:28pm and 32 seconds, a bluebottle fly capable of 14,670 wing beats a minute landed on Rue St Vincent, Montmartre. At the same moment, on a restaurant terrace nearby, the wind magically made two glasses dance unseen on a tablecloth. Meanwhile, in a 5th-floor flat, 28 Avenue Trudaine, Paris 9, returning from his best friend's funeral, Eugène Colère erased his name from his address book. At the same moment, a sperm with one X chromosome, belonging to ...
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In the opening credits, the girl playing Amélie as a child is shown doing various things. If you give a careful look at these activities, you'll find they illustrate the credits shown at the same time. See more »
To start off with, I heard a lot of good things about this movie when it was on the big screens but never got around to see it before it disappeared. Sitting here, long after in the aftermath, I might never forgive myself for missing that opportunity. Eventually I did get around to see it, though a small TV never does a film the same justice a theater does, and being a bit sceptic about the small hype this movie caused made me prejudice about it, but I must say I have never been so wrong before. And I am happy saying it.
This movies biggest crime, and yet its biggest asset, is that it is in French. Subtitles just does not bring full justice to a movie like this, and it is bound to scare off most of the audience not used to subtitled movies. Sad to say so, but I believe it is the truth. I do not know any French at all, but I sure wish I was fluent watching this movie!
Compared to most other films "Amelie" (and I will stick to "Amelie" since "Le Fabuleux destin d'Amélie Poulain" is a bit long to write) is based on a rather ordinary and plain story everyone can relate to, but it is given to us in a very special kind of way, mixed with wonderful little subplots and an almost chaotic amount of details. We get to see and experience the world and especially Paris through the filtering eyes and fantasy of Amelie, A Paris that might feel small and limited on the screen but in fact is just as big as it is in the eyes of Amelie.
Director Jean-Pierre Jeunet brings to life the world of Amelie with colors, masterful camerawork and a few special effects (Well, I have certainly felt like melting a couple of times too in my life!). Some people I spoke to before seeing "Amelie" criticized it for being too childish and unrealistic, but I believe it is an essential part of the movie since Amelie herself is a very childish and imaginative young girl. She just happens to fall in love one day when she decides to embark on a quest. Jean-Pierre Jeunet manages to bring us along without losing control of the set or the plot. It is exactly this kind of movie that could easily be overdone and lose all of its magic in the hands of the wrong person, but Jean-Pierre Jeunet never slips a single time. For you who think you never heard of him before he is actually the same man who brought us "Alien 4" back in 1997, (I still refuse to believe he was involved in that horrible film...), and the wonderful "Delicatessen" in 1991.
Audrey Tautou could not be overemphasized for her importance in portraying Amelie. I am a bit embarrassed admitting it but I was almost falling in love with Amelie myself, forgetting she was only fiction on the screen. However she does not carry "Amelie" solely by herself. The cast makes an excellent whole and it is hard imagining switching anyone without affecting the whole outcome. Everyone manages to make the most out of their role and even though we only get to know some of them briefly they come alive just as much as Amelie herself does.
I could go on forever about "Amelie". It contains so many details and switches in tempo and camerawork it has to be seen more than once to take in and understand everything. Damn it, "Amelie" made me happy, laughing out loud at times, and very few movies affects me like that.
I very rarely give movies a 10, and I was indeed considering a 9 for a while, but for me this is one of those movies I will come back to time after time. Long after the CG thrills of hyped fantasy movies and big budget Hollywood productions have faded and been forgotten, Amelie will still be jumping around in my heart, doing all those silly and charming little things I wish I dared to do too...
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